Sony HDR-SR11 10.2-MP 60GB High Definition Hard Drive Handycam Camcorder with 12x Optical Image Stabilized Zoom

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Product Details

• Item Weight: 8 pounds
• Shipping Weight: 4 pounds (View shipping rates and policies)
• Shipping: Currently, item can be shipped only within the U.S.
• ASIN: B00123XZNI
• Item model number: HDR-SR11
• Average Customer Review: 4.4 out of 5 stars See all reviews (85 customer reviews)
• Amazon.com Sales Rank: #312 in Camera & Photo (See Bestsellers in Camera & Photo)

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  #2 in	Camera & Photo > Camcorders > Hard Disk Drive
  #11 in	Camera & Photo > Camcorders > High Definition

• Date first available at Amazon.com: January 10, 2008

Product Description

From the Manufacturer

Shoot video and still photographs like a pro. Sony's HDR-SR11 Handycam camcorder has everything you need for a superior video and photo experience. Face Detection technology, made possible by the ClearVid CMOS sensor (with Exmor technology) and Bionz image processor, helps make sure people look their best in videos and photos. Capture extremely detailed video in Full 1920 x 1080 high-definition resolution, as well as stunning 10.2-megapixel still photos. Records directly to a built-in 60GB hard drive or your choice of removable Memory Stick Duo or Memory Stick Pro Duo media.

HDR-SR11 Handycam Highlights

1920x1080 recording Record stunning, incredibly detailed video footage in the clarity of 1920 x 1080 Full HD resolution.

Face Detection for video footage and digital still photos Made possible by the Bionz image processing engine, Face Detection technology recognizes up to 8 faces anywhere in the frame and automatically controls focus, exposure, and color to help capture smiling faces brightly and clearly. Face Detection also helps make skin tones look natural without affecting other colors in the image.

5-megapixel ClearVid CMOS sensor (with Exmor technology) and Bionz image processor Sony's newly-designed CMOS image sensor delivers bright, vivid, and spectacularly detailed 5-megapixel (effective) video footage, as well as 10.2-megapixel still images -- all with prolonged battery life. Exmor technology captures images with high resolution and high sensitivity. In addition, the advanced Sony Bionz image processor improves camera response time and screens out noise so the signal from each pixel is as pure as possible.

CMOS Sensor

Bionz image processor The advanced Sony Bionz image processor uses hardware-based Large Scale Integrated (LSI) circuitry that improves camera response time, screens out noise before RAW data conversion, handles Dynamic Range Optimization processing, and prolongs battery life.

Exmor imaging sensor Exmor technology captures video and still photo images with high resolution, high sensitivity, and exceptional detail. Advanced on-sensor A/D conversion yields rich tonal reproduction with high signal-to-noise ratio.

Hybrid recording to hard disk drive or Memory Stick media Hybrid recording technology delivers a new level of flexibility for transferring your video footage and digital photos from the camcorder to compatible viewing devices. Record to the camcorder’s internal hard disk drive, or choose instead to record to removable Memory Stick Duo media or Memory Stick Pro Duo media. You can even select from various dubbing functions to easily copy video or still images from the hard disk drive to Memory Stick media -- without using a PC. Images recorded or transferred to Memory Stick media can then be played directly on a PS3 or PC to share your memories with friends and family.

Dual Record While recording video in High Definition you have the ability to capture still images directly to Memory Stick Duo media (sold separately).

Professional-quality Carl Zeiss Vario-Sonnar T* lens Carl Zeiss Vario-Sonnar T* lenses use highly-advanced optics to deliver vivid image brilliance, true-to-life color saturation, and perfect renditions of subtle tones. The additional T* coating further reduces unwanted glare and flare for increased contrast and color.

Dynamic Range Optimizer Powered by the exclusive Sony’s Bionz high-speed processing engine, D-Range Optimization preserves image data in bright highlights, such as suppressing "whiteout" in skies. When shooting in backlit settings, D-Range Optimization reveals more detail in shadows, preventing "blackout." As a result, the captured image appears as natural as the original scene.

12x optical/150x digital zoom The optical zoom helps to bring the action close up from far away. In addition, Digital Zoom Interpolation means that extreme digital zooming is clearer, with less distortion than previous types of digital zoom.

