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Comment: Sony E 55-210mm F4.5-6.3 OSS Lens for Sony E-Mount Cameras. parted from kit and repackaged in white box. with Hood. 10/10 condition. never been handled
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Sony E 55-210mm F4.5-6.3 OSS Lens for Sony E-Mount Cameras (Silver)

by Sony
| 27 answered questions

List Price: $349.99
Price: $328.00 & FREE Shipping. Details
You Save: $21.99 (6%)
Only 5 left in stock.
Silver
  • Provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting
  • Quiet Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture
  • Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images
  • Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images and video in low-light or when zooming in on distant subjects
  • Accepts 49mm Filters

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15 new from $328.00 36 used from $209.91

Frequently Bought Together

Sony E 55-210mm F4.5-6.3 OSS Lens for Sony E-Mount Cameras (Silver) + Sony Alpha a6000 Interchangeable Lens Camera with 16-50mm Power Zoom Lens (Silver)
Price for both: $1,076.00

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Technical Details

Color: Silver
  • all-glass-optical
  • interchangeable-lens
  • image-stabilization

Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras

Product Details

Color Name: Silver
  • Product Dimensions: 108 x 64 x 7.9 inches ; 12.2 ounces
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Shipping: Currently, item can be shipped only within the U.S.
  • ASIN: B005IHAIKM
  • Item model number: SEL55210
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (163 customer reviews)
  • Date first available at Amazon.com: August 23, 2011

Product Description

Color: Silver

From the Manufacturer

Sony make . believe

E 55-210mm F4.5-6.3 OSS Zoom Lens

This 55-210mm lens offers a superb balance of form and function: ample zoom range in a compact design that is lightweight and remarkably comfortable to hold and operate. Built-in Optical SteadyShot image stabilization system makes it possible to produce sharp images even when shooting handheld in low light.

E 55-210mm F4.5-6.3 OSS Zoom Lens

Technology

Circular Aperture
Aspherical lens elements

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

ED (Extra-low Dispersion) glass

As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.

Aspherical lens elements

Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.

Lens-based optical image stabilization

Lens-based optical image stabilization

Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.

Additional Features

Internal focusing

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Sony make . believe

2011 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony and Optical SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.

Product Description

Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or natureInternal focusing for smooth, quiet operation - perfect for video capture. Get an amazingly high quality E-mount zoom lens with Optical SteadyShot image stabilization perfect for taking along to your next sports game or on adventure in the great outdoors.

Customer Questions & Answers

Customer Reviews

Buy this lens now, you will not regret it.
The Badboy
This is a very good, compact lightweight lens for my Nex 5N.
AyanD
This is a great lens for taking far away shots.
Julia

Most Helpful Customer Reviews

124 of 131 people found the following review helpful By Khiem Do on October 20, 2011
Color Name: Silver Verified Purchase
I received this lens 1 day ago and did a quick test comparing it with a canon 100L and a canon 70-200 IS on 60d.
To my surprise contrast, definition, IQ are very comparable if not identical (at same apertures, 4.5-5.6-6.3)
Optical Steady Shot also works well, the smoker and coffee drinker that I am was able to go as low as 1/30 sec at the 210mm extremity.
The zoom is very light, and balance is not that bad on the Nex5. It does extend at long range about 2" but you can still hold the camera by the grip and do not need to support the lens with the other hand if you want to do so.
Focus is admittedly not that fast, but positive nonetheless (progressive in good light, no hesitation and going back and forth).
Built is good (plasticky metal?), there is no indication (distance, OSS on/off) on the lens itself, except focal range.
For all purpose, due to the limited choice on Nex mount, you cannot go wrong with that choice. I used a FD 50mm, FD 135mm and a FD 200mm previously with an adapter but even the 135mm seems heavy and none of these obviously do AF.
I was concerned mainly with the size of this zoom on the tiny Nex5 body more than anything and the IQ was a nice surprise (of course 4.5 - 6.3 is slow).
Hope this will help in your decision because there are samples on the web but not any review yet.

