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Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)

by Sony
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List Price: $349.99
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Black
  • Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature
  • Internal focusing for smooth, quiet operation - perfect for video capture
  • Optical Steady Shot ™image stabilization for stable video capture and low light performance

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Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black) + Sony 16GB SDHC/SDXC Class 10 UHS-1 R40 Memory Card (SF16UY/TQMN)
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This item: Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
Customer Rating (189) (69) (46) (34)
Price $ 348.00 $ 398.00 $ 198.00 $ 998.00
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Green's Camera World PhotoCraft Amazon.com Amazon.com
Lens Zoom lens Prime lens Zoom lens Zoom lens
Maximum Sensor Size Compatibility APS-C / DX APS-C / DX APS-C / DX APS-C / DX
Maximum Aperture Range F4.5 - F6.3 F1.8 F4.0 - F5.6 F4.0
Min Aperture 32 22 45 22
Photo Filter Thread Size 49 millimeters 49 millimeters 62 millimeters 55 millimeters
Minimum Operating Distance 1 meters 0.3 meters 0.95 meters 0.35 meters
Item Weight 0.76 pounds 0.34 pounds 0.67 pounds 0.68 pounds
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Product Details

Color Name: Black
  • Product Dimensions: 4.2 x 2.5 x 2.5 inches ; 12.2 ounces
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
  • ASIN: B00HNJWSDS
  • Item model number: SEL55210/B
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (189 customer reviews)
  • Date first available at Amazon.com: January 6, 2014

Product Description

Color: Black

Product Description

A perfect companion to the SEL1855 or SEL1650, featuring an 82.5mm medium telephoto to 315mm telephoto equivalent focal length in a surprisingly compact 3.8x E-mount zoom. Blur-free images are easy to achieve thanks to built-in Optical Steady Shot image stabilization, and internal focusing plus an internal drive motor achieve remarkably smooth, quiet autofocus that"s ideal for shooting movies as well as stills. An elegant aluminum alloy exterior adds to the overall aura of quality.

From the Manufacturer

Sony make . believe

E 55-210mm F4.5-6.3 OSS Zoom Lens

This 55-210mm lens offers a superb balance of form and function: ample zoom range in a compact design that is lightweight and remarkably comfortable to hold and operate. Built-in Optical SteadyShot image stabilization system makes it possible to produce sharp images even when shooting handheld in low light.

E 55-210mm F4.5-6.3 OSS Zoom Lens

Technology

Circular Aperture
ED (Extra-low Dispersion) glass
Aspherical lens elements

Circular Aperture

When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

ED (Extra-low Dispersion) glass

As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration.

Aspherical lens elements

Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.

Lens-based optical image stabilization

Lens-based optical image stabilization

Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills.

Additional Features

Internal focusing

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Sony make . believe

2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographic and photographic errors. Features and specifications are subject to change without notice. Sony and Optical SteadyShot are trademarks of Sony. All other trademarks are trademarks of their respective owners.

Customer Reviews

This is a great lens for taking far away shots.
Julia
It is a very light lens and on the Nex-3N it feels balanced and I can still hold the camera with just one hand.
MTB Dude
The manual focusing is very smooth and precise, with a decent feel to it.
Carlgo

Most Helpful Customer Reviews

131 of 138 people found the following review helpful By Khiem Do on October 20, 2011
Color Name: Silver Verified Purchase
I received this lens 1 day ago and did a quick test comparing it with a canon 100L and a canon 70-200 IS on 60d.
To my surprise contrast, definition, IQ are very comparable if not identical (at same apertures, 4.5-5.6-6.3)
Optical Steady Shot also works well, the smoker and coffee drinker that I am was able to go as low as 1/30 sec at the 210mm extremity.
The zoom is very light, and balance is not that bad on the Nex5. It does extend at long range about 2" but you can still hold the camera by the grip and do not need to support the lens with the other hand if you want to do so.
Focus is admittedly not that fast, but positive nonetheless (progressive in good light, no hesitation and going back and forth).
Built is good (plasticky metal?), there is no indication (distance, OSS on/off) on the lens itself, except focal range.
For all purpose, due to the limited choice on Nex mount, you cannot go wrong with that choice. I used a FD 50mm, FD 135mm and a FD 200mm previously with an adapter but even the 135mm seems heavy and none of these obviously do AF.
I was concerned mainly with the size of this zoom on the tiny Nex5 body more than anything and the IQ was a nice surprise (of course 4.5 - 6.3 is slow).
Hope this will help in your decision because there are samples on the web but not any review yet.