3.2-inch widescreen touch-panel XtraFine LCD The 3.2-inch widescreen (16:9) XtraFine LCD screen displays sharp, bright, photo-quality images, letting you compose and share video and still images more easily -- even outdoors. With nearly 1-megapixel (921K pixels) resolution and a wide viewing angle, the XtraFine LCD screen is like having a high-resolution video and photo viewer built into your camcorder.

Built-in zoom microphone with 5.1-channel recording Featuring Dolby Digital 5.1 Creator, the built-in zoom microphone focuses audio recording on your subjects in sync with the camera’s zoom lens, helping memories ring true with clear dialogue and crisp, discrete sounds.

Dolby Digital 5.1-channel recording Record in Dolby Digital 5.1-channel surround sound with the camcorder’s built-in microphone. Recording in 5.1-channel surround sound allows you to experience your home movies with active sounds coming from all directions, so you can enjoy your personal home movies the way you experienced them while recording.

Tele Macro function Images shot in the Tele Macro Mode help your subject stand out by properly focusing the subject while leaving the background unfocussed. The Tele Macro Mode is useful for shooting close-up shots, especially when you need to prevent the camcorder from casting a shadow on the subject.

Switchable HD/SD format recording Record and play back both High Definition (HD) and Standard Definition (SD) video.

Active Interface Shoe Sony’s proprietary hot shoe makes it easy to use Intelligent Accessories, such as external lights and microphones, by providing power and on/off capability directly from the camcorder.

HDMI connection with Bravia Sync (CEC) technology HDMI connectivity provides a simple, high-quality video and audio connection, with the ability to transmit HD video and 5.1-channel audio directly from the camcorder to compatible HDTVs via a single cable. With Bravia Sync (CEC) technology, the HDMI connection also delivers the ability to control both the camcorder and HDTV using a single Bravia TV remote.
USB 2.0 interface The USB 2.0 interface provides an easy way to connect your camcorder to a PC for fast transfer of video and still images for editing.

InfoLithium Battery with AccuPower Meter System Unlike NiCad (Nickel Cadmium) batteries, Sony's rechargeable Lithium-ion batteries are not subjected to a life shortening "Memory Effect," so you’re free to charge the battery at any time. Additionally, Sony's exclusive AccuPower meter displays the battery time remaining in minutes, in either the viewfinder or on the LCD screen.

Stamina Battery Power Management System When using the Sony InfoLithium Battery, the Stamina Battery Power Management System helps the camcorder prolong battery life for extra long continuous recording times from a single charge.

Battery information At the touch of a button, battery information is displayed on the LCD screen when charging and when the camcorder is turned off. When using the LCD screen or viewfinder, the display will show how much the battery is charged -- in 10-percent increments -- and the recordable time left.

Built-in Intelligent Flash For added clarity and detail when taking pictures in low-light situations, the built-in flash improves pictures and reduces shadows.

Easy Handycam button Using a camcorder can be intimidating for some people. With a press of the Easy Handycam button, most of the advanced features of the camcorder are "locked out," letting you focus only the buttons essential for recording.

Date Index function Search recorded content by shooting date to quickly and easily find a specific scene.

Face Index Face Index makes it easier than ever to find and play back the right video scene. Using Face Detection technology, Face Index indexes your video footage according to the faces detected in each scene. When it’s time to play back video, simply search for what you want by selecting from among the detected faces displayed in the index.

Film Roll Index Like chapters in a book, Film Roll Index helps you easily find desired scenes in video footage. When using this feature, the camcorder previews the beginning of scenes and can create scene indexes set at specified display intervals (3, 6, or 12 seconds and 1 or 5 minutes).

Manual focus Manually adjust the focus of the camcorder using the touch panel. Manual focusing also allows the user to control the focus in difficult situations where either the environment or the subject does not allow the camcorder's auto focus to perform optimally, such as when shooting through a window or in a crowded environment.

Memory Stick Pro Duo Media Slot Capture still images directly onto Memory Stick Pro Duo media (sold separately) for easy transfer to PCs for emailing, printing, or sharing with other compatible Memory Stick devices (sold separately).

One-touch disc burn Easily burn a DVD copy of your footage using the supplied software. Simply connect the camcorder to your PC via a USB cable and press the One-touch disc burn Button.

Quick On Missing an important scene can be frustrating, especially if the reason is because your camcorder is turned off. With the Quick On feature, the touch of a single button places that camcorder in Sleep mode. Another push instantly wakes the camcorder, so you’ll always be ready to capture special moments.

