Sorcerer [Live, Extra tracks]

Gabor Szabo | Format: Audio CD

Product Details

• Audio CD (April 8, 1997)
• Number of Discs: 1
• Format: Live, Extra tracks
• Label: Grp Records
• ASIN: B000003N90
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #204,008 in Music (See Top 100 in Music)
  • #40 in Music > World Music > Europe > Eastern Europe > Hungary

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars Gabor casts a spell, February 28, 2007

By 

Enrique Torres "Rico" (San Diegotitlan, Califas) - See all my reviews
(VINE VOICE)   

This review is from: Sorcerer (Audio CD)

Recorded live in Boston at the Jazz Workshop in 1967 this disc demonstrates the majestic skill Gabor Szabo had. He could take a cheesy pop song made popular by Sony and Cher, like "The Beat Goes On" and really get the crowd into it, just loving it. On this familiar song he transforms the familiar into something new, bending the notes and transfixing the crowd and listener with his gypsyesque stylings, putting a spell on you, like the title itself suggets, from The Sorcerer. Part Django Reinhardt, part Wes Montgomery, all gypsy-jazz-guitar playing Hungarian, Gabor Szabo's fluid fingers are spellbinding. This is Zsabo at his creative omnipotence. This is a short disc but several tracks stand the test of time, including, "Space", a Szabo composition that captivates and takes you into the inner matrix, with accents of Indian music. His music sounds like a fusion of Middle Eastern, European and Western styles that results in a unique brand of music that is signature Szabo. Other standouts include,"Mizrab" which is featured in a more primitive development on the "Jazz Raga" album(unfortunately the album is not available on CD yet) and here it is stretched out to the outer limits for an extended delight,the melodic and romantic "What is This Thing Called Love",taken from the picture of the same name, the expansive notes rendered on "Comin' Back" that intertwines with the percussion to create a happy festive feeling and ending to what must have been a memorable spring night in Boston and the bossanovasque "Little Boat"(O Barquinho)that leaves the traditional soft melodies of the bossa nova for a faster paced interaction between the musicians that highlights Szabo's talents as a leader as he relinquishes the lead for an extensive percussion solo only to take control again with this magic. An underrated guitar player, Szabo was ahead of his times but died too early to fully develop his lasting legacy. As an innovator he was one of the best in his time, recognized by many musicians(he influenced Santana) and should likewise be discovered or rediscovered by you. I take one star away for the brevity of the disc, otherwise it is a top notch performance, without any studio overdubbing, just pure sorcerey.

3 of 3 people found the following review helpful:

4.0 out of 5 stars First Fusion Recording?, June 16, 2006

By 

E. Minkovitch (Montreal, Quebec) - See all my reviews
(REAL NAME)   

This review is from: Sorcerer (Audio CD)

The first fusion recordings are atributed to Miles Davis' late sixties quintet with Wayne Shorter, and perhaps this is correct, but the jazz/rock/world music (Brazilian/Spanish/Indian) brew that Gabor Szabo was concocting in this 1960's session cannot be overlooked as something inconsequential. It's not only Szabo's pop/rock leanings but his approach to playing the guitar which should assure his inclusion among the pioneers of the musical genre that was later to be called fusion. He often uses sound effects and drone tones as well as chords and single-note techniques that were quite outside the standard jazz vocabulary of the time. Aside from that the record is thick with the late 60's atmosphere - I can just picture a smoky coffee house filled with smells of coffee, cigarette smoke and incense. It is no surprise that Carlos Santana quotes Szabo as one his earliest influences.

Some songs meander meaninglessly without developing a cohesive solo, but there are some others with some nicely done solos as well. He does a great job on the bossa novas - some people will say they are cheesy, but you have to remember that in the sixties, bossas were absolutely in vogue, and therefore super cool.

A nice album that will definetly appeal more to the fusion fans than jazz purists.

10 of 15 people found the following review helpful:

5.0 out of 5 stars Time Warp Classics, part IV, August 29, 2000

By 

TUCO H. "H. TUCO" (Los Angeles, CA) - See all my reviews

This review is from: Sorcerer (Audio CD)

Years ago, when my blase ears first encountered Szabo's 'Sorcerer,' it immediately became a favorite; I couldn't tell why and that was precisely one of its fascinations.

Hungarian ex-patriate and former Chico Hamilton bandmate Szabo seemed to have zeroed-in on and captured a mysterious zone or niche hitherto unexplored by jazz and rock guitarists alike. The transcendent aura that resided there, seemed to be a JAZZ-MEDIATED mixture of GYPSY ESSENCES: the essence of Hungarian gypsy music that Szabo grew up surrounded by, and, of course, whatever gypsy essence existed in the hectic Zeitgeist of the late '60s.

The considerable technique of Szabo and his co-horts would not be of much interest outside that HIPPIOGYPSYJAZZ unifying triangle. Szabo's style crossed over to younger generation rock musicians, such as Jimi Hendrix and Carlos Santana, who to this day acknowledges him as a seminal influence. Szabo's syncopated dual guitar playing with Jimmy Stewart is the true forerunner of Fripp-and-Belew's similar 'DEPTH' explorations on King Crimson's "Discipline," some 15 years down the road.

Over the years, only the effect of 'Space' (being too monotonous for my taste) has faded; most of the rest (and especially 'Mizrab') have remained as UNIQUE IN ATMOSPHERE as the first time I heard them.

P.S. Most of my comments here also apply to Szabo's "Jazz/Mysticism/Exotica," the comments to which I had to cut pedestrian to attend to some 'urgent' business.