While numerous studies have celebrated Thomas Merton's witness as an interfaith pioneer, poet, and peacemaker, there have been few systematic treatments of his Christology as such, and no sustained exploration to date of his relationship to the Russian "Sophia" tradition. This book looks to Thomas Merton as a "classic" theologian of the Christian tradition from East to West, and offers an interpretation of his mature Christology, with special attention to his remarkable prose poem of 1962, Hagia Sophia. Bringing Merton's mystical-prophetic vision fully into dialogue with contemporary Christology, Russian sophiology, and Zen, as well as figures such as John Henry Newman and Abraham Joshua Heschel, the author carefully but boldly builds the case that Sophia, the same theological eros that animated Merton's religious imagination in a period of tremendous fragmentation and violence, might infuse new vitality into our own. A study of uncommon depth and scope, inspired throughout by Merton's extraordinary catholicity.
Christopher Pramuk lives with his wife Lauri, a pediatrician, and their four children in Cincinnati, where he teaches theology and spirituality at Xavier University. His award-winning essays have appeared in America magazine, Theological Studies, Cross Currents, and the prayer journal Give Us This Day. He is the author of four books, including "Hope Sings, So Beautiful: Graced Encounters Across the Color Line" (Liturgical, 2013) and "Sophia: The Hidden Christ of Thomas Merton" (Michael Glazier, 2009), which was awarded the International Thomas Merton Society's 2011 "Thomas Merton Award," a.k.a. "The Louie," its highest honor. A lifelong musician and student of African American history and spirituality, Pramuk's present work focuses on racial justice and interracial solidarity in society and church.
Links to his blog and many essays can be found at www.HopeSingsSoBeautiful.org.




