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Songs of Love & Hate Extra tracks, Original recording remastered

81 customer reviews

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Audio CD, Extra tracks, Original recording remastered, April 24, 2007
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$6.99 & FREE Shipping on orders over $35. Details Only 6 left in stock (more on the way). Ships from and sold by Gift-wrap available.

Frequently Bought Together

Songs of Love & Hate + Songs of Leonard Cohen + Songs From a Room
Price for all three: $20.97

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Editorial Reviews

Rock's original Renaissance man delivered his third record in 1970, and this expanded edition sounds better than ever before, adding a previously unreleased bonus track to boot. Includes Avalanche; Last Year's Man; Dress Rehearsal Rag; Diamonds in the Mine; Famous Blue Raincoat, and 3 more.

1. Avalanche
2. Last Year's Man
3. Dress Rehearsal Rag
4. Diamonds In The Mine
5. Love Calls You By Your Name
6. Famous Blue Raincoat
7. Sing Another Song, Boys
8. Joan Of Arc
9. Dress Rehearsal Rag

Product Details

  • Audio CD (April 24, 2007)
  • Number of Discs: 1
  • Format: Extra tracks, Original recording remastered
  • Label: Sony Legacy
  • ASIN: B000NOKA1W
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (81 customer reviews)
  • Amazon Best Sellers Rank: #19,956 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

50 of 50 people found the following review helpful By Josh Z. Bonder on February 18, 2008
Format: Audio CD
All of Leonard Cohen's early albums are truly masterpieces unto themselves, and a few of his later releases are also contenders. I would unabashedly endorse "Songs of Leonard Cohen", "Songs from a Room", "New Skin for the Old Ceremony", and this album, quite possibly the finest of them all. Each of these albums features a perfect combination of rich and poetic lyrics, understated and masterful musical accompaniment, and excellent production values (now highlighted by an excellent remastering).

"Songs of Love and Hate" is definitely the darkest of the aforementioned albums, which means it is not to be played casually, and that one must be in the right mood to give it their whole-hearted attention. When these circumstances arise, this album can be totally devastating and have a hold on the listener like few others ever do.

The lyrics continue to reveal new levels of depth and detail with each listening, proving that there was good reason for Cohen to be a successful poet/author prior to his music career. One would be hard pressed to find such literate and affecting lyrics elsewhere within the lexicon of "popular music".

As mentioned before, the accompanying music ebbs and flows in all the right places: It is at times stark and spare, but also adds flourishes and character to the lyrics at all the right times. There is also a unique stylistic variety to the music, from the chamber strings of "Avalanche", to the reggae feel of "Diamonds in the Mine", to the Cabaret torch song style of "Sing Another Song Boys". Special mention must be made of female background singers: Cohen is not the most accomplished technical singer, but conveys his lyrics and the mood behind them very well.
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45 of 47 people found the following review helpful By K. H. Orton VINE VOICE on December 15, 2003
Format: Audio CD
Without a doubt this is Cohen's darkest, most ambitious & quite possibly most depressing record. I think he inadvertently created a whole new genre here---Death Folk. Self proclaimed fans range from Kurt Cobain to Nick Cave. So, if you're looking for the flower child nostalgia of of "Suzanne", proceed immediately to the latest greatest hits collection.

"Avalanche" definitely veers on the hate side of things. Lyrically speaking, it's like stumbling across Richard The Third in an abandoned mineshaft. Toss in some stark, flamenco guitar & you get the picture. A dark start to a creepy, often disturbing album.

"Last Year's Man" is a fitting tribute to any old Casanova whose seen his 15 minutes come & go. The only thing missing here is a knout & a hairshirt. On "Dress Rehearsal Rag", the whole song reeks of dried blood, bandages & transient hotels. The only real upbeat number is, "Diamonds In The Mine", where he sings like he just gargled with Drano.

"Love Calls Your Name" has to be one of Cohen's most epic & underated ballads, while "Famous Blue Raincoat" is one of his more well known. It's certainly the only song off here ever included on a Best Of.

The purvasive atmosphere of jaded sarcasm comes to a fore with, "Sing Another Song, Boys" & by the time he gets to "Joan Of Arc" you'll be reaching for ABBA's GREATEST HITS.

Pretentious, cynical & pissed off---this is the sound of Cohen strumming his six-string with an open vein. He's never done anything like it, before or since. I suppose only Lou Reed's BERLIN comes close.
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34 of 35 people found the following review helpful By Barron Laycock HALL OF FAME on August 18, 2000
Format: Audio CD
Leonard Cohen has been described as the poet of existential despair, and none of his several vintage albums is more edgy and desperate than this thirty year old offering with its white on black lettering and stark unshaven images of a man on the very verge of madness. On the back cover of the original album was large block-lettered script reading " They locked up a man/Who wanted to rule the world/ The fools/ They locked up the wrong man". Ah, such saintly pretensions! Yet Cohen is mad like a fox, cleverly setting his snares for those fools who don't recognize his own magnetic powers, charisma, and outright poetic genius. In "Avalanche" he sets the first proper insane tone, carefully evoking his curious blend of old world images and slamming them against contradictory notions like sexy religiosity, employing profoundly arcane symbols alongside profane contemporary longings.
He continues his mad mystic pounding on the door of his inner longings with "Last Year's Man". His own comment on the song is that he always waits for the children's chorus. It and he are both haunting here, his use of old testament language powerfully drawing a word picture that leaves one gasping for air. "Dress Rehearsal Rag" is an ironic improvisation of an old poem from the "Spice Box of Earth" book he first published in the late 1950s, while "Love Calls You By Your Name" is another evocative and mysterious display of his amazing poetic genius put to good musical use. I have always loved "Famous Blue Raincoat", a long and revealing tale of a man writing to a old friend who cuckolded him with his wife, filling him in on his own feelings, perceptions, and surprising take on the affair.
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