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Sony E 55-210mm F4.5-6.3 OSS Lens for Sony E-Mount Cameras (Silver)
|Price:||$348.00 & FREE Shipping. Details|
|You Save:||$1.99 (1%)|
- Provides a wide focal range of up to 315mm (35mm equivalent) ideal for sports or nature shooting
- Quiet Internal focusing makes smooth, responsive AF possible with minimum noise. Perfect for video capture
- Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images
- Optical SteadyShotTM Image stabilization makes it easier to achieve crisp, stable images and video in low-light or when zooming in on distant subjects
- Accepts 49mm Filters
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|Aperture Control Design||Aperture controlled by camera|
|Compatible Lens Hood Part Number||ALC-SH115|
|Compatible Mountings||Sony E (NEX)|
|Focus Type||Stepper motor|
|Image Stabilization||4 stops claimed|
|Included Components||Front and rear lens cap - Limited Warranty Term :|
|Item Dimensions||2.52 x 2.52 x 4.25 inches|
|Item Weight||0.76 pounds|
|Lens Type||Zoom lens|
|Macro Focus Range||1.00 m|
|Material Type||Metal mount|
|Maximum Aperture Range||F4.5 - F6.3|
|Maximum Focal Length||210 mm|
|Maximum Format Size||APS-C / DX|
|Minimum Focal Length||55 mm|
|Minimum Focal Range||55 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||13|
|Number of Groups||9|
|Photo Filter Thread Size||49 mm|
|Shipping Weight||1.01 pounds|
|Style Name||US Version|
From the Manufacturer
E 55-210mm F4.5-6.3 OSS Zoom Lens
This 55-210mm lens offers a superb balance of form and function: ample zoom range in a compact design that is lightweight and remarkably comfortable to hold and operate. Built-in Optical SteadyShot image stabilization system makes it possible to produce sharp images even when shooting handheld in low light.
When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.
ED (Extra-low Dispersion) glass
As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.
Aspherical lens elements
Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.
Lens-based optical image stabilization
Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
2011 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony and Optical SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.
Color: Silver | Package Type: Standard Packaging
Top Customer Reviews
So I ordered this one 55-210, and I'm pretty happy with my choice.
It's light, well balanced, and you can use the camera without holding the lens.
And furthermore, it's the same diameter (49mm) as the 16f2.8 and the 18-55, so it's compatible with my polarized filter (opposite to the 18-200).
Obviously the AF is not quick at 210mm, which may be bothersome for movie shooting, but it's still fully acceptable for me.
Good choice, good value for money, I'm a happy customer.
Many of the reviewers noted that it didn't seem as sharp at 210 but I found it to be pretty darn perfect. I'm posting a few jpegs straight from the camera on here so you can see for yourself. It helped that I was working outside in very bright light but still, the sharpness at 210 was far better than many reviewers led me to believe. I will note that the lens MUST be manually focused to optimize the sharpness at full tele but that is to be expected. AF works and works well but can't be expected to match the precision of manually focusing. I also noted a few reviews that mentioned this lens' poor macro performance. I tested it out on a beautiful shimmering succulent and was very impressed. It isn't a macro lens and won't replace one in your kit but it's performance shouldn't be discounted. It picked up spider webs on the succulent with perfect clarity that I could not see with my own eyes. Even the bokeh at close range was pleasant. The most impressive thing to me was the built-in Image Stabilization. All of today's shots were hand-held and I never once had trouble, even at 210.Read more ›
To my surprise contrast, definition, IQ are very comparable if not identical (at same apertures, 4.5-5.6-6.3)
Optical Steady Shot also works well, the smoker and coffee drinker that I am was able to go as low as 1/30 sec at the 210mm extremity.
The zoom is very light, and balance is not that bad on the Nex5. It does extend at long range about 2" but you can still hold the camera by the grip and do not need to support the lens with the other hand if you want to do so.
Focus is admittedly not that fast, but positive nonetheless (progressive in good light, no hesitation and going back and forth).
Built is good (plasticky metal?), there is no indication (distance, OSS on/off) on the lens itself, except focal range.
For all purpose, due to the limited choice on Nex mount, you cannot go wrong with that choice. I used a FD 50mm, FD 135mm and a FD 200mm previously with an adapter but even the 135mm seems heavy and none of these obviously do AF.
I was concerned mainly with the size of this zoom on the tiny Nex5 body more than anything and the IQ was a nice surprise (of course 4.5 - 6.3 is slow).
Hope this will help in your decision because there are samples on the web but not any review yet.
A pity that Nex7 is delayed and probably not available before months. This zoom will balance better on the slightly larger body of the Nex7.
UPDATE 10/25/11: COMPARED TO CANON 70-200mm/4 IS
Soon, experts will be testing this lens shooting charts on tripods with elaborate measures, which will be good for all of us to know.Read more ›
I have a 40 year-old Leica Elmar-C 90mm, off of the "entry level" compact Leica CL of the day. And while it is old, nothing is really all that new in the actual optics, especially in this focal range. Even the coatings were just fine then. It is a heavy little sucker, made of glass and brass, and nearly the same weight as the far bigger Sony.
Nothing like the Big Sur coast for photos of rocks and water. Perched on a rock above a cove where the ancients once gathered abalone, I shot away with all of my lenses and my newly arrived Nex-7 from Amazon. Yay! Not a horrible way to spend an almost 75 degree sunny day in early March.
After downloading and enlarging the results at 100% it was evident that at 90mm the Sony was just a hair less sharp in the center than the Leica. At the edges, the Leica was clearly superior. Wow! To me that is both a testament both how good Leica was making entry level lenses 40 years ago and how an affordable, automated zoom can compete with a quality prime lens at the length and sunny lighting conditions that the Leica was optimized to work at! Awesome.
I believe that even a laboratory sort of test would find the same results. It was pretty clear in a real world sort of way.
And, in the real world the Sony goes way beyond what any prime can do. You can zoom in and fill the frame, avoiding cropping. This will equalize the sharpness factor in many cases. It can focus automatically, has optical stabilization so that even the longest telephoto shots are sharp.Read more ›
Most Recent Customer Reviews
This is a so-so lens that is not matched by any other Sony/Zeiss offering in price and capacity and therefore stays on my A6000 camera, as it's rather small, but the images are... Read morePublished 1 day ago by Metropixie
Thinking back, I wonder why my husband didn’t purchase this earlier.Published 13 days ago by Kayla Kimberson
It is in essentially new condition -- I'm satisfied with the purchase.Published 13 days ago by R. E. Polcyn
Great lens. Love it. It has both manual and automatic shooting. Great distance shooting. No complaints for a inexpensive lens. Works for the a6000.Published 16 days ago by robert law