|
| ||||||||||||||||||||||||||||||
|
Product Details
Would you like to update product info or give feedback on images? |
The most amazing thing about her singing, however is that no matter what type of music she sang, whether pop, soul, R&B, folk, jazz, or standards, she outsings the best of the masters in each area and does it effortlessly, simply and with no pretense. Are you listening out there, all of you graduates of the "Sam Harris(of Star Search infamy)/Mariah Carey School of Pyrotechnical Caterwauling"? Just sing from the heart, like Eva did!
Eva Cassidy has raised the bar by which vocal performance will be measured from now on. And she did it on her own terms, singing what she wanted to sing, the way she wanted to sing it. After trying to work out a deal with record execs and refusing to be pigeonholed into a certain style of music, she said "I just wanna sing. I like to do a little of everything". Eva, I just wanna listen!
During a lifetime of playing and listening to all styles of music, I have heard most of the great popular and operatic singers whose work survives in recordings: Caruso, Armstrong, Sinatra, Tony Bennett, Billie Holiday, Sarah Vaughan, Ella Fitzgerald, Van Morrison, just to name a few. But I was not prepared when a friend gave me this precious album last November.
From the first bars of the first song, "Fields of Gold," you are struck by the pure natural beauty of Eva's voice, the perfect pitch, intonation, vibrato, inflection. It seems to be exactly what a woman should sound like when she sings. Your sense of awe will only build as she sings over appropriately spare arrangements (including her understated but perfect guitar and keyboard work) of pop, soul, gospel, folk, and blues standards. Impossibly, each one of her performances (some of which were live) becomes definitive.
Just for good measure, she even takes on the song of the century, "Over the Rainbow," and eclipses Judy Garland's version--doesn't just eclipse it--blows it completely away in an anthemic performance which is, believe it or not, understated. I have never heard anything like it. Listening to it never fails to bring tears. Even trying to describe it to friends who haven't heard it brings tears.
Happiest when she was on her bicycle, Eva was a shy little waif-like blonde who never thought too highly of her awesome vocal instrument. But she possessed buckets and buckets of soul without overdoing it, without oversinging (as Barbra Streisand, Celine Dion, Whitney Houston, Mariah Carey, and others are known to do). I concur in all the rapturous reviews above and below.
... Read more ›If you first glance at the song list on the "Songbird" CD, some of the titles seem, to put it frankly, totally avoidable. "Over the Rainbow." "Wade in the Water." Songs that have been remade and remade until you may think nothing new could be added to them. Eva Cassidy was able to take these songs and turn them into something new and worthwhile. Her rendition of "Over the Rainbow" is absolutely breathtaking....moving, perfectly sung, emotional, understated. Her version of this tune perfectly captures what she was capable of...taking a song and totally making it her own.
The song choices range from traditional tunes like "Oh, I Had a Golden Thread" to contemporary numbers like Christine McVie's "Songbird." But Eva Cassidy was able to take this variety and work it to her advantage; despite the fact that "Songbird" is actually a collection of songs from three previously released albums, the performances are amazingly seamless and this makes the album as a whole a million times better than the overdone, poser pop that invades U.S. radio.
The most amazing performance here is her achingly beautiful version of Sting's "Fields of Gold." The song is made all the more poignant byt the fact that Eva Cassidy lost her battle with melanoma in 1996 at the age of 33....so when she sings "you'll remember me/when the west wind moves/among the fields of barley," it will easily bring a tear to the eye. Simply amazing.