Song of Susannah [Library Binding]

Stephen King (Author)

Book Description

Publication Date: April 2005

The sixth volume in The Dark Tower series - the most anticipated series of publications in Stephen King's legendary career - The Dark Tower VI; Song Of Susannah is a pivotal instalment in the epic saga. It provides the key to the quest that defines Roland's life. In the next part of their journey to the tower, Roland and his band of followers face adversity from every side: Susannah Dean has been taken over by a demon-mother and uses the power of Black Thirteen to get from the Mid-World New York City. But who is the is the father of her child? And what role will the Crimson King play? Roland sends Jake to break Susannah's date with destiny, while he himself uses 'the persistence of magic' to get to Maine in the Summer of 1977. It is a terrible world: for one thing it is real and bullets are flying. For another, it is inhabited by the author of a novel called 'Salem's Lot. Song Of Susannah is driven by revelation and by suspense. It continues the Dark Tower seamlessly from Wolves Of The Calla and the dramatic climax will leave readers desperate to read the quest's conclusion.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

From Publishers Weekly

There's something about a crippled, black, schizophrenic, civil rights activist-turned-gunslinger whose body has been hijacked by a white, pregnant demon from a parallel world that keeps a seven-volume story bracingly strong as it veers toward its Armageddon-like conclusion. When Susannah Dean is transported via a magic door on the outskirts of Calla Bryn Sturgis (the scene of much of The Dark Tower V: Wolves of the Calla) to New York City in the summer of 1999, the "demon-mother" who possesses her, Mia, has only one thing on her mind. She must give birth to her "chap" at a predetermined location in Manhattan's East 60s, as instructed by the henchmen-or "Low Men"-of the evil Crimson King. Pressed for time, Father Callahan, preteen Jake and talking pet "billy-bumbler" Oy follow Susannah and Mia's trail in an effort to prevent an act that would quicken the destruction of the Dark Tower and, in turn, of all worlds. Meanwhile, gunslingers Roland and Eddie travel to 1977 Maine in search of bookstore owner Calvin Tower, who is being hunted down by mobster Enrico Balazar and his gang, who first appeared in Eddie's version of New York in The Drawing of the Three Avid readers of the series will either be completely enthralled or extremely irritated when, in a gutsy move, the author weaves his own character into this unpredictable saga, but either way there's no denying the ingenuity with which King paints a candid picture of himself. The sixth installment of this magnum opus stops short with the biggest cliffhanger of King's career, but readers at the edge of their seats need only wait a few short months (Dark Tower VII: The Dark Tower) to find out how-and if-King's fictional universe will come to an end. 10 full-color illus. not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

King's epical Dark Tower hastens to a close, and its penultimate volume is one of the speediest. The gunslingers of Mid-World and other alternate Earths have defeated The Wolves of the Calla (2003) but lost one of their number. Susannah Dean, nee Odetta Holmes, lacking her lower legs after a minion of the Satan of Mid-World, the Crimson King, pushed her in front of a subway train, and whose personality is sometimes split between black bourgeoise Odetta and viciously paranoiac Detta Walker, has been taken over by the spirit Mia to be the body in which Mia will gestate a boy who will eventually kill head gunslinger Roland. The child is to be born in New York in 1999, which is where Susannah-Mia repairs through one of the doors between worlds. The other gunslingers pursue through the same door, but only 11-year-old Jake Chambers, accompanied by former 'Salems' Lot priest Don Callahan, get to New York. Roland and Susannah's husband, Eddie Dean, tumble into an ambush in New England in 1977. Each chapter--called a stanza and ending with two songlike quatrains--advances one subset of gunslingers' progress. King keeps us on tenterhooks throughout--and leaves us there. Before quite departing, he tacks on a clever coda about the gradual creation of the Dark Tower--but in which world? The series concludes with The Dark Tower in September. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Library Binding
• Publisher: San Val (April 2005)
• Language: English
• ISBN-10: 1417671378
• ISBN-13: 978-1417671373
• Product Dimensions: 9.2 x 6 x 1.2 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 3.6 out of 5 stars  See all reviews (408 customer reviews)
• Amazon Best Sellers Rank: #11,047,679 in Books (See Top 100 in Books)

More About the Author

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. Among his most recent are the Dark Tower novels, Cell, From a Buick 8, Everything's Eventual, Hearts in Atlantis, The Girl Who Loved Tom Gordon, and Bag of Bones. His acclaimed nonfiction book, On Writing, was also a bestseller. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Customer Reviews

Most Helpful Customer Reviews

81 of 94 people found the following review helpful:

5.0 out of 5 stars "Hile, wordslinger.", June 14, 2004

By 

Richard Stoehr "Idle Rich" (Bremerton, WA USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Song of Susannah (The Dark Tower, Book 6) (Hardcover)

If you thought that the previous five Dark Tower books were departures for King, just wait until you read this one. At some point around the 11th Stanza ("The Writer"), "Song of Susannah" is, like the song says, guaranteed to blow your mind.

