Customer Reviews

Songbook

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Where to begin? This has to be one of the most extraordinary boxed sets ever.

It is four CDs covering his entire career; 88 songs in total, including 18 that are rare or previously unreleased. As the title implies, The Gordon Lightfoot Songbook 1962-1998 contains only Lightfoot originals: the songs he considers his best. The two rare songs are both from 1962 and were previously released only on singles and on a rare LP called Early Lightfoot. They are Remember Me (I'm The One) and It's Too Late, He Wins. There are extensive liner notes with a long piece by Nicholas Jennings, author of Before The Gold Rush (about Canadian music), and lots of comments and notes on the songs from Lightfoot himself. And there are many photos as well, including several never published before.

Songbook contains all of Lightfoot's big chart hits (If You Could Read My Mind, Sundown, Carefree Highway and Wreck Of The Edmund Fitzgerald), all of his great songs that were chart hits for others or are simply well-known (Ribbon Of Darkness, Early Mornin' Rain, For Lovin' Me, Alberta Bound), selected songs from the four albums that have not (yet!) been released on CD (17 of them, of which 14 are not available on any other CD including classics like Hi'Way Songs and In My Fashion), dozens of other truly magnificent songs from throughout his career (Canadian Railroad Trilogy, Song For A Winter's Night, Sit Down Young Stranger, Rainy Day People), two songs from before he signed with United Artists (Remember Me (I'm The One) and It's Too Late, He Wins), and 16 songs that were never released before. This has to be a "must buy" for anyone who has ever thought "I should buy some Lightfoot music", and also for everyone who has already taken home one or more of his albums.

All of the songs that were previously released were taken from original albums. That means that none of the recordings are re-recordings from either Gord's Gold album. So, in every case, you are hearing Lightfoot's original interpretation of the song. And, the two Gord's Gold collections don't totally duplicate what is here, so a true fan would enjoy having both.

Every song is a Lightfoot original; that is, all the songs were written by him. That means that a few wonderful covers that you may have enjoyed aren't here. But the choice was made to stick to original songs and, with a catalog like his, there are still too many to fit on four CDs.

These are the songs that Lightfoot considers his very best. But, there is at least one shocking surprise, at least to me, and that is the omission of Minstrel Of The Dawn. Investigation suggests that Lightfoot didn't like the recording of the song for some reason; not that he doesn't rate the song among his best. And, if you've written and recorded as much quality material as he has, you would certainly be entitled to a judgment like that.

And, of course, there are a few other favorites of mine that are not here, but that would be true of anyone. In any collection like this, choices must be made, and considerations like the total time per CD, and the number of songs per original album, would probably introduce other constraints of which we aren't aware. The point is that of 70 songs (the ones that are not rare or previously unreleased), I see only a very few others that I would have included on my list. The collection contains more than 90% of what I personally would have chosen. That is great! No two people would ever agree on their top 70 songs by any artist.

The two songs from 1962 will be a real treat for any long time fan. They are not in the Lightfoot style, as we all know and love it. But they are sweet songs and the voice! Well, enough said. They were written and recorded just before his singing and songwriting had evolved to what is now referred to as "Lightfoot style."

And the new songs, 16 of them, will surprise and delight. How many times have you bought a collection with "previously unreleased" tracks, only to find out when you got home that there was a good reason that the songs weren't released before: the songs weren't very good, or very different from that artist's other songs. But wait until you hear the songs here! Every one of them is a really good song, and some are truly magnificent. In fact, I can't believe that songs like these have sat in the vaults so long and I only hope that the price of a boxed set doesn't keep people from hearing them. (Does Rhino ever issue singles? If not, there's no time like the present to start).

One of the real jewels among these new songs is Too Much To Lose, a delightful country song which was actually mistakenly released on some 8 tracks and cassettes of the Old Dan's Records album. Since there was this mistaken release (and recall, of course), some copies of the song have been out there and a number of Lightfoot fans have heard it - and loved it - before. I happen to think that the song contains one of his most brilliant and poignant metaphors:

"Forgiving is to lovers as trusting is to fools"

Chills, anyone? In the liner notes, Lightfoot has this to say about Too Much To Lose:

"It was up for a Paul Newman movie, Cool Hand Luke, but they didn't want it. I guess after that I didn't want it either. It's one of the coolest songs we got out of the vault."

Absolutely.

Another magnificent song is is Forgive Me Lord. I had the privilege of hearing this song in concert many times starting in the early 1980s. I remember looking for it when Salute came out, and again when East Of Midnight came out, being disappointed both times. It remained the one Lightfoot song that I knew I loved but that I thought I would never hear again. Thank you Rhino. (And thank you Gordon, for bringing it back to your concerts in 1999).

I will leave it to each of you to savor the treasures among the other previously unreleased songs, but I have to comment on a few that became instant favorites of mine. First, the two songs at the end of disc 1: Mama Said and Station Master. Mama Said is a delightful tune about his mother's influence on his music career; this song can't fail to bring a smile to your face. Station Master is Lightfoot's most Dylan-like song, as he says in the liner notes. It's a nice mixture of two songwriting geniuses with Lightfoot's unique singing style thrown into the mix (no pun intended).

