Product Details

• Actors: Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri
• Directors: William Friedkin
• Writers: Georges Arnaud, Walon Green
• Producers: William Friedkin, Bud S. Smith
• Format: Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC
• Language: English (Dolby Digital 2.0 Stereo)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rating: PG (Parental Guidance Suggested)
• Studio: Universal Studios
• DVD Release Date: November 17, 1998
• Run Time: 121 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (100 customer reviews)
• ASIN: 078322947X
• Amazon.com Sales Rank: #6,380 in Movies & TV (See Bestsellers in Movies & TV)
• For more information about "Sorcerer" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Following the blockbuster success of The Exorcist, director William Friedkin had the clout to make any film he wanted, and he nearly ruined his career making Sorcerer, an ill-fated remake of the classic French thriller The Wages of Fear. Given the big-budget treatment that Friedkin could command, the original plot remains unchanged: In an unnamed Latin American country, Roy Scheider leads a group of four fugitives who will earn their freedom if they can successfully transport truckloads of volatile nitroglycerine over treacherous terrain to extinguish a raging oil fire. The unstable explosives could prove deadly at any point of the journey, and numerous obstacles threaten the completion of the mission. Produced under rugged conditions in the jungles of the Dominican Republic, the film is visually impressive and contains intense moments of astonishing suspense, but the specter of the superior French version hangs over every scene. This version remains a folly of directorial ambition run amuck, but for the very same reason Sorcerer is a film that's hauntingly unforgettable, fueled by an atmosphere of dread and the forceful powers of nature. Presented in full-screen format on DVD, the film is aided immeasurably by Tangerine Dream's eerie electronic score. --Jeff Shannon

Product Description

FOUR OUTLAWS TRUCK LEAKY CASES OF NITROGLYCERIN 218 MILES THROUGH THE SOUTH AMERICAN JUNGLE.

Customer Reviews

Most Helpful Customer Reviews

23 of 24 people found the following review helpful:

4.0 out of 5 stars A stylish, intimate remake of a French Classic, December 15, 2003

By	cookieman108 "cookieman108®" (Inside the jar...) - See all my reviews (TOP 100 REVIEWER)

William Friedkin (The French Connection) brings us exotic locations and gripping story in Sorcerer, a remake of Henri-Georges Clouzot's 1953 thriller Wages of Fear.

The first hour of this movie seems to be comprised of random events involving four individuals that have absolutely nothing to do with each other. The only commonality is that they are all men of dubious character. Probably the most recognizable actor in this film is Roy Schieder, who plays a low level New York gangster participate in a robbery that goes bad, and forces him to flee the country due to the fact he managed to step on some pretty well connected toes. The second man, a French businessman, escapes from the threat of prosecution due to some shady business dealings. The third man, a Middle Eastern terrorist flees his captors after being caught participating in a bombing, and the fourth man is a shady assassin type apparently on the run from repercussion from his last hit.

The key is all four men end up in a South American rat-infested stink hole of a town called Vera Cruz. After awhile, they find their sanctuary has become more of a prison and all begin a desperate search for a way out, but that involves money, a commodity that's in short supply, with the only work available in the area is provided by an oil company that runs a well and is building a pipeline for the bubbling crude. Dangerous work, and the pay is so low that it would take years to earn enough to leave. Salvation for the men comes in a catastrophic disaster, an explosion damaging the well and causing the oil to burn.

The only way to close the well proper for repairs is to blow it up, and the only explosives available are 200 miles away. Turns out the explosives, sticks of nitro, haven't been tended very well, and, in turn, are highly unstable. The company decides to hire four men to drive two trucks to carry the dangerous materials through 200 miles of dangerous jungle, including prehistoric rope and wood bridges, treacherous mountain passes, deadly bandits and swampy roads laden with fallen trees. The suicide mission draws the four men, as the money would allow them to escape the oppressive town. The most intense scenes for me involved the men trying to traverse a rickety, rotting wooden rope suspension bridge over a raging river during a heavy rainstorm. There were times when the truck on the bridge was at such an angle, I thought it would flip right off. And all the actors performed most all their own stunts, adding to the realism of the movie. Do they make it? See the movie and find out. I especially liked the very end. A very nice touch that reminded me of an ending of a certain Alfred Hitchcock movie. Which one? I won't say, as it would give it away.

