12 of 12 people found the following review helpful:
5.0 out of 5 stars
I didn't want to read it, September 7, 2000
I'm a huge fan of Modesitt, but when I first read the back cover of this book I wasn't at all interested. In fact, it was months before I purchased and read it. I guess there's something to be said for not judging a book by its cover (or in this case the back cover). I find it to be a thoroughly enjoyable read. Anna was a very interesting character - not the stereotypical hero who is told to save the world and bravely goes about doing it. Having a hero who questions herself and her actions is refreshing. The political dimension of her powers and actions I found particularly intriguing (this is developed in greater detail in the later books of the series).
As I first said, I didn't want to read it. But since I have, I've eagerly awaited each new book in the series (and I've bought them in hardback instead of waiting for the paperback version).
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
Singing In the Rain and Fire, May 15, 2003
The Soprano Sorceress is the first novel in the Spellsong Cycle. In the world of Erde, sorcerers and sorceresses can use songs to build or destroy. Lord Brill uses song to build the foundations and walls of a fortress and then uses another song to destroy one of his musicians, Culain, whom he accuses of humming despite prior warning. Culain's son, Daffyd, wants revenge for this wrongful death and asks his friend Jenny to bring a sorceress from the mists to kill Lord Brill.
In this novel, Anna Marshall is a singer and music instructor at Iowa State University. She is a divorcee and has recently lost her daughter. She is on her way to sing at the Founders' Dinner for major donors when the world swirls around her. After a swaying step, she finds herself in a small, gloomy room in a peasant cottage on the world of Erde. Trying hard to remain calm, Anna questions Daffyd and Jenny to learn how and why she was brought to Erde. Meanwhile, Lord Brill is notified of the arrival by his magical alarm system and is shown the view in Jenny's cottage.
When Brill arrives at Jenny's cottage, he invites Anna to join him for supper at his Hall. On the way back in his carriage, he explains something of the nature and hazards of sorcery and tries to persuade her of his good intentions and the dangers facing Defalk. Her quarters are sumptuous and even has its own jakes. The Hall is guarded by armored men with swords and bows, yet is cooled by Lord Brill's magic. After washing her face and hands, Anna comes down for dinner, but is more interested in learning more about Erde and magic.
Lord Brill is building a fortress to defend against the Dark Monks, who have used massed Darksong to conquer Ebra. Now they threaten both Defalk and Ranuak. Lord Brill wants Anna to stand with him against the dark ones.
When Anna is brought through the mists to Erde, another alarm sounds among the Dark Monks. The Songmaster is informed that a Sorceress has been taken to Lord Brill's Hall, but nothing is known of her origins. He orders a thorough investigation of the new Sorceress.
This novel is a sword and sorceress fantasy with a number of twists and differences. Of course, the use of song to produce magic is not new; Foster's Spellsinger series exploits the same gimmick. However, this tale is a little more serious, with a more developed sociological and political structure as well as a cast of powerfully portrayed characters. Moreover, the energy losses from using spellsong are well-considered.
While the author shows snippets of Anna's inner thoughts, he does not fully explain her actions, so there is a continual suspense generated by her behavior. At first, she waits and gathers information, but then she cuts loose with her own sorcery.
The autobiographical aspects of this novel, and Of Tangible Ghosts, are intriquing. The author is married to a classical concert singer and some of the concerns and behavior probably come from real life. I wonder if his wife is also an instructor of music and voice tutor? The academic irritations and rewards seem to reflect modern academia.
Highly recommended to Modesitt fans and anyone who enjoys sword and sorceress tales with a strong heroine.
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10 of 11 people found the following review helpful:
3.0 out of 5 stars
Over and over and over..., May 30, 2003
Normally, I have no problem taking Anne McCaffrey's recommendations on reading material. However, this time I have to wonder. The story line in this series of books is pretty good. The problem I have with them is the extremely repetitive writing style. You could probably put all 5 books in this series into 3 if you eliminated all the unnecessary repetition. Did you know that all doors in Erde, when knocked upon, go "thrap"? No booming, knocking, rapping - just "thrap". All horses "whuff". No neighing, whinneying, trumpeting, etc. And the protagonists, Anna and her successors, are some seriously angst-ridden folks - you feel guilty - WE GET IT ALREADY! I've read other books by Modesitt and the writing style seemed quite different. These books almost condescend to the reader by implying you can't remember what you read a chapter or even a paragraph before! I've NEVER before thrown a book down in frustration because I told myself that if the character "said that one more time.......". I honestly don't know if I recommend this series or not. I gave it 3 stars for story content only. But the writing style at least makes it a good read for ADD or Alzheimer's patients, I guess. I'm just finishing up the 5th book and I will be glad when it's over but still enjoyed the story. Weird, huh?
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