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Sonora Portraits
 
 

Sonora Portraits

Brian EnoAudio CD
3.4 out of 5 stars  See all reviews (5 customer reviews)


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“In the early seventies I found myself preferring film soundtracks to most other types of records. What drew me to them was their sensuality and unfinished-ness - in the absence of the film they invited you, the listener, to complete them in your mind. If you hadn't even seen the film, the music remained evocative - like the lingering perfume of somebody who's just left a room you've entered. I… Read more in Amazon's Brian Eno Store

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Product Details

  • Audio CD (August 24, 1999)
  • Original Release Date: August 10, 1999
  • Number of Discs: 1
  • Label: Materiali Sonori
  • ASIN: B00000JT56
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #159,302 in Music (See Top 100 in Music)

 
1. Distant Hill
2. Asian River
3. Radiothesia III
4. Swanky
5. Theme from Creation
6. White Mustang
7. Left Where It Fell
8. Spinning Away
9. Stravinsky
10. Saint Tom
11. Theme for Opera
12. Neroli
13. Brian Eno Speaks

 

Customer Reviews

5 Reviews
5 star:    (0)
4 star:
 (3)
3 star:
 (1)
2 star:
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1 star:    (0)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (5 customer reviews)
 
 
 
 
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26 of 27 people found the following review helpful:
3.0 out of 5 stars Dry, December 14, 2000
By 
loteq (Regensburg/Germany) - See all my reviews
This review is from: Sonora Portraits (Audio CD)
This disc and its accompanying 96-page booklet were put together by Materiali Sonori, an Italian label which has specialized in collecting obscure and previously unreleased stuff by cult artists for odd 'rarities collections' and then selling the whole thing at an excessive price. Granted, the booklet is quite informative and well written, featuring an interview with Eno as well as information about other ambient/neo-classical artists like Erik Satie and John Cage. Plus, you can also take a look at Eno's discography and at a list of official/unofficial web sites. It's a solid introduction, but I think there are much better books on the market which deal with Eno's groundbreaking early work and ambient music in general; for example, David Toop's classic "Ocean of sound", or Eric Tamm's "Brian Eno - His music..". The 53-minute audio disc primarily contains material from Eno's latter-day albums ("Neroli", "The drop", "Spinner"), and these selections prove that cult stars usually get less adventurous and often bland with age. It's not very clever to represent Eno's contributions to ambient music with his latter-day work, since his recent albums not only showed a downward sales pattern but also confirmed a growing belief that he's no longer at the top of this genre. Contrary to popular belief, the three tracks ("Distant hill", "Radiothesia III" and "Stravinsky) from the unreleased "Glitterbug" soundtrack are not exclusive to "Sonora portraits"; you can pick up these three pieces much cheaper with the fabulous sampler "Future perfect". This compilation (along with "Glitters is gold" and "All Saints calling") from the All Saints label also features tracks by Harold Budd, Roger Eno, ambient supergroup Channel Light Vessel, and others. "Stravinsky" is really a brilliant neo-classical piece with bright violin arpeggios so typical for Stravinsky's own compositions. The slow-moving "Distant hill" is also worth mentioning, an organ-loaden piece with various metallic sounds clattering away in the distance. Beyond that and a couple of beautiful, atmospheric cuts from 1988's "Music for films III", there's just not much substance here. Eno simply doesn't sound as gripping and focused as he once did with his early ambient efforts; much of what is here never settles on a definite approach and seems underdeveloped and listless. And the schmaltzy pop song "Spinning away", featuring none other than John Cale on vocals, is a little out of place. It would be wrong to say that the "Sonora portraits" compilation is a complete failure, but there are quite some questions: Why nothing from the great "Shutov Assembly" album and the aggressive "Nerve net"? Why not some pieces which cannot be found elsewhere? The selections are useless for those who already own Eno's latter-day albums and only give a slight hint at what Eno is capable of. The fact remains that "Sonora portrait" is an item for completists and devoted Eno fans.
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12 of 15 people found the following review helpful:
4.0 out of 5 stars majestic velvet, October 2, 1999
By A Customer
This review is from: Sonora Portraits (Audio CD)
Not for the hard core Eno fans as its all compilation but for anyone who likes ambient/electro drone that fits into a lock like a worn key.... this is a must. The songs meld into one another from instrumental to lyrics and back. As for the book its nice but give me TAMMS book on Eno any day.
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2.0 out of 5 stars It's okay, but..., March 31, 2000
By 
Looper (Ft. Calhoun, NE.) - See all my reviews
This review is from: Sonora Portraits (Audio CD)
The big problem was that I didn't like "Spinner" and this CD seems like its half spinner edits. But I did like "Saint Tom" and I REALLY like "Strawinsky". Something to ponder over: does Strawinsky use the open (aka No Pussyfooting) looper? I think it does. Oh well...
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