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25 of 28 people found the following review helpful:
4.0 out of 5 stars
MCMURTRY FLINT AND STEEL, November 7, 2003
By A Customer
Many people ask me just what it is I see in the works of Larry McMurtry. After all, if taken at face value, McMurtry's stories sometimes seem to be dominated by earthy, carnal themes and the trashy characters involved in them. My response to such queries is simple. As with all good literary works, I believe that one needs to look beyond McMurtry's stories and characters to the foundational dynamics that are there. "By Sorrow's River" invites the thoughtful reader to do just that. Yes there is the willful,[...]Tasmin, along with the rest of the Berrybender entourage, but there is also the innocent, constant, strong and noble Jim Snow, who, despite Tasmin's best efforts, remains his own person, living by his own creed and is never pulled down to her level. McMurtry's juxtaposition of the tawdry and the timeless explores that which is fleeting and that which is firm. Inevitably the firm and constant wins out and, like the meeting of frontier flint and steel, sparks fly. The warmth generated by such meetings is compelling and brings me back to McMurtry's work again and again and again. "By Sorrow's River", along with "Sin Killer" and "The Wandering Hill", taken at face value by western "purists" (or perhaps "delusionists" might be a better description--and there is certainly nothing wrong with the delusion of the west) are likely very frustrating. But when read like all other great literature--panning through the slime and silt in search of the nuggets that are invariably there--the results can be extremely rewarding and yes, I believe that "By Sorrow's River has gold there in abundance. Those interested in western stories for the sake of western stories, in the stereotypical west where everything falls into its proper and probable place, should stick with Louis L'Amour. Nothing against L'Amour, mind you. Let's just see, accept and appreciate the differences. Douglas McAllister
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Tasmin becomes difficult, July 10, 2005
In 1832, Lord Albany Berrybender chartered a steamboat to take him up the Missouri River on a hunting expedition. Albany is one of the richest aristocrats in England, and also a dissolute, selfish, old fool. Along for the ride are his wife Constance, six of their fourteen spoiled children, fifteen of nineteen servants, including a cellist and a botanist, an aging parrot named Prince Talleyrand, the staghound Tintamarre, and a gaggle of American talent hired to ease their way, including Toussaint Charbonneau, the guide for the Lewis and Clark Expedition many years previous.
In BY SORROW'S RIVER, a year and two books later, Lord Berrybender has since lost a leg; his wife, two children, assorted servants, Prince Talleyrand, and Tintamarre are dead. Berrybender's eldest daughter, Tasmin has borne a child to her mountain man husband, Jim "Sin Killer" Snow, and is now pregnant with a second. Another daughter, Bess, takes up with a Ute brave, High Shoulders, and a third daughter, Mary, loses her virginity to the botanist, Piet Van Wely. Berrybender himself marries the cellist, Vicky Kennet, and gets her with child. And finally, after much aimless wandering in the second book of the series, THE WANDERING HILL, the fecund group is off to Santa Fe accompanied by a ragtag group of mountain men and hangers-on.
It's only in this book that the series really takes off for me, mostly due to the fact that its chief protagonist, Tasmin, is becoming engagingly difficult. Increasingly disenchanted with her husband, Tasmin casts lustful looks at Jean Baptiste "Pomp" Charbonneau, the son of Toussaint Charbonneau and Sacagawea born on Lewis and Clark's epic trek to the Pacific. Moreover, Tasmin has a soft spot in her heart for the young Kit Carson. Trouble is, Pomp has barely a prurient thought in his head, and Kit is too busy becoming a famous scout.
What makes BY SORROW'S RIVER particularly interesting are the historical characters that sprinkle the narrative: Carson, the elder and younger Charbonneaus, mountain men Jim Bridger, Hugh Glass, and Tom Fitzpatrick, and traders William and Charles Bent, who established Bent's Fort in present-day Colorado. Having said that, it's because author Larry McMurtry occasionally plays fast and loose with the historical record that I found this fictional narrative unreasonably irritating at times. When reading this book, keep in mind that Carson didn't marry (his third wife) Josefina Jaramillo until 1843, and Pomp Charbonneau died in 1866 at Innskip Station, OR. Does Larry's version represent careless research, or just unconscionable literary license?
With this third book in the series, the Berrybender saga is finally attaining some of those qualities of excellence that characterized, McMurtry's classic, LONESOME DOVE. Despite my reservations regarding the glaring historical inaccuracies, I just may immediately begin the fourth and final installment, FOLLY AND GLORY, without stopping to vary my reading fare. For the moment, I'm hooked.
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19 of 23 people found the following review helpful:
2.0 out of 5 stars
More of the same in tetralogy, November 12, 2003
As the third installment of Larry McMurtry's four-part frontier epic -- "a story of love, passion and death" -- hits stands, many readers are wondering if the Berrybender Narratives are really Old World farces wrapped in a buffalo robe, or merely a confabulation of odd characters acting out an exceedingly long matinee on the vast stage of the West. To be honest, it's not easy to tell. While some scenes in "By Sorrow's River" -- part three in the tetralogy that started with "Sin Killer" and "The Wandering Hill" -- are occasionally absurd and hilarious, others are grisly and exceedingly violent. So maybe it's unwise to pigeon-hole these three books as simply "farce" or "western epic." Nor is it clear if McMurtry is pushing the limits of modern commercial storytelling, or just churning out a long story filled with an extraordinary collection of characters who don't intimately engage. Nonetheless, "By Sorrow's River," continues the saga of the assertive and independent Lady Tasmin Berrybender as her peculiar British family continues on a western expedition in the 1830s, the days of trappers, scalpers and traders. In this segment, the action all takes place between a Green River rendezvous in the Rockies and Mexico. Still, while the character elements of a first-class farce are in place, the story simply doesn't unfold farcically. It's not even a very good western saga, when one considers its author previously told the greatest western epic ever in "Lonesome Dove." The simultaneous beauty and menace of the western landscape is not as integral, for one. How awful for an artist to have set the bar too high too soon! So if book reviews are essential consumer advocacy, a conclusion is not difficult: If you liked "Sin Killer" and "The Wandering Hill," you'll find "By Sorrow's River" as delightful as a third helping of dessert. If you didn't, you'll likely not find anything to kindle your interest here. And if you haven't read any of them, don't start with the third installment, for heaven's sake. This book's strength is in its rapidly unfolding action, but its characters are nowhere near as deftly drawn nor as sympathetic -- nor even as entertaining -- as such icons as Gus McCrae, Aurora Greenway or Sonny Crawford. Tasmin Berrybender is the most fully developed, but remains less engaging. An author's characters needn't supercede their forebears, but it's difficult to explain if a consummate character-builder like McMurtry suddenly isn't turning out legendary characters any more.
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