The movie runs just under two hours, and I would highly recommend it to anyone. Friedkin and the actors do a wonderful job in developing tensions between the characters and the environment and the between the characters themselves. The pacing is a bit slow, but it's deliberate, cranking the suspense up, notch by grueling notch.

There are sparse special features, including pretty thorough productions notes and a trailer. If you enjoy thrilling adventure, you will most likely like this movie. I would have happily given this movie five stars but it is only available in the full screen format. Something I didn't understand is the title for the movie. I wasn't able to figure out what it had to do with the movie....

Cookieman108

22 of 23 people found the following review helpful:

5.0 out of 5 stars Underrated Sorcery From William Friedkin, February 15, 2004

By A Customer

I saw this film in the theater and was blown away. It was pulse-pounding, sweaty, hot, real, and disturbing. Roy Scheider's portrayal of a man with nothing and everything left to lose rang true. The French second lead and the other actors became real men caught in a black hole of fate and error and karma and circumstance.

I am a combat veteran of the War in Vietnam and I have a personal register I trust deeply when it comes to depictions of men under mortal stress. This movie worked on every level.

The violence was abrupt and appalling; the indifference of desperate men to the fate of others was accurate and frightening.

I rented the original on VHS and felt at the time and still feel that Friedkin's film is a masterwork of its kind. I have seen each film twice. Sorcerer is the jewel. The original seems ham-handed and sentimental by comparison.

Terror is not an existential experience; it is personal and intimate and painful and surreal.

Sorcerer teaches us to be mindful; a single error of judgement or choice by any one of us can lead us into a deep inexorable hell.

17 of 17 people found the following review helpful:

4.0 out of 5 stars Great movie, so-so DVD, March 22, 2005

By	Wayne Klein "If at first the idea is not absu... (My Little Blue Window, USA) - See all my reviews (TOP 50 REVIEWER)    (VINE VOICE)

William Friedkin's remake of "The Wages of Fear" brought a more contemporary, edgy slant to a classic French film. The scale is bigger but the plot remains the same; Roy Scheider plays Jackie Scanlan a member of a crew who accepts what appears to be a suicidal mission; transport nitroglycerin across the treacherous landscape of South America to put out a massive oil fire. All four members of the driving crew have shady pasts making this an ideal chance to escape from the events haunting them at home.

Friedkin's vision and the shooting ran out of control contributing to the unforgettable atmosphere of tension that lingers in the finished film. During shooting Friedkin routinely fired crew members forcing the production company to fly them out of the remote location jungle in the Dominican Republic adding to the film's budget. The replacement members had to be flown in as well. Tensions ran high and tempers flared due to illness, production screw ups and the location which, ironically, created a sense of claustrophobia and isolation. While many prefer the original classic French film, Friedkin's remake creates its own unique signature with the outrageous stunts and dangerous conditions that dogged the crew at every turn.

Don't be deceived by the release date of this DVD. It's exactly the same nonanamorphic pan and scan version released in 1998 with minimal extras. While the release wasn't bad in the infancy of DVD, it needs to be remastered in anamorphic widescreen (this is in full screen meaning it fills a square TV screen the original 1.66:1 aspect ratio is a bit more rectangular and, as a result, about 1/3 of the screen area is chopped off). The source video used for this looks fair but there's lots of analog blemishes (dirt, etc.) and the resolution isn't much better than a high quality videotape.

It could be much improved and "Sorcerer" misses much of its magic due to the cropped presentation and a lack of a commentary track from Friedkin and/or a retrospective featurette with Scheider. An ambitious follow up to Friedkin's "The Exorcist", "Sorcerer" met with mixed critical reaction and an indifferent public reaction (it was made for $22 million almost double its original budget and grossed only $6 millin in the US); that's too bad as this is an exciting and taunt thriller that deserves better.

Nominated for an Oscar for Best Sound, "Sorcerer" remains a taunt, flawed classic that sound be seen. It stands apart from its source film and on its own. While I love "The Wages of Fear", Friedkin's film captured my imagination when I first saw it in theaters. While this DVD doesn't quite do justice to the film, viewers will get a sense of what Friedkin was trying to accomplish.