Indonesia, a pluralistic nation characterized by expressions of continuity and change, has a viable history of modern art. That history, beginning in the 1930s, is unique in its syntheses between modern and traditional, foreign and indigenous, and is a part of the global past and present in art. Combining the approaches of thematic art history, cultural description, and biography, Wright presents an introductory analysis of contemporary Indonesian painting.
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"A most welcome addition to the literature....Highly recommended for any library with even a modest art history collection."--Choice
"Wright's book is carefully and insightfully researched yet accessible and contextually informed."--Crossroads
About the Author
Astri Wright, Assistant Professor of South and Southeast Asian Art, University of Victoria.
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