119 of 125 people found the following review helpful
5.0 out of 5 stars a new favorite
In Sophie's Choice, William Styron does a masterful job of telling a horrific tale in bearable way. Sophie is a Polish Christian who survived 18 months in Auschwitz before the camp was liberated by the Allies. Of course her story is heartbreaking. But Styron unfolds the tale in a way that allows the reader to take it all in without being crushed by the sadness of...
Published on August 21, 2006 by Rose City Reader
16 of 18 people found the following review helpful
2.0 out of 5 stars Kindle edition full of errors!
I'm sure this is a great book, but the Kindle edition is almost unreadable! It appears to have been created by scanning a hardcopy, and then published without even so much as spell checking it! There are so many instances of things like lower case 'l' appearing as number '1' that it is hard to get through the book!
Published on December 28, 2010 by JW
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119 of 125 people found the following review helpful
5.0 out of 5 stars a new favorite,
This review is from: Sophie's Choice (Bloom's Modern Critical Interpretations) (Paperback)In Sophie's Choice, William Styron does a masterful job of telling a horrific tale in bearable way. Sophie is a Polish Christian who survived 18 months in Auschwitz before the camp was liberated by the Allies. Of course her story is heartbreaking. But Styron unfolds the tale in a way that allows the reader to take it all in without being crushed by the sadness of it.
First, instead of marching out the story of Sophie's capture and imprisonment in chronological order, Styron layers it on, each layer building on the next. When the 22-year-old narrator, Stingo, a Southerner who moved to Brooklyn to write novels, first meets Sophie in the summer of 1947, she gives him only the briefest of versions of her experience in the war. It is only as they grow closer as friends that Sophie, through a series of drunken encounters, provides more details to Stingo, each time admitting that she had lied to him before in earlier versions of her tale.
By presenting the horrifying particulars bit by bit, Styron seems mindful of the warning, and even quotes Stalin as saying, that a "single death is a tragedy; a million deaths is a statistic." The reader sees the tragedy of Sophie's experience because, by offering just a little at a time, Styron allows the reader to digest her story, along with a great deal of information about the Holocaust in general. If Styron had presented her story in full from the beginning, the awfulness would be numbing.
Also, Styron balances Sophie's tragic past with her tragic present in Brooklyn. In love with Nathan, a brilliant drug addict subject to violent fits of jealousy, Sophie has no chance of building a "normal" life in America. But, given her experiences in the concentration camp, it is impossible to imagine how she could. Rather than present an unbelievable fairy tale of survival, Styron uses the tortured relationship between Nathan and Sophie as the catalyst for her revelations to Stingo, as well as the vehicle of her ultimate, and well-foreshadowed, undoing.
Finally, for all its sadness, there is plenty of humor in the book. Some of Stingo's failed romantic adventures are downright funny, as are his self-deprecating descriptions of his writing efforts. Again, without these side stories offering a respite from the main narrative, Sophie's story would be unbearable.
Sophie's Choice is going in my Top 10 favorite novels of all times. I don't know yet what it is bumping off the list, but it is definitely going on.
53 of 56 people found the following review helpful
4.0 out of 5 stars Extraordinarily Good on Many Levels,
This review is from: Sophie's Choice (Library Binding)Sophie's Choice almost lost me in the first thirty pages or so, but thank goodness I hung in there. A tragic yet surprisingly non-depressing story (at times humorous, at times sad, but always compelling and riviting) of three people, Stingo (the narrator, a Southern youth yearning to be a writer living in the utterly strange world of New York), Nathan (Sophie's lover, brilliant, fascinating, and troubled) and of course Sophie, the beautiful Polish Auschwitz survivor who utterly captivates Stingo's imagination, who become, as Stingo quotes Sophie, "the closest of friends." And the friendship this lonely Southern young man develops with these two exotic (to him) individuals is at the heart of this compelling novel. Styron's story actually weaves together two stories: that of Stingo's journey of self-discovery "in a place as strange as Brooklyn" and that of Sophie, a "bruised and battered child[ren] of the earth," whose gently playful personality stuggles to survive her guilt about her past and her passionate but difficult and sometimes shocking relationship with Nathan. Styron accomplishes the difficult task of making the reader appreciate, understand, and even admire the character of Nathan by telling his story through Stingo's eyes, so despite Nathan's flaws, and indeed Sophie's as well, the love Stingo feels for them both is believable and moving. The gradually revealed tale of the concentration camp is grim and realistic, and Sophie's telling of it illuminates the source of the guilt which is destroying her : her choice, or choices--for there are many choices, although the one referenced in the title stands starkly, horrifying alone. By the end of the book, I loved Stingo, Nathan, and Sophie and while I did not exactly foresee the ending, afterward its inevitability...even its rightness...convinced me that this book was lovingly crafted by Styron. The movie, for which Meryl Streep deservedly won an Oscar, is a honorable attempt to be true to the heart and soul of this story, but only reading it allows one to experience its true power. Don't be discouraged if the first pages don't grab you; your patience will be rewarded with a gem of a book, a genuine work of literature, and something approaching, if not actually achieving, greatness.