A pity that Nex7 is delayed and probably not available before months. This zoom will balance better on the slightly larger body of the Nex7.

UPDATE 10/25/11: COMPARED TO CANON 70-200mm/4 IS

Soon, experts will be testing this lens shooting charts on tripods with elaborate measures, which will be good for all of us to know.
Read more ›
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75 of 77 people found the following review helpful By zboub75 on November 17, 2011
Color Name: Silver Verified Purchase
I tried the 18-200 lens from Sony for the NEX. It's a good lens, quick, but it has a major drawback: too heavy.

So I ordered this one 55-210, and I'm pretty happy with my choice.
It's light, well balanced, and you can use the camera without holding the lens.
And furthermore, it's the same diameter (49mm) as the 16f2.8 and the 18-55, so it's compatible with my polarized filter (opposite to the 18-200).

Obviously the AF is not quick at 210mm, which may be bothersome for movie shooting, but it's still fully acceptable for me.

Good choice, good value for money, I'm a happy customer.
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61 of 68 people found the following review helpful By Carlgo VINE VOICE on March 6, 2012
Color Name: Silver Verified Purchase
Modern design and production techniques have made it possible to mass market complex, automated lenses like the Sony E 55-210. But, can a modern consumer lens compete with an old legend? Gots to have a test...

I have a 40 year-old Leica Elmar-C 90mm, off of the "entry level" compact Leica CL of the day. And while it is old, nothing is really all that new in the actual optics, especially in this focal range. Even the coatings were just fine then. It is a heavy little sucker, made of glass and brass, and nearly the same weight as the far bigger Sony.

Nothing like the Big Sur coast for photos of rocks and water. Perched on a rock above a cove where the ancients once gathered abalone, I shot away with all of my lenses and my newly arrived Nex-7 from Amazon. Yay! Not a horrible way to spend an almost 75 degree sunny day in early March.

After downloading and enlarging the results at 100% it was evident that at 90mm the Sony was just a hair less sharp in the center than the Leica. At the edges, the Leica was clearly superior. Wow! To me that is both a testament both how good Leica was making entry level lenses 40 years ago and how an affordable, automated zoom can compete with a quality prime lens at the length and sunny lighting conditions that the Leica was optimized to work at! Awesome.

I believe that even a laboratory sort of test would find the same results. It was pretty clear in a real world sort of way.

And, in the real world the Sony goes way beyond what any prime can do. You can zoom in and fill the frame, avoiding cropping. This will equalize the sharpness factor in many cases. It can focus automatically, has optical stabilization so that even the longest telephoto shots are sharp.
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31 of 34 people found the following review helpful By Russell W. Miller on May 24, 2013
Color Name: Silver Verified Purchase
I received this lens this afternoon and spent a few hours trying it out at the beach in San Diego. Having read all of the reviews on here I was expecting an above average but not exceptional tele but this puppy really blew me away. Firstly I should note that I purchased one of the "Used - Like New" lenses fulfilled by Amazon. I bought it at the airport in DC and had it sent to an Amazon locker at my destination which ended up being superbly convenient. It was still shipped with the Prime shipping option and arrived a day later. Despite being listed as used it had obviously never been removed from it's packaging and looked brand new.
Many of the reviewers noted that it didn't seem as sharp at 210 but I found it to be pretty darn perfect. I'm posting a few jpegs straight from the camera on here so you can see for yourself. It helped that I was working outside in very bright light but still, the sharpness at 210 was far better than many reviewers led me to believe. I will note that the lens MUST be manually focused to optimize the sharpness at full tele but that is to be expected. AF works and works well but can't be expected to match the precision of manually focusing. I also noted a few reviews that mentioned this lens' poor macro performance. I tested it out on a beautiful shimmering succulent and was very impressed. It isn't a macro lens and won't replace one in your kit but it's performance shouldn't be discounted. It picked up spider webs on the succulent with perfect clarity that I could not see with my own eyes. Even the bokeh at close range was pleasant. The most impressive thing to me was the built-in Image Stabilization. All of today's shots were hand-held and I never once had trouble, even at 210.
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