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Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."
The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."
The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner. --Melanie Rehak --This text refers to an alternate Paperback edition.
I love all the classics and enjoy reading books from the time period.
Lawrence paints this portrait with very fine brush strokes: an attention to descriptive detail and some of the best characterization in modern English literature.
The weakness of this second half is not just that it all seems to take far too long; it's that over time, the characters become very unsympathetic.
This was a great book to read I really enjoyed it I cant even begin to tell you how it kept me in my seat for hours.Published 1 hour ago by Mike Crosby
Interesting read, uncomfortable topic regarding boys and their relationship with their mother. Glad to have experienced
Great description of the Oedipal drama and the long term consequences, set in the context of late 19th century England.Published 29 days ago by Glenn Shean
Wonderful novel, of course, but wildly in need in editing to be palatable to the modern reader. Endless expressions of emotional anguish, always on the same theme and often in... Read morePublished 1 month ago by Judy Horton
A mother that doesn't want to let go in life or even when on her deathbed and a son who cannot seem to make a decision on the age old question of substance or style and ends up... Read morePublished 1 month ago by jswami
Hoping there'd be more 'loving' but I guess it was risque 100 years ago.Published 1 month ago by Kaitklin Corrigan
I didn't realize from the description that it was an MP3 format; perhaps I missed that fact but I was surprised when it arrived.Published 2 months ago by Maureen McAllister
real classic times...real families showing the simplicities of modern times...way before the destruction of patience and manners that we show nowadaysPublished 2 months ago by michael G