PhotoTV HD viewing with HDMI output With direct HDMI output to your Bravia HDTV and other compatible HDTV screens, so you can view and share photos in breathtaking clarity and detail. You can choose between standard 4:3 and widescreen 16:9 aspect ratio -- and with select Bravia HDTV models, your photos are automatically optimized in sharpness, gradation, and color reproduction.

Progressive shutter system A mechanical shutter system that provides progressive scan performance while utilizing an interlaced scanning system. Digital still images will be sharp and clear with excellent definition.

Super NightShot Infrared System With the Super NightShot Infrared System, you can capture video in total darkness (0 lux) up to 10 feet away.

Optical Image Stabilization

Super SteadyShot Optical Image Stabilization System The Super SteadyShot Optical Image Stabilization System from Sony reduces blur caused by camera shake and vibration, so your images stay crisp and clear. This optical stabilization system achieves an even higher level of smoothness without the image degradation that can occur with some digital stabilization systems.

On-screen Zoom and Record buttons For additional control of the camcorder, Zoom and Record buttons are features on the frame of the LCD screen. This allows for more flexibility when holding the camcorder, especially in overhead or low angle shots.

Fader effects Enhance your personal videos by adding professional looking fader effects. Choose from Black and White.

Picture Effects Get creative when recording or playing back your videos with Sony's Picture Effect Modes. Effects available in Camera mode: Monotone, Pastel and Sepia. Effects available in Playback mode: Monotone, Pastel and Sepia.

Scene Selection modes Scene Selection modes make recording easy even when filming in challenging situations. Choose from Beach, Candle, Fireworks, Landscape, Portrait, Sports Lesson, Spotlight, and Sunrise & Sunset.

Smooth slow record By increasing the record rate from 60 frames per second (fps) to 240 fps, you can capture 3 seconds of fast motion and play the video back in 12 seconds. The Smooth slow record mode is a great tool for analyzing a golf swing or a viewing a bird in flight. In addition, you record an audio track to narrate the video footage.

x.v. Color Technology x.v.Color technology can capture or display nearly twice as many (1.8x) viewable colors than possible with the traditional RGB color standard. This provides a more accurate and vivid color range, for a more natural, lifelike overall experience.

Multi-language menu Change the menu display from English to English (Simplified), Canadian French, Latin American Spanish, or Brazilian Portuguese.

Product Description
The Sony Handycam camcorder HDR-SR11 with Face Detection technology captures faces clearly so your videos and photos are recorded more beautifully. The ClearVid CMOS Sensor (with Exmor technology) and BIONZ image processor provides extremely detailed Full HD 1920 x 1080 resolution video11, and stunning 10.2 megapixel still images, with long battery life. Super SteadyShot optical image stabilization system reduces blur even when using the 12x optical/150x digital zoom. Moreover, Hybrid recording technology gives you the flexibility to record to the internal 60GB hard disk drive or removable Memory Stick PRO Duo media (sold separately), as well as easily copy video or still images from the hard disk drive to Memory Stick media without a PC.

Customer Reviews

Most Helpful Customer Reviews

187 of 197 people found the following review helpful:

4.0 out of 5 stars Sony HDR-SR11 vs. Panasonic HDC-HS9 comparison, April 19, 2008

By	Henry Thoreau "bob" (bob) - See all my reviews

I write this review because I wish it had been written during the time I was purchasing my camcorder. I will summarize this review between the Sony HDR-SR11 vs. Panasonic HDC-HS9 as basically a toss up, but the little things of Sony leaned me to the SR11.

First, let me say that I really did not want to buy Sony HDR-SR11, granted a Bravia TV is my LCD of choice, but I cannot stand their proprietary memory. Since this camcorder was not purchased for photos this was not a big deal. Though I commend Panasonic for using SD that can be readily found. Sony is pricey (though some may say justifiably so because of the quality) but competition is good for the consumers as we benefit through new, quality, and innovative features.

A salesman from a particular store told me that Sony was good to get for camcorders, and I'd add Nikon or Canon are a way to go for digital cameras, anyway I digress.

Having to see it for myself, initially I purchased the Panasonic HDC-HS9 and after a tough decision I had to switch for the small things mainly from software which I'll get to later, but first let me give a side by side comparison between the two after testing out each product for a couple hours about the features that matter to me at least. I will refer to the products as HS9 and SR11 for the remainder of the review.