A pity that Nex7 is delayed and probably not available before months. This zoom will balance better on the slightly larger body of the Nex7.

UPDATE 10/25/11: COMPARED TO CANON 70-200mm/4 IS

Soon, experts will be testing this lens shooting charts on tripods with elaborate measures, which will be good for all of us to know.
Read more ›
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70 of 72 people found the following review helpful By zboub75 on November 17, 2011
Color Name: Silver Verified Purchase
I tried the 18-200 lens from Sony for the NEX. It's a good lens, quick, but it has a major drawback: too heavy.

So I ordered this one 55-210, and I'm pretty happy with my choice.
It's light, well balanced, and you can use the camera without holding the lens.
And furthermore, it's the same diameter (49mm) as the 16f2.8 and the 18-55, so it's compatible with my polarized filter (opposite to the 18-200).

Obviously the AF is not quick at 210mm, which may be bothersome for movie shooting, but it's still fully acceptable for me.

Good choice, good value for money, I'm a happy customer.
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50 of 55 people found the following review helpful By Carlgo VINE VOICE on March 6, 2012
Color Name: Silver Verified Purchase
Modern design and production techniques have made it possible to mass market complex, automated lenses like the Sony E 55-210. But, can a modern consumer lens compete with an old legend? Gots to have a test...

I have a 40 year-old Leica Elmar-C 90mm, off of the "entry level" compact Leica CL of the day. And while it is old, nothing is really all that new in the actual optics, especially in this focal range. Even the coatings were just fine then. It is a heavy little sucker, made of glass and brass, and nearly the same weight as the far bigger Sony.

Nothing like the Big Sur coast for photos of rocks and water. Perched on a rock above a cove where the ancients once gathered abalone, I shot away with all of my lenses and my newly arrived Nex-7 from Amazon. Yay! Not a horrible way to spend an almost 75 degree sunny day in early March.

After downloading and enlarging the results at 100% it was evident that at 90mm the Sony was just a hair less sharp in the center than the Leica. At the edges, the Leica was clearly superior. Wow! To me that is both a testament both how good Leica was making entry level lenses 40 years ago and how an affordable, automated zoom can compete with a quality prime lens at the length and sunny lighting conditions that the Leica was optimized to work at! Awesome.

I believe that even a laboratory sort of test would find the same results. It was pretty clear in a real world sort of way.

And, in the real world the Sony goes way beyond what any prime can do. You can zoom in and fill the frame, avoiding cropping. This will equalize the sharpness factor in many cases. It can focus automatically, has optical stabilization so that even the longest telephoto shots are sharp.
Read more ›
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119 of 144 people found the following review helpful By Jiunjr Feng on February 12, 2012
Color Name: Silver Verified Purchase
SONY SEL18200 E-mount 18-200mm was my telephoto zoom lens, and it's very heavy making me feeling like to carry pervious Nikon DSLR when it plugging on NEX5N. After I received this E-mount 55-210mm len, I would say that SONY got the right point to create this len for working with 18-55mm kit lens.

1. Lighter, it's the most key point to use NEX5N instead of tranditional DSLR.
2. Faster, auto focus is faster than SEL18200.
3. Cheaper, the price is reasonable.
4. Easier to carry, LCS-X20 can handle NEX5N mounted 18-55mm kit lens and this E55-210mm together.

-------------------------------------------------------------------------------

Update 3/6/2012

Found internal dust inside the len after taking less than 50 pictures. I called SONY and they arrange me RMA.
1. They asked me to pay for the shipping, so I have to talk to the customer service to discuss for SONY taking the responbility for the shipping.
2. They charged me $82 for labor of the DOA product and their on-line customer serivce cannot do any thing, but asked me to call their customer relationship department.

Good concept and idea for NEX e mount product, but super bad customer service and unreasonable charges again and again.

So, I would like to change review to 3 stars...... Because you will have nice idea product with poor customer serivce.
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