54 of 58 people found the following review helpful
5.0 out of 5 stars Evil and madness,
21 of 21 people found the following review helpful
5.0 out of 5 stars The American Canon Is Incomplete Without This Novel,
This review is from: Sophie's Choice (Modern Library) (Hardcover)Often compared by literary critics to Toni Morrison's 1987 Beloved, for the choices women and mothers are forced into under the most desperate of circumstances and conditions, William Styron's 1979 novel Sophie's Choice is a non-step textual tugging at the heart. In spite of the long passages replete with narrator Stingo's onanistic details (he hasn't gotten any, so the irony is, of course, that he lives in a place called the "pink palace"...hmmm...what's that a euphemism for?), this novel of a Holocaust survivor is not easily put out of one's memory. There are few books I internalize and metaphorize and carry around with me; this is one of those books. The humorous description of the McGraw/Hill publishing offices in Manhattan in the late 40s is a superbly hilarious way to open this novel. We are then introduced, at a rooming house in Brooklyn, to Sophie Z. and Nathan Landau, two of the novel's central characters. We learn that Sophie is a Catholic Pole who survived Auschwitz, but is still haunted by a "choice" she was forced to make while there. I agree with my fellow critic who states that the scene of Sophie's choice (set in the novel on April 1st, nonetheless, echoing, I would assume, Ralph Ellison's Invisible Man)is so dramatically underplayed that I had to re-read it three times to make certain I didn't miss some critical nuance. Styron's choosing to portray the scene from which the novel's title comes as quietly and near the end as possible is a stroke of literary brilliance and keeps the reader page turning without end to find the answer to the question: What was the "choice"? Of course, in the course of the novel, Sophie Z. is faced with numerous choices, but only one choice matters; no, scratch that, all her choices matter, but this one choice is the most soul destructive of all; the self she fled with will ultimately be destroyed by a Brooklyn Jew. Forget the film; it damages this beloved text like any film does. William Styron's brilliance and specificity create a novel (based on a true story--in part, from Olga Legnya's Five Chimneys, which Styron discusses in the re-released 1999 afterword) that deals not only with the Holocaust and its implications for discussion and analysis (Sophie is a Catholic Pole, after all, not a Jew) but with the more mundane factors in life--like brilliance hindered by madness and insanity. A very sharp and unforgettable reading experience. I ask you to approach it with an open heart.
18 of 18 people found the following review helpful
5.0 out of 5 stars A Truly Great Novel,
By A Customer
This review is from: Sophie's Choice (Modern Library) (Hardcover)It's not surprising that Sophie's Choice is considered by many to be one of the great novels of the twentieth century. Styron imbues his characters and story with a life of their own. Like many great books (such as Nabokov's masterpiece, Lolita), Sophie's Choice combines elements of Comedy, Drama, Tragedy, and Horror into a compelling whole which draws the reader in. The three main characters are beautifully fleshed out, as are many of the minor characters. Much has been said about the major characters by other reviewers, I'll mention two minor ones. I found the whole Leslie Lapidus episode to be hilarious. She is a perfectly believable character, and Stingo's experiences with her added some levity to what is often a very somber story. The other minor character I found interesting (for different reasons) was Rudolf Hoss, the Commandant of Auschwitz-Birkenau. His character was disturbing precisely because he was such an ordinary man. In a different time and place, he would have been a petty government bureaucrat, perhaps working for the IRS. He studies septic system diagrams for the camp, and gets migraines worrying about production delays in building the new crematorium at Birkenau. In one scene, he sits with Sophie (his secretary) in his attic office at Auschwitz, gazing out the window at his Arabian stallion in its paddock, and marveling at its beauty. From the other side of the house, Sophie hears the constant rumble of the boxcars shunting off the main line with their human cargo. The juxtaposition of the two is quite creepy, and illustrates the complete moral disconnect of the man. What he does for a living would be much easier to explain if he were some kind of sadistic psychopath, but he doesn't even seem particularly anti-semitic. It is his ordinariness which is so disturbing, and it is Styron's power as a writer which brings such characters to life.