Then there is Heaven Don't Deserve Me, recorded the day before Too Much To Lose and in a similar style. Other favorites of mine are Stone Cold Sober, Borderstone and Keepin' On Yearning.

The other previously unreleased songs on this collection are: A Message To The Wind, You'll Still Be Needing Me, Betty Called Me In, Canary Yellow Canoe, Never Say Trust Me, Why Should I Feel Blue, Always On The Bright Side and Lifeline. Again, it is hard to believe that such exceptional songs have never been available before.

June 15 has arrived!

C1999 by Valerie Magee

Arguably, Gordon Lightfoot was the first modern "singer/songwriter", and as a longtime (30+ year)fan, I was thrilled to see this compilation released. Containing most of GL's best-known tunes, this set is made all the more pleasurable by the inclusion of a number of previously-unreleased songs, most of which are so good one wonders why they never made it to vinyl before now. ("Too Much To Lose", song 6 on disc 2, is outstanding, a great tune with brilliant lyrics, and clearly could have been a top-40 hit had it been released when it was written.) In fact, for diehard Lightfoot fans, those 18 unreleased tracks could well be worth the price of the entire box set. The accompanying booklet is a nice bonus, and fills in much of GL's story. I was however, disappointed in the exclusion of two songs: "Talking In Your Sleep" and "Christian Island", both of which are well-known and much-loved by GL's longtime fans. Even more disappointing was the use, once again, of the live recording of "Canadian Railroad Trilogy" to represent that song. Taken from 1969's Sunday Concert album, this recording has been heard many times before on a number of albums. This time, the audience applause has been carefully edited out to give it more of a studio sound, but longtime fans will recognize this live version of "Trilogy" nonetheless. I would have preferred to hear in this set, just for the sake of history, the original studio recording of "Trilogy", which has not been re-released since it originally appeared on GL's 2nd album, "The Way I Feel", from 1967. It is much slower-paced than the live recording in this box set, but it is well-arranged, and represents the way GL originally wrote the tune. These criticisms, though, are minor: Overall, I am very impressed with "Songbook", and I hope its success inspires the future release of even more of Lightfoot's work.

I have always been a fan of Canadian Gordon Lightfoot's music. From the first time eI heard Peter, Paul and Mary's wonderful covers of Lightfoot songs like "Early Morning Rain" and "For Loving Me", I knew anyone who could write songs like that was a huge talent. So when I got turned onto his own voice and music I was astonished by just how good he was (and still is). This is a perfect album because, like several of his other releases, each of the dozen songs included is something you smile at as it first comes on because it is a special favorite. So the song cycle here is unforgettable, because it has so many terrific Lightfoot songs back to back. From the first song in this incredible four CD collection, he shows why he is so famous and so popular. And likewise he threads his way through twenty something beautiful and memorable songs, from the early works like", For Loving Me" and "Early Morning Rain" to later works like "Sundown", "Rainy Day People", and "If You Could Read My Mind'.

And so on with each of the songs here. My personal favorites are "Don Quixote", "Minstrel Of The Dawn", and "Beautiful", but I really love them all. There are literally way too many to list here, so I will resist the temptation to list them all. In addition, one gains access to a number of lovely later songs such as "Shadows", "Dream Street Rose", "Ghosts of Cape Horn", and one of my all time favorites, "In My Fashion" that are otherwise not available, as the original albums from which each of these songs springs is no longer in print. If one listens to all of the similarly terrific albums Lightfoot put out over more than a decade one comes up with literally dozens and dozens of wonderful and memorable songs that fill this four CD compilation, which wonderfully summarizes Lightfoot's long and illustrious career. This guy was far more prolific than anyone else producing work in the sixties, seventies and eighties. Buy this album, and after listening to it for a week or so you will be back for "Sundown", "Summertime Dream", "Cold On The Shoulder" and "If You Could Read My Mind". They are all great. Enjoy this one of a kind artist and his amazingly consistent flood of terrific and appealing mainstream folk albums.

For Gordon Lightfoot fans, this CD boxset is a gotta have. For people who want to get to know the man and his music, it's a should have. Of course his old standards are still wonderful to listen to over and over. Most of what you like of his work can be found in this boxset. But what surprised me most was the number of outstanding previously unpublished songs found sprinkled around the 4-disk set. Why these songs never were published is a mystery! Some of these are wonderful acoustic recordings done in the 80's which are what I consider vintage Lightfoot. In particular, "Why Should I Feel Blue"' "Never Say Trust Me", and "Always on the Bright Side" found on disc 4 are exceptional and are the types of songs I felt were missing from his albums in the 80s. Overall the boxset is well produced with excellent sound quality and even includes a book outlining Gordon's career and documenting the CD set.

I'll be brief: 1. "The Last Time I Saw Her Face" Will make you cry if you listen to it closely. 2. What other artist can you think of where you can sing along to 88 songs, or even want to? 3. What other artist has written 88 songs that each have something to say, say well, and say lyrically? 4. Go buy this set. If enough of us do perhaps they will release some more of these treasures. You won't regret one penny even if you spend your milk money for a month.