Picking up right where "Wolves of the Calla" left off, our heroes Roland, Eddie, Jake, and the relative newcomer Father Callahan prepare for yet another sojourn out of Roland's world and into ours. Right off the bat, though, things do not go quite as planned. A Beamquake shakes the foundations of all the worlds, and we learn that the Tower is in much greater jeopardy than we may have previously suspected. And as always, wherever Roland goes, gunplay is sure to follow, but this time, it's waiting for him...

King's further explorations into the rich world of the Dark Tower are as rewarding as they ever were. The characters, by now, have become as comfortable as old friends. Still, there are new facets to be seen yet, and we get a closer look at each of them as the story goes on.

It's very difficult to write about this latest installment without giving what makes it so different away completely. The events and revelations found in "Song of Susannah" are so central to the themes of the overall story, and yet revealing them here would entirely ruin the fun of discovering them as King has presented it. Some readers will doubtless dislike the road King has begun to travel as the story approaches its conclusion, but I am convinced that many more will absolutely love it. It is a credit to King's growth as a writer that he can even attempt this ambitious sort of storytelling, and more, that he can do it successfully... at least, so far.

One thing is certain: love it or hate it, "Song of Susannah" is King's riskiest and most surprising work yet. One the one hand, he is taking one of the most overused plot elements in fiction -- the baby of uncertain parentage -- and making something original and interesting out of it. On the other, he is attempting something seen in modern fiction only rarely... a self-relexive work that engages the reader on multiple levels. By the end of "Song of Susannah" you may find yourself thinking about the realities that fiction creates, and the fictions that "real" life presents us with every day. And if you do, I believe that is entirely the point. King seems to be angling not only toward a conclusion to Roland's quest, but also toward a deeply personal statement about what it is to be a writer. It is an ambitious road to travel, but so far, King has not let us down. In fact, what he has begun with this book has the potential to exceed all the expectations I had for it.

'Ware, Constant Reader: "Song of Susannah," like "The Waste Lands," ends with a cliffhanger. In fact, there is not only one cliffhanger here, but two. The last pages of "Song of Susannah" should leave many readers, as it left me, powerfully hungry for the final book in the series. What lies in wait on the final page is, to say the least, quite a shock. It leaves the fate of Roland and his companions, as well as that of the Tower itself, enshrouded in doubt.

"One more turn of the path, and then we reach the clearing."

I, for one, can't wait to get there.

32 of 36 people found the following review helpful:

3.0 out of 5 stars Not our Quest, but a fine journey...Are we there yet???, June 25, 2004

By 

BB (Los Angeles, CA) - See all my reviews

This review is from: Song of Susannah (The Dark Tower, Book 6) (Hardcover)

Dear reader, if you've lived through the other 5 installments you must read this one. Period. How could you not?

That said, it is sad to think that this epic journey seems separated into Books 1-4, and Books 5-7 (or at least 5-6, one hopes King jumps back on the right track in 7). Where the first four books were engaging, suspenseful, moving and heroic, Books 5 and 6 seem unimportant and done with much less care.

It's still our favorite crew--Roland at the mast, Eddie and Susannah behind with Jake quickly growing to match them--but they don't have the same spirit. Time has muted their shine. When Roland used to speak, he demanded our attention. I find him withering in these latest books, and not because of his arthritis. What a shame.

Overall 5 and 6 are enjoyable, in and of themselves. As a lover of these worlds, with their strange similarities and inconsistencies, it was great to once again spend a little time with the ka-tet. Yet the Tower's unfolding mystery seems too easily unraveled since the end of Book 4, and without much imagination. King is a gifted writer, to be sure, and occasionally we are flashed with his signature wit and intellect. What we miss are the high stakes that arose from this being an honest tale, with fantastical elements.

Instead we are treated to some gunfire for arbitrary reasons (ka, I guess?) with stock antagonists--and not terribly charismatic ones at that (Andy the Robot? Jack Andolini returns in two more installments?--Stephen, come on, the Lobstrosities had more personality). Most of `Wolves' was a diversion from the tale, detouring to reconnect with Peter Callahan. Slight frustration aside I was fine with that, thinking King was laying some subtle groundwork. Yet in `Song' he continues to wander, and this time THROUGH time (and, apparently, the Northeast).