Appearance: I'd have to give it to the HS9 for being noticeably smaller. But the SR11 is not big (especially not 90's camcorder big), as I have a man sized hand, but the HS9 wins the compact comparison in this case. While we're on the physical appearance of it, I was disappointed in the HS9 placement of the external adapter. The battery must be physically removed every time you want to connect the adapter as the cable connector is behind the battery. Therefore you cannot charge the battery simply by pluging in the charging cable as you can on many products that you can usually do this and as you can for the SR11. And the HS9 forces you to use the external cable when transferring a video, even though this may make sense, but when you have a short clip and just took the battery off the charger, it's annoying to remove the battery and find the external adapter every time to do so. Bad placement of the external adapter on the HS9 unlike the nicely placed (as is with most camcorders, at least with a previous Canon ZR200 that I own) with the HS9. If size is an issue for you, the HS9 may be your choice.

Video Quality: My opinion of the quality between the HS9 and SR11 was comparable. Between the two it's a toss up during daylight conditions as both are excellent, and the SR11 is stunning as your eye sees it, it appears on the screen, very nice. The HS9 records in a 1080p vs. a 1080i format, that may give the albeit slight edge in terms of theoretically video quality to the HS9. Though the software provided with the HS9 to play back these high quality videos ruins the superb video recording. I hate to say my eye didn't notice the difference between 1080p and 1080i though my correction lens aren't the greatest, mileage of your eyes matter perhaps.

In low light conditions, the HS9 seems to record slightly brighter images which are decent, the SR11 are a bit darker, though look extremely realistic. A true toss up, and really based on personal preference and would have to say they're evenly matched for you to decide.

In extremely low light conditions I found the HS9 surprisingly grainy. It seems to brighten up a extremely dark image thus resulting in grain. I have not recorded the SR11 in low light conditions other than finding a youtube video of a low light condition video and it seemed to keep it's realistic tone but remained dark. The HS9 seems to be on the right track to attempt to brighten up things, as the SR11 does not, but at this point I would have to say the HS9 was unsatisfiability grainy.

Both were grainy in bedroom light condition when displaying directly from the camera to the TV (not recording, just displaying through the cables) though the SR11 might have had a slight lead when panning or moving the zoom in and out a bit more responsive, though hardly noticeable.

Formats: The HS9 takes the lead in this regard as it has a 24 cinema mode, that records frames at 24 frames like some movies. Otherwise the HS9 records in 60 frames per second. However, the Pinnacle trial version could not handle the 60 fps mode and only the 24 cinema mode (though it said it was 30 fps). Though the HS9 software could handle its own 60 fps video fine, more later on software. The SR11 records it's videos in 30 fps

Night vision between the two the HS9 uses a blue illumination for night vision and the SR11 uses the commonly known green illumination as often seen on TV. I like the green better, but the blue was a nice change and this did not affect my decision either way, though it was nice to have on both.

Transfer to PC: Both transfer to your computer via a USB extremely quickly and at seemingly equal times.

Sound: Both are 5.1, the sound is acceptable and nice on both camcorders, I would say that the wind cut function on the HS9 was nice to have and did seem to work, the SR11 does not have this feature, though I'd wish it did. I'd give a slight edge to the HS9 in this one, especially if you record in windy conditions often (soccer games perhaps), which I don't.

Optical Image Stabilization: Both claim image stabilization, the OSI on the HS9 seems to slightly work better, though not noticeably. I think both still need to work on this.

Face recognition: The SR11 impressed me with the facial recognition as it just works. Turn the camera on a person and a white box appears around a persons face and moves as the person does, always keeping focus on that persons face. The focus on the HS9 on faces seemed very good, though I couldn't figure out the white box feature, it might have had to been enabled through a button a readily accessible button at the very top, so not that bad, but the HS9 was automatic.

Cables: Both have an ample about of cables that allows you to connect your camera to the TV with both RGB and Yellow and white/red audio cables.

Remote: Both had remote controls, a definite plus.