Somewhere in the middle of the fourth disc of this box set, it came over me again, as it has in the twenty-five years I have been a fan of Gordon Lightfoot's music: Damn, this man knows how to write songs. I don't mean he just knows how to provoke emotional responses (although he does); I don't mean that unlike many other pop musicians, he can actually read and write musical notation (although he can). I mean he knows the art, the craft, the ability to take those elements described above and put them together into something greater than the sum of the parts. If listening to 88 songs spread over four discs and five hours isn't enough to convince you of that, then go back to whichever act is pretending to sound like music this week. Leave the real McCoy to the rest of us. I've been waiting for this set anxiously since I first heard about its forthcoming release at the end of last year. I raced to my record store the day it came out and bought it. Is there any disappointment? Precious little. For Lightfoot fans, this is not all you expected. It is more, much more. I won't really comment much on the songs. You can see the track list on this web page. If you have enough interest to be reading this, you don't need further argument about the amazing music Lightfoot has made over his career. A few words may be in order about the rarities, and I'll keep them few. I'll just say that most of them are very good songs. Why did something like "Mama Said" or "Heaven Don't Deserve Me" or "Forgive Me Lord" end up on the cutting room floor the first time around? Only Lightfoot knows, but I'm glad we have them now. And my jaw dropped when I heard "Keepin' On Yearnin'" and "Canary Yellow Canoe." Fans who know some of his late 1970's and early 1980's material know of his flirtation with electric guitars, but these songs ROCK. And not in a cheesy way, either. I was astounded. I really would like other record company executives to take a look at what Rhino Records has done with the production of this box, and if you're not prepared to do something similar, then please don't give us any more dust-collecting box sets. This blows a lot of them away. Sequenced chronologically? Yes. Good sound quality? Yes. But the clincher is the documentation. A lengthy biography of Lightfoot in the 60-page book that accompanies the set. Commentary on every song by the artist himself. Complete information on all albums and singles on which the songs appeared, with chart positions. Photographs of all the original album covers. The Bruce Springsteen "Tracks" box, which I love, can't compare with this. And you know what? The Lightfoot book that comes with this is even hardcover, so it won't fall apart after three readings. Okay, I've said plenty. Now it's over to you. Ante up your bucks, because it doesn't get much better than this.

Bravo! This very welcome compilation of Gordon's vast work is greatly appreciated. From the earliest work, almost forgotten by this long time fan, to his newest, this is a box set that no one should pass up. For the long-term, hard core Lightfoot fans it is a wonderful review, a great way to get the very best of his career in one take. For the new fan it is a thorough introduction to this prolific and profound artist. Neither will be disappointed.

Attention all Gordon Lightfoot fans: casual or moderate - or maniacal, such as myself. This four CD set belongs in your music library! For those of you who drifted away after "Ed Fitz", check out what you missed. For you "Gold 1,2" owners, listen to some of those tunes as the Gord-man originally warbled them. For my fellow rabid Lightfoot cossacks we FINALLY get to hear some tunes on CD from the "Forgotten 4"! (That Old Dan's Records [especially], Dream Street Rose, Shadows, and Salute are NOT on CD is a travesty!) Listening to the "previously unreleased" tracks is like stumbling across some buried treasure - and treasures they are. The biographical info contained in the little neatly bound companion book is fascinating and the background info about the songs as presented by the Man who penned them is priceless. I kid you not - this is one finely crafted musical collection which will provide hours and hours of listening enjoyment. North America's premier troubadour deserves nothing less. Gotta go now - "I'm Alberta Bound"!!!!!

To be frank...the fact that so many reviewers are disappointed that such and such song is not included is a testement to this mans' great body of work. All those who have listened to Lightfoot have their own favorite songs OR time period. And it seems to be different for everyone. I would list my favorite...but Lightfoot writes at a level that seems to affect different people differently.

So what does that observation say about "Songbook?" Simply put...if you are a Lightfoot fan you will surely find several gems in this 4 CD set that will take you back to your favorite Gordon album or song. There are so many wonderful previously unreleased songs spanning his whole career. If one just lifts these to make a CD it in itself would be a strong complete recording.

Gordon selected and commented on each and every cut on this 4 CD set. That tells me that all the right songs are included. Who else should pick?

I think any Lightfoot fan would be happy paying the full price for the set even if it only contained the unreleased gems and Gordons comments on the songs. For those "on the fence" Gordon fans...be prepared to be engulfed in this set for months and months to come. And then...you may then be on a mission to find all the Lightfoot songs from YOUR favorite time period.

I was lucky enough to receive Gordon Lightfoot's Songbook this Christmas. What a treat it was to hear many of the wonderful songs from "Shadows" in their original format. The first time release of songs that didn't "make the cut" on previous albums just added to the pleasure. The only thing that compares is when I had the honor of meeting Mr. Lightfoot, Pee Wee Charles, and Terry Clements on April 4, 1981 in Merriville, Indiana.