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Songs of a Dead Dreamer [Paperback]

Thomas Ligotti (Author)
4.9 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

May 1991
Songs of a Dreamer was Thomas Ligotti's first collection of supernatural horror stories. When originally published in 1985 by Harry Morris's Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: 'Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.'

The revisions in the present volume of Songs of a Dead Dreamer have been calculated to make its stories into enhanced incarnations of the originals. This edition is and will remain definitive.

For those already familiar with the stories in Songs of a Dead Dreamer, an invitation is extended to return to them in their ultimate state. For those new to the collection, it is submitted to engage them with some of the most extraordinary tales of their kind. In either case, this publication of Songs of a Dead Dreamer offers evidence for why Ligotti has been judged to be among the most important authors in the history of supernatural horror.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

From Publishers Weekly

A reissue of Ligotti's first horror collection, which appeared in a limited edition in 1986, this volume includes several revised stories and others new to the book. Few of them are truly horrific; the emphasis is on language--sometimes poetic, achieving the quality of a woven tapestry, sometimes merely drab. Not one is strong on plot. "Notes on the Writing of Horror" and "Professor Nobody's Little Lectures on Supernatural Horror" straddle the line between nonfiction and fiction; they contain self-descriptive essays that are evocative of mood and setting. "The Chemyst" has a new drug he shares with London's lowlife. "The Lost Art of Twilight" concerns a man trying to live down his mother's association with vampires. The cleverly titled "Drink to Me Only with Labyrinthine Eyes" has an equally clever denouement. "Masquerade of a Dead Sword" is heroic fantasy with a twist. "The Music of the Moon" reminds one of Charles Williams's supernatural thriller. The other 13 stories suffer from combinations of murky prose, meaningless events and lack of focus.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback
  • Publisher: Carroll & Graf Pub (May 1991)
  • Language: English
  • ISBN-10: 0881847216
  • ISBN-13: 978-0881847215
  • Product Dimensions: 6.8 x 4.1 x 0.7 inches
  • Shipping Weight: 11.2 ounces
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #1,915,013 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
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Average Customer Review
4.9 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

33 of 34 people found the following review helpful:
5.0 out of 5 stars A masterpiece of cryptic dread and dementia., October 5, 1998
This review is from: Songs of a Dead Dreamer (Paperback)
Here's the biggest compliment I can pay Thomas Ligotti: he writes as though he were completely unaware of any other horror fiction written in his lifetime. There is not a major horror writer today whose work even vaguely resembles Ligotti's. I've heard him compared to Poe and Lovecraft but even these comparisons are misleading. His prose and imagery are far more akin to those of Bruno Schulz, the great Polish fantasist who wrote "Street of Crocodiles." These stories spill over with chilling images, irrational "plots," and a sense of dread that feels less like fiction than it does the kinds of horrible dreams we have while suffering a high fever. If you don't recognize that as high praise, you probably shouldn't read this book. But I love it.

"Songs of a Dead Dreamer" is his earliest collection, and perhaps because of this, I feel it still packs the biggest wallop. But if you like these stories, I recommend "Grimscribe" and "Noctuary."

A personal note: Years ago I had the chance to illustrate Ligotti's story "The Night School" for a small press publication. The editor sent me a copy of the manuscript, full of Ligotti's own notes and corrections. Reading the story in that form, feeling that much closer to the original process that brought the story into being, was an awesome experience. I felt compelled to examine the manuscript, as though somewhere amid its wandering margins and sloppy typing I might detect a sign, however cryptic, a clue as to how to tap into the same chilling dreamworld that Ligotti described so beautifully. It didn't work, of course. But "Night School" did inspire a pretty good illustration and reading Ligotti did provide one of the high points during my own dubious ventures into the realm of horror fiction.

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13 of 13 people found the following review helpful:
5.0 out of 5 stars Dreams of a Mad Mutant Borges of the Midwest, April 19, 2001
This unarguable classic collection of stories appeared at the end of the 1980s. Horror fiction, or what publishers chose to market as horror fiction, was big business. However, there is a large variety of styles under this arbitrary umbrella ("Horror isn't a genre, it's an emotion", editor/author David Hartwell). Authors such as Stephen King and Dean Koontz had become best sellers with novels often using pulp-orientated elements (vampires, ghouls, werewolves, or assorted permutations) that invade our modern society. Others wrote popular horror novels with the villain(s) being psychotic or sociopathic, but an explainable (and real) element in our society. One of my favorite styles of horror, however, could best be described as "hallucinatory nightmare", which is rarer and probably more difficult to pull off. Ligotti succeeds time and time again with a rich lyrical style that is varied, multi-leveled, and often witty as well. There are the former mentioned types of tales here. There's a great vampire story, and you'll meet a few psychos, one for instance who loves flowers, but it's the stories of reality rotting away or perhaps take place entirely in an askew dream fantasy where Ligotti makes his mark. Stories like "Dr. Voke and Mr. Veech", or "the Greater Festival of Masks" take place in the landscape of a surreal nightmare. In one of his best stories, "Alice's Last Adventure", a twisted ode to Lewis Carroll, the narrator's reality may have literally turned inside out. Amongst all the vacuous abstract blather about literature and art, good fiction's ultimate goal, along with telling a good story, is to create the mental state in the reader of a "waking dream", as the late John Gardner accurately described it. A world is created in the reader's imagination and he or she, while reading, forgets it's merely words on paper. For myself, good horror fiction, for perhaps a number of reasons, has always produced the most vivid "waking dream" state, and the hallucinatory nightmare style best of all. Probably since the logic is often skewed or hidden as in actual dreams. "Notes On Horror: A Story", which unfortunately does not appear in his later comprehensive collection, "The Nightmare Factory" makes a great litmus test for whether you're a lover of "weird fiction". If you finish it and question what is this Ligotti guy's problem, this type of horror probably isn't for you. On the other hand, it may thrill, delight, and amuse you and you may after all, as Ligotti says, "find it all so easy".
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12 of 13 people found the following review helpful:
5.0 out of 5 stars Ligotti is undoubtedly the only living master of terror., January 8, 1996
By A Customer
This review is from: Songs of a Dead Dreamer (Paperback)
The truth is that Thomas Ligotti has come out of seemingly
nowhere in just the last ten years and has, in that time, set a new
standard in literature of the supernatural. I picked up _Songs_
in 1992, initially for the Washington Post's declaration, "Put this
on the bookshelf between Edgar Allan Poe and H.P. Lovecraft
where it belongs." My hopes were more than realized. Ligotti
is not only as good as the nineteenth and twentieth century
masters of the macabre. For the select few who have read his
material, he is simply one of the finest authors of the terrifying and
disturbing short story and novella ever to grace the English
language.
Do I exaggerate? Read this compilation of
masterworks and ask yourself afterwards whether Ligotti will
be considered the groundbreaking Poe or Lovecraft of the
late twentieth century. When the likes of King and Straub are
mostly forgotten in a century, it is my firm opinion that Thomas
Ligotti's stories, such as the terrifying "Dr. Locrian's Asylum",
will still be read by those students of the genre who will
still appreciate the authors subtlety, flowing eloquence, and his
chilling originality and detail of plot and character
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