Software: This is where I must reluctantly gives this definitely to the SR11 or Sony. First, very few software handle the AVCHD videos at this time, so both Panasonic and Sony include their own software to retrieve the videos from the camera. The Panasonic software is a bit clumsy when it asks which folder you want to save it in, it's a bit manual where the Sony software detects when the camera has been connected, and simply asks whether you want to import all your videos, one click and it does, in a folder already created with an independent name. The Panasonic software called HD Writer had some additional editing capabilities to slice, merge, and delete unnecessary scenes and save to dvd and mpeg2 whereas the Sony had no editing features.

Playback software: I really hope panasonic gets this point. Their playback software most likely did not use directx, where the Sony PMB or Picture Motion Brower does. What this does is use your video card when the HD videos are playing back video. At one point I thought there was something wrong with the camcorder because the playback would skip using the HS9 playback software, but after encoding it to another format, my native video player kicked in and played back smoothly. This really scared me thinking that there was something wrong with the HS9 when there was not, however my x2300 dual core processor was not able to handle the playback of the native HS9 videos alone. This is in contrast to Sony PMB software for playback that installed directx that utilized my video card so that playback of the native format of the camcorder was silky smooth. What's more the Picture Motion Brower is a nice video playback software that throws in additional calendar features of when a video was imported and such, a nicety that should be used with backing up as it's insanity to store large amounts of precious moments on a computer instead of constantly backup up these priceless moments on DVD's and such, those who have had hard drive failures know. Panasonic included a copy of Pinnacle trial version 11 for HD cameras, it could import the HD 60 fps videos, but did not encode them properly. The 24 cinema mode (or 30fps) videos has no problem in Pinnacle. The SR11 videos also were imported into Pinnacle with no problems. Once additional nicety of the Sony software is that you can make a still picture at any moment making a jpeg without importing it into an editing software. Though the HD Writer software has nice features to backup your videos, hard to use in other cases like loading the HD videos stored on your computer. Sony's Picture Motion Brower software is very good to view and backup, though a register folder option was awkward, why not just allow the ability to just drag in folders to register, always room for improvement I guess.

Viewfinders: Both viewfinder display a clear image, though the SR11 has a touchscreen where the HS9 does not, though understandable with the price difference. I was disappointed I could not navigate to playback a video on the SR11 without using the touchscreen since the screen would get a lot of fingerprints, though there are less buttons to complicate things because of the touchscreen. Both have easy buttons to begin recording.

The HS9 had a feature to offer advice how to record like turn on the low light feature (should have had a feature that this would turn on automatically) or you're panning to fast, this advice can be taken as good or bad.

Zoom: The HS9 had digital zoom, but it would not work in 24 cinema mode, go figure, and was adequate. The SR11 had no such zoom, but the normal zoom was satisfactory, though not as far as the HS9.

Conclusion: If you can tolerate the size of the SR11, and wind is not a major issue and are looking for a camcorder with excellent video in all light conditions, good sound, facial recognition, and easy and nice software then SR11 is a fine choice that I am happy with.

The HS9 is a nice choice when size is an issue and windy conditions to utilize the wind cut feature, beware of extremely low light conditions and be wary of the battery having to be removed each time for the external adapter and native format playback skipping (it's not the camcorder, you're computer is too slow, just encode it to another format), there is no touch screen and there is a mini joystick that can be cumbersome as when engaging night vision is easier on the SR11 as opposed to the HS9 as well as low light mode.(though there is a price difference to offset the differences).

I am enjoying the SR11 and things are drastically improved over the miniDV of yester-years. The only thing that I battle each day is why I didn't get the SR12.

40 of 40 people found the following review helpful:

5.0 out of 5 stars Sony HDR-SR11 v.s. Canon Vixia HF-11, October 8, 2008

By	Ivan Avramov (Seattle, WA USA) - See all my reviews (REAL NAME)

I have purchased both camcorders (I admit via BestBuy since returns are a breeze) to compare quality for about a week, and I must say Sony wins hands down. I was actually hoping the Canon will be the winner since I own the Canon 40D dSLR and wanted to stay within brand, but I've made my choice and purchased the SR11 from Amazon. For the record, I was using iMac 3.06GHz intel proc with iMovie/QuickTimePro - none of the cameras offer any software for the Mac, but that did not seem a problem:

Sony won me over in the following areas:

1. Autofocus: Sony seemed more responsive. I have a 2yr old, which can't seem to stay put for more than a second and the Sony seemed to obtain better focus on him. Canon sometimes took over 2seconds to obtain focus outdoors at about 5x zoom.

