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A Song of Stone: A Novel [Perfect Paperback]

2.7 out of 5 stars  See all reviews (41 customer reviews)


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Product Details

  • Perfect Paperback: 288 pages
  • Publisher: Simon & Schuster
  • Language: English
  • ISBN-10: 0748109862
  • ISBN-13: 978-0748109869
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (41 customer reviews)
  • Amazon Best Sellers Rank: #8,385,012 in Books (See Top 100 in Books)

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Customer Reviews

41 Reviews
5 star:
 (2)
4 star:
 (11)
3 star:
 (11)
2 star:
 (7)
1 star:
 (10)
 
 
 
 
 
Average Customer Review
2.7 out of 5 stars (41 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
2.0 out of 5 stars Least impressive Banks' book I've read so far..., February 9, 1999
By 
While Ian Banks is one of the most interesting writers I've come across in the last few years, unfortunately "A Song of Stone" is one of the least engaging novels I've ever finished. Muted, yet overwrought, this tale of dissolution is less shocking than turgid. The extended and tedious stretches of "purple prose" in this disappointing book, which were apparently consciously intended to embody the self-absorbed and effete mental state of the protagonist and narrator, did little but lose my flagging interest repeatedly. Coyly lurid, and basically quite unsatisfying, this dim variation on an apocalyptic, Road Warrior-ish theme goes nowhere and then dies...Read anything else by Banks before or instead of "A Song of Stone". Though I do rather enthusiastically recommend Banks as an author, I can't in good conscience give thumbs up to this book.
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4 of 4 people found the following review helpful:
2.0 out of 5 stars Iain's worst by far, I think..., July 15, 2000
Iain went too far with this book. If you read this, it's good at first (especially with the Lt.'s introduction killing Half-Caste) but when you keep going it gets horribly one-toned.

Too many scenes are ruined by its consistently bleak nature. Abel always seems to be the underdog; the loser. When he gets his moment, he ruins it again and the story gets worse and worse. Way too much angst and way too much extremities simply adds up to a bad novel.

It's too bad really, because it makes an excellent first impression. However, it has too many flaws as a novel so overall I wouldn't reccomend it to anyone.

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6 of 7 people found the following review helpful:
5.0 out of 5 stars Well written but unrelentingly dark, May 3, 2003
Iain Banks' novels are generally not full of bright happy sunshine and singing children (Consider Phelbas has to be the most depressing SF novel I've ever read) but even in the darkest stories there are islands of humors, snatches of dialogue that make you laugh out loud or absurdist situations that can't fail to bring a chuckle to your face. This novel has none of those things. It's just grimness personified, with the tone set right at the beginning and only going downhill from there. It takes place in some unspecified country at an unspecified time during a war for an unspecified cause. Two young lovers, a lord and lady of a castle, try to escape the country. Not too far out, they are captured by a band of soldiers led by a nameless lieutenant, who makes them go back to the castle. The jacket of the book makes it seem more plot centered than it actually is, from that point the book is nearly episodic in nature, with more examples of war and desolation and human darkness, finally ending really in the only way it can. There is absolutely nothing uplifting in this book, even the narrator (the young lord) is decadent and selfish and self-absorbed, and nobody else makes out much better. But for all the bad stuff going on in here, nothing is truly shocking, especially if you've read his other books . . . there are hints of weird relationships, acts of human brutality that in these days of access to world-wide news should be nothing surprising (the most brutal thing I saw was towards the end and involved a mill, frankly, I thought it was well done, really) . . . fortunately that's not really the point, at least as far as I can tell. What works the best here is Banks' writing, which is more fluid and poetic than of us books so far, rich in description and metaphor, yet it rarely becomes bogged down and wordy. It's a different style than he's used so far and it works brilliantly, giving the novel a dense and almost clastrophobic sense to it. In the end, though I'm not sure what you're left with . . . events escalate and go downhill, bad stuff happens and it all comes to a conclusion that you may or may not agree with. I didn't think it was bad as many others on the board, it was highly readable and once you get used to the dark tone it's really not that big a deal, and the prose is beyond excellent. However it shouldn't be anyone's first Banks book, or you're going to think he's this depressing writer out to shock people. I'm pretty sure there's a deeper message to this book somewhere but at some point it gets lost. So what you're left with is a well written very realistic novel that definitely won't give you a warm and fuzzy feeling when you're done. If you can stomach that (even the violence isn't that graphic) then you shouldn't have any problems. But he's done better, for sure. But you can't hit them all out of the park. Better luck next time.
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