A true master of the bebop vocabulary, Sonny Stitt (1924-1982) sounded so close to Charlie Parker on alto at times that he was almost written off early in his career. When he began doubling on tenor and evolving as a player, however, his individuality and brilliance became more obvious, and few could beat him at playing bebop.
German two CD compilation packaged in a digipak with 20 page booklet. Modern Jazz Archives. 2004.
--This text refers to an out of print or unavailable edition of this title.
See all 21 tracks on this disc