32 of 36 people found the following review helpful
5.0 out of 5 stars An extraordinary story,
For those who have only seen the 1985 movie starring Meryl Streep (and for which she deservedly won the Best Actress Oscar), do yourself a favor and read the book. The movie was indeed wonderful, but the book is so much richer and more detailed and Styron's mastery of this compelling narrative is marvelous to behold. For those who have NOT seen the film, you will assume that "Sophie's Choice" has to do with Nathan and Stingo. Heartbreakingly, it both does and does not.
Styron has an incredible gift for injecting humor into dark situations. He makes Stingo an inordinately horny, frustrated, pained, wise-cracking man in his early 20s--Stingo leaps off the pages as fully formed and utterly human. Nathan too, in a much different way, is three-dimensional and fiery with life. Sophie is rendered in more delicate tones than the two men, which makes the final chapters of the book all the more powerful. We see what she has withstood and what she has given up and it is inescapably heartbreaking.
The book's ending is utterly right and the inexorable product of all that has gone before it. Styron has taken an enormously complex panoply of subjects--young manhood, post-WWII New York, mental illness, obsession, guilt, and more--and structured them into one of the most un-put-downable novels you will ever read.
22 of 24 people found the following review helpful
5.0 out of 5 stars Perhaps the best book I've ever read!,
44 of 53 people found the following review helpful
5.0 out of 5 stars Amazing book,
I am so glad I did. What a beautiful, sad and haunting book. And what a wonderful writer Mr. Styron was. Since I was looking for something engrossing, I chose the right story. I was so involved with these characters, I would think about them when I was away from the book, and yes, it was depressing, but well worth the read. I can't say enough about this book, but to read it is to experience it, to feel it. I know this will be a book I will read again one day.
14 of 15 people found the following review helpful
5.0 out of 5 stars Masterfully written story of a tragic life,
Few books have had me so riveted or emotionally drained after reading them. The saga of Sophie's story is a monumental piece of writing by Styron. Slowly but surely, he builds the story. He expertly weaves real life characters from Auschwitz into the narrative, chillingly recreating that awful scenario.
The main character, Stingo, begins to peel back layers of the truth with flashbacks to pre-war and then occupied Poland. Stark recollections from an emotionally drained Sophie bring descriptions of the terror of life in the concentration camps. From her bourgeous life to these camps and the (as one review aptly put it)unspeakable evil of the decision she was forced to make. It is a stunning moment and one that makes the awful conclusion understood.
One of the best novels I have read in years.
13 of 14 people found the following review helpful
5.0 out of 5 stars Styron's masterpiece is _the_ masterpiece,
The story begins in 1947. Stingo, a cocky but nevertheless self-deprecating young Southerner, gets himself fired (with flair!) from his job in a prestigious, rather stodgy publishing firm. He gathers up his savings and moves into a boarding house, with plans to write The Great American Novel during the rest of the summer, or at least until his money runs out. Almost against his will, Stingo is drawn into a relationship with two of his neighbors-- the gorgeous Sophie, a survivor of Auschwitz, and her Jewish lover Nathan, an oddly compelling but often terrifying man.
Meanwhile Stingo tries desperately to have sex with a girl, any girl. The retelling of his hysterical failures are intertwined with Sophie's tortured memories of the death camps of Poland. And then the truth about her experiences, as well as the truth about Nathan, is revealed. Ow.
Styron is an amazing writer. He makes me gnash my teeth at my own pitiful efforts to write. This is his best work.
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Sophie's Choice (Open Road) by William Styron