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Most Helpful Customer Reviews
12 of 13 people found the following review helpful:
5.0 out of 5 stars
shuffling and kicking across the floorah...,
By
This review is from: Songs of the Rolling Stones: All Blues'd Up (This Ain't No Tribute Series) (Audio CD)
This is a really nice surprise! I didn't expect this to be as good as it is! All the stuff on this compilation gets high marks for originality...(except for two lame cuts/13-2=eleven super cuts ain't bad)...despite the familiarity of the tunes, the interpretations are highly unique with maximum emphasis on being soulful and bluesy. Look at the Masters who work on this project! "Wild Horses", sung by Otis Clay, is worth the price of this CD alone, the slow-driving, flat-out-heart-pumping rythmn is hot enough to get my favorite wife off the couch and tangoing in my arms with a get your ya-yas out look in her eyes;) This is the cream of the da-mint when it comes to solid craftsmanship and bluesmen, (Luther Allison, Larry McCray, Lucky Peterson, Junior Wells, Gatemouth Brown, Willie Dixon, Bobby Womack, Alvin Hart...)-these muthas play it loud and play it right, and when you combine that with extra-hard and edgy tracks you got the potion and the motion. I'm partial to Taj Mahal and when he sings about dem "Honky-Tonk" Ladies, it's as real as a smoky juke-joint a few blocks from Chicago's Michigan Avenue full of rough and tough, red-roughe wearing trouble. I'm curious as to why most of this compilation was recorded in 1997, yet the CD release is only a few months old? Doesn't matter though-the music is timeless and, please Sir, can I have another!
1 of 1 people found the following review helpful:
4.0 out of 5 stars
White Man's Shame...,
By
This review is from: All Blues'd Up: Songs of the Rolling Stones (MP3 Download)
Clarence "Gatemouth" Brown RULES this CD. His song isn't heard till the disc's half way mark, but mercy, it's worth the wait. He just tears up "Exile On Mainstreet's" "Ventlator Blues" with so much grit and swagger. As Sonny Landreth's slide guitar slithers all around, Mr. Brown's thundering vocals and virtuoso fiddle lays down the law for all the snot nosed, wise ass, wanna-be students of the blues(the Stones!). It's Truth rising up in an impressive gesture of annoyance - "Just WHO did those silly punks think they were?!" And, it's just so damn joyous a sound.
Taj Mahal does amazing things with "Honky Tonk Women." James Cotton's harmonica soulfully wails as Mahal's expert plucking and righteous crooning drags this tune deeper back into the woods than Mick or Keith ever dared imagine. The Stones did their own acoustic version of this one back in '69 with "Country Honk" on "Let It Bleed", but this version beats it down with a mighty vengeance. Taj and James' performance alone is worth the price of admission. "You Can't Always Get What You Want" gets a tremendous workout by Luther Allison with commanding vocals and fiery guitar licks. The "Walk On The Wildside" female backing vocals refrain is a touch of genius. This cut opens the disc with such a level of energy and sublime talent that I had serious doubts if anything that followed could touch it. As you've just read, my doubts were proven foolish by Taj's and "Gatemouth's" awesome work. Junior Wells does an impressive job of making the cliched "(I Can't Get No) Satisfaction" sound fresh and relevant with a stomping beat and just enough harmonica. His voice is as earnest and raw as any pimple faced poser. Johnny Copeland's axe easily shreds "Tumbling Dice", the last song he would ever record or perform. It's interesting to note that his then 18 year old daughter Shemekia accompanies on backing vocals. Though lacking the original's menacing intensity, "Midnight Rambler" rocks hard with Larry McCray's smoking guitar. "Heart Of Stone" is perhaps without that innocent vulnerability that Jagger poured out on his, but Joe Louis Walker turns it into a smoldering torch song - A mature master of soul belting out true agony. Alvin Youngblood Hart represents himself here heroically with a pair of real fine treatments of "Sticky Fingers" classics, the boozy bar room ballad "Sway" and the haunting disc closer "Moonlight Mile." Both are faithful covers but done with such skill and love that every beat and note rings out with joy. Just gorgeous guitar, too. The remaining songs are all fine covers by able veterans. The four tracks are all genuinely soulful but perhaps not quite remarkable, unless, of course, you're one of those self righteous, strident people who believes that the Rolling Stones stole their music from the American Negros so long ago. Well if those pale, scrawny Brits did steal it, then the proud guys on this disc just took it back...
1 of 1 people found the following review helpful:
3.0 out of 5 stars
hats off to the blues,
By
This review is from: Songs of the Rolling Stones: All Blues'd Up (This Ain't No Tribute Series) (Audio CD)
Two solid covers; one by Junior Wells, "Satisfaction", works as a barrelhouse blues. The other is Clarence "Gatemouth" Brown's estimable version of "Ventilator Blues." The great tracks though are Otis Clay's singing "Wild Horses"--you'd sware he wrote it himself. The other is Alvin Youngblood Hart's "Sway," pulled off because he has the strain in his voice, but the lead guitar to finish it off.
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