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Sons and Other Flammable Objects: A Novel Paperback – September 1, 2008
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Top Customer Reviews
The characters never felt real, but more like foils for what they stand for: the stultified father, the wayward son, the hang dog mother, the beautiful girlfriend, the forgotten homeland.
There are many flashes of bizarre and poignant depth, but it's so overwritten as to overwhelm the story (essentially a story about broken families). The descriptions are multiplicitous but without adding enough to the scenes to warrant the verbiage (although don't get me wrong - many scenes and even the stock characters have a startlingly original and haunting quality).
Sometimes I found the father and son characters interchangeable in their careless slangy speech patterns. And I also thought the symbolism and foreshadowing and historical and metaphorical parallels heavy handed. For example, did all three (father, mother, son) all have to have the exact same thought about flying in planes being out of space and time and thus a reprieve of sorts from life? I got it the first time around.
I wish she had slashed about a quarter of the book, and spent more time making her characters real rather than tragic and symbolic. It would have been much sharper and snappier, in line with her sharp snappy writing style.
Still, there aren't many books out there on the Iranian immigrant experience - and the loneliness of that existence (really any immigrant experience) is palpable in "Sons..." The book also spans both the east and west coasts and post-911 traumas, and does it all with a thoroughly modern sensibility. I'll look forward to more.
But in it comes, and here, suddenly, is a family not conveniently handicapped from mother or father-loss, and does not sublimate the issues of one child into another. There are two parents and one child, and Khakpour's entelechy reveals the crucible of this trinity...But in which, of course, the fourth wall is Iran. There is Darius, the father, who is "desperately annexed to his work world to add some dimension beyond father" and Lala, the mother, who is faced with a proto-Posh Spice existence in the shadow of her brooding husband and Xerxes, her mercurial, I Dream of Jeannie-obsessed son. Lala's surreal and occasionally crass experiences "making nice" beyond the confines of her Pasadena domecile are painful and realistic. After she survives a night out with her new posse, Lala feels " grateful to be alive in the night, even if it be with these strange and maybe ultimately undesirable people, but people nonetheless, and people who had some investment in her, something, she sensed."
Though Khakpour is the kind of writer who nails the description of being "deep in the type of tipsy that demanded everyone be tipsier," Khakpour herself is not this kind of host. She is not going to flambe you with her insights--they won't kick you out of the story, you won't get lost--but she's not going to cover them up when she leaves them eviscerated on your doorstep.Read more ›
The Adam family, mother, father and son, fled Iran for France when life became unbearable for them there but ultimately started new lives for themselves in Los Angeles. Xerxes, son of Laleh (who soon Americanized her name to Lala) and Darius Adam was so young when the family left Iran that he has only vague snatches of visual memories of his life there. He really came to consciousness only after arriving in California and, for the most part, he is a product of American culture. But still he senses that he is different and that that difference is the product of life inside the apartment of his parents who are, and always will be, Iranians at heart.
His parents are certainly a contrast of styles and messages. Lala is a naively good-hearted woman who is ready to embrace most things about American culture but her husband Darius expects her to stay inside her Los Angeles apartment and to live, as closely as possible, the same lifestyle that she left behind in Iran. Darius is a suspicious man by nature and his suspiciousness is compounded by the bitterness that he feels for having been forced to leave everything that he could not carry in a few suitcases behind when he fled Iran. He expects to rule his family with an iron fist and, as his wife and son become more and more independent of him, he resents the impossibility of making that happen. He is not a happy man.Read more ›
Most Recent Customer Reviews
My E-reader says I'm 60% into book. I doubt I will finish. Maybe if I continue and it will pick up.
I stopped at the only really interesting part of the book. Read more
I had high hopes for this book and I was curious to read more about Iranian Americans to learn the culture better. Read morePublished on January 9, 2014 by MeghanD
I read as much for style as much as content. Like how and what is written. Looking for another book I stumbled on S&OFO. Read morePublished on September 17, 2013 by Roy Clark
I expected more from a young Iranian-American writer. The style of writing here is difficult to understand, the characters difficult to relate to and the story is not exceptional. Read morePublished on January 28, 2010 by Y. Vashchenko
A unique, refreshing, and sometimes jarring book with a brilliant new voice. What struck me first is how humor and anger are so inextricably intertwined from page one of this... Read morePublished on November 5, 2007 by Terri Brooks
It had been a really long time since I read a book that made me laugh out loud.
But while reading this book by Porochista Khakpour, I found myself carrying it with me... Read more
This book is, in a word, satisfying. The characters are whole and real and you'll feel as if you've met them in life and become close friends. Read morePublished on October 4, 2007 by Kristie Alshaibi
I really enjoyed reading the Sons and Other Flammable Objects. Khakpoor creates her characters so strongly they stay with you long after reading the book. Read morePublished on September 28, 2007 by Faith Club