2. white balance: For some reason the Canon did not look natural to me. The colours were off, with my son's pale skin looking greenish indoors at low light.

3. LCD + viewfinder. The Canon does not have a viewfinder, which I suppose contributes to its light weight. I found the LCD to be more than enough in overcast weather, but Sony's 3.2" screen is a pleasure to work with. It's larger(2.7" v.s 3.2") and much smoother LCD. The display is simply gorgeous. Videos show amazing on it and shooting is very pleasant. I found the touch screen to sometimes need a second push, but fingerprints were never a problem - I got the same amount on the Canon too. The Canon has the joystick/func button which I found was a bit clumsy to use.

4. compression & low light performance. Since I was shooting mostly indoors, I found Sony to work slightly better in low light, focusing a bit faster and producing less noise. I was comparing Sony's 60i v.s. Canon's 30p mode. Canon in 60i indoors at low light looked too alien green for my liking. Sony produced a bit less artifacts too.

5. Storage: 60G v.s. 32G of space. Both are extendible via memory card, sony requires the card if you want to shoot still photos while filming.

6. Build quality. This was a big one. I'd like my camera for which I paid a good chunk of cash to look good and feel good. It is very sad to see Canon produce those cheap feeling and looking cameras, when their SLRs are built like tanks. Sony was impecable with every detail very well thought through.

7 Sound quality. This was also quite noticeable. Sony's sound was much clearer indoors. It also offers a zoom function on the mic, so that when you use the optical zoom, the mic will also "zoom-in" on the conversation.

8. Price. As it stands, HF11 is 150 bucks more and I can't justify it.

9. Both camcorders can be hooked with cables directly, but only the Sony includes a cradle, and it is much easier to work with - just drop it in and pick it up when done. On the other hand, with the Canon I had to plug 2 cables each time I wanted to connect it to my Mac - one for power and one USB (you can't connect to PC without the camcorder being powered by the adaptor).

10. Button operation. Canon has a bad design flaw in their quick start function. You see, if you stop filming, and just close the LCD, the cam goes into standby mode. However, by pressing the start button, you can begin filming again without opening the LCD. On the Sony, the start button is embeded in the middle of the on/off/mode ring. The Canon's button is a big blob sticking out the back. It is very easy to accidentally start filming. It was quite anoying to find that my battery has runout in the car because I've depressed the button. On the bright side I now have 30min of footage of my jacket's pocket.
11. better stills. Canon's 3.2Mpixel shots can't compare to Sony's 10.2MP. Also, Sony's flash is well centered over the lens. Canon's is offset and the light looks off in pictures.

12. Better OIS (Optical Image Stabilization). I found that Sony performs better while walking.


Now some people keep whining about 30p/24p etc. I am no pro, and to me 24p looked a bit blocky, and 30p providing very similar quality to Sony's 60i mode. I found the 60i mode to look very movie-like too (It kept reminding me of an episode of "The Office" for some reason.)

To keep things fair, the Canon's Pros were:
1. Lighter weight and more centered zoom lever position. Sony's HDD,3.2" screen and viewfinder seem to add a bit of weight and the lever seems to go too far back.
2. flash-based recording medium should keep things more durable, though I'm not sure flash can sustain as many writes as a regular HDD.

39 of 40 people found the following review helpful:

3.0 out of 5 stars Maybe my expecations were too high?, May 29, 2008

By	S Tenent "Sam" (California, USA) - See all my reviews

I like this camera. I like the size and the feature set, but to my eye, the AVCHD video quality isn't quite there. It's good, but there is still some "star-stepping" visible around light and dark points, particularly in lower light. I'm comparing this to HDV video shot with my HDR-HC1 and I prefer the less compressed HDV video. That being said, I don't miss the video capture process I had to go through with HDV to get it onto the computer for editing, so I will keep this camera. FYI, for those of you looking for software that works with AVCHD, I've had great success with Sony Vegas Platinum. Whatever you do, don't buy Adobe Premier Elements - it doesn't support AVCHD and is very, very buggy.

Pro:
- Easy to load video to PC
- Good form factor; not as small as the Canon HF10, but small
- Nice big screen
- Viewfinder for those bright sunny days (HF10 does not have a viewfinder)
- Able to hold lots of video

Cons:
- Some compression artifacts visible in video
- Some skipping in video during rapid movements/ fast pans
- Slow focus lock in indoor lighting situations