Hodgkinson picks up right where his previous and immensely entertaining
Guitar Man left off. After learning to play the guitar and perform on stage in only six months, with the help of fret board luminaries such as the Smiths' Johnny Marr, Hodgkinson attempts to learn how to write songs and then get them recorded, although this time he gives himself a year to do it all. When his first songs are met by his friends with less than enthusiasm (Are you going to sing 'Mystery Fox' to Hal David and Carole King?), Hodgkinson seeks out various songwriters such as XTC's Andy Partridge who are more encouraging (At least it's a good title). One of Hodgkinson's most endearing features—and one that his prose perfectly captures—is his utter lack of fear. In his humbling, and enjoyable, musical journey, he's willing to talk with unknown songwriters as well as Andrew Lloyd Webber (With perfect grace he found a way of agreeing with whatever inanity spewed from my mouth before explaining aspects of his craft with eloquence).
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"Song Man is a vivid portrait of pursuing a creative life, despite the odds, with an emotionally driven narrative and spot-on characterizations."—Harp
"In Guitar Man (2006), Hodgkinson reported on mastering the guitar. In the funny, self-deprecating, very entertaining sequel, writing a song and recording a single is his mission. Most know a great song when they hear it, but defining its essence is trickier. Hodgkinson admits he has a lot to learn, since his songwriting technique primarily consists of thinking of the name of an animal and "then finding something to rhyme with it." He receives desperately needed tips from Keith Richards, Ray Davies, Andy Partridge of XTC, Arthur Lee of Love, singer-guitarist Bert Jansch, and even Andrew Lloyd Webber as well as motley eccentrics including brilliant, erratic Lawrence, who dropped his surname years before it became fashionable. Hodgkinson also talks to muses, such as Patti Boyd, who inspired George Harrison’s "Something" and Eric Clapton’s "Layla," and visits New York to pay homage to the great Brill Street Building lyricists Carole King and Gerry Goffin. He and sometime partner Doyle go to great lengths to find the proper atmosphere for songwriting, one time as far as the tiny Hebridean island of Eigg. Ultimately, older and a bit wiser, Hodgkinson enters studio and records single. Wherever his next journey takes him, his many fans will gladly tag along."—Booklist, starred review
"In this sequel to Guitar Man (2007), music journalist Hodgkinson challenges himself to write and ultimately record an original song and, in the process, to determine the keys to creativity from some masters of the genre. A diverse array of songwriters from megastars Keith Richards and Ray Davies to such esoteric artists as folkie Bridget St. John and Lawrence Hayward, an eccentric songwriter from the 1980s, reflect on songwriting in conversations that endeavor to explain the magic, mystery, and magnetism of song. Hodgkinson displays a journalist's narrative style coupled with a novelist's eye for piquant descriptions of characters and places as the book progresses from his nascent lyric writing to a studio session in London. Other highlights of his often hilarious sojourns include a visit to a remote Scottish island to find inspiration and his self-deprecating description of singing in front of a professional music teacher. Stellar music writers—and with his two books, Hodgkinson certainly qualifies—elevate their writing to reflect on what music tells us about ourselves and our humanity. Highly recommended for all public libraries"—Library Journal
"[A]n engaging look at the English music journalist's failed attempt to reach songwriting success…charming little book."—Chicago Tribune
"Ultimately, the book is more self-effacing memoir than songcraft primer…but it’s still endearing and encouraging."—Relix
"A companion piece to his excellent Guitar Man, Hodgkinson is a warm, welcoming host…by the end you may well fancy a career as a pop star yourself."—MOJO
"Will Hodgkinson has the self-effacing British charm that make Hugh Grant such a reserved, melting-romantic hero—and with that ability to ingratiate without sliming, he follows up his quest-to-play-guitar bestseller Guitarman with this freewheeling odyssey through the creative process of some of pop’s most telling songwriters/artists….Like dancing about architecture, and yet, using the planes, cranes, and foundation to create something utterly Martha Graham, Song Man is the common man’s trip to a mystical place with some of the shamans of song."—American Songwriter, four-star review
"Song Man is a vivid portrait of pursuing a creative life, despite the odds, with an emotionally driven narrative and spot-on characterizations."—Harp