Much of the story focuses on Susannah's wrestling with her other personality, Mia, hence the title. These two take row after row with one another, battling over her unborn chap. This offers little to no suspense, and the story unfolds in literal fashion, each scene working into the next in an ordinary manner. King connects the dots in lackluster numerical order, quite unlike him, and we miss the Mid-world shocks and specificity he once graced us with. His larger themes are drawing closer together, and--surprise!--we're not in the least surprised by his answers, and nod in polite acknowledgement.

When time and worlds begin to break loose, it's just accepted by the gunslingers--always fascinating that they seem to know both nothing and everything at the same time. Rather than the author spending the time to find complex ways to tie together these loose elements, we are given a premise that is lacking, at best. Readers started to see it at the end of `Wizard,' with his other book references and the like, but it culminates with a trip to Maine where we meet Mr. King himself, one--if not THE--apparent creator of all worlds [while I have a personal (and literary) objection to the author choosing himself as the epicenter of this journey, I must concede it was cleverly crafted, and one of the stronger portions of this book].

Also, King has fallen back to silly pronunciations and syllogisms in this installment, as in `Wolves.' The people speak with stilted and forced language, as if trying too hard to be the characters they once were. There is little ease or subtlety here, and very few surprises that won't make a fan shake his head and say, "No, no, please don't do that, Stephen you're off the Beam." He is successful in providing a cliffhanger ending, and King is always his best when he's in the midst of action. Yet such contrived storytelling on top of the numerous missteps in the last two volumes can leave one fearing the Dark Tower is little more than a mirage at the end of this tale, nothing more than gun smoke and mirrors.

I hold out hope that he is able to return to some of his earlier brilliance, as in `Drawing' or `Waste Lands' for his finale, but even if he continues along this skewed path, it will still have been one heck of a journey. King knows the face of his father, and his work is always worth devouring. This volume, if for nothing more than nail-biting curiosity, is no exception. 5 and 6 are (to me) lesser works in the series, yet it's a good sign that `Song' proved more exciting and a better read than `Wolves.' You might optimistically feel he is wading in the water, keeping you treading just long enough to overwhelm you with one last somersault from under the surface. Ignore the obvious foreshadowing, and you'll find reason enough to keep you looking towards the fall, when (for good or bad) Roland finally ends his journey.

As a last note, the illustrations by Darrel Anderson were mysterious and haunting, a great departure from the uninspired artwork of the last book. Each one delighted, surprised and struck me. Here's hoping `The Dark Tower' does the same, with the striking force of the Gunslinger.

17 of 19 people found the following review helpful:

4.0 out of 5 stars The suspense is terrible...I hope it will last, June 28, 2004

By 

A. Hart (MI) - See all my reviews
(REAL NAME)   

This review is from: Song of Susannah (The Dark Tower, Book 6) (Hardcover)

I have never read so many mixed reviews for a DT book as with this one, and I was at the point where I didn't know what to think about it. Then I read it, or rather FLEW through it, and I think this book is great.
I was never incredibly compelled by Susannah/Detta/Odetta in the previous books but this one changed my opinion of her. Susannah is incredibly strong, and her struggle with Mia is haunting. Mia is actually a very interesting character. I don't fear her, I don't really like her, but I pity her. However, I felt that the Mia's story and the truth of her "chap" was a bit contrived. Especially his name and his purpose (no spoilers here, but if you read it, you may roll your eyes like I did.)
I also love the pairing of Eddie and Roland. I think Eddie makes Roland feel as if he is still a part of his old ka-tet of long ago, and they bring out the strength in each other.
Jake, Callahan, and Oy's mini-tet was also interesting, and I wish there had been more of them in this novel, but I have a feeling they'll hold an incredibly important role in the next book. The change in Jake is fascinating. He knows his purpose now, and he is no longer a boy. He has been to war and seen death and he is hardened but not emotionless. Also, I am incredibly attached to Oy at this point and there is a scene where he starts to cry when he thinks Jake is going to leave him behind and I felt a little tear trickling...then felt a bit silly. And Callahan has been well developed in the short time we've known him.
I think that King's inclusion of himself in this book was brilliant. I can't wait to see what role he'll play in the last novel. A little self-indulgent? Of course! He's a WRITER, after all, and we're an indulgent folk!
I also enjoyed the poetry at the end of each chapter. Kind of summed things up.
Over all, this prelude to the final battle is full of suspense and intrigue. I found it haunting and intriguing. Bring on the final battle! I can hardly wait.