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Souled American: How Black Music Transformed White Culture
 
 
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Souled American: How Black Music Transformed White Culture [Hardcover]

Kevin Phinney (Author)
4.7 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

September 1, 2005
From Jim Crow to Eminem, white culture has been transformed
by black music. To be so influenced by the boundless
imagination of a race brought to America in chains sets
up a fascinating irony, and Souled American, an ambitious
and comprehensive look at race relations as seen through
the prism of music, examines that irony fearlessly—with
illuminating results. Tracing a direct line from plantation field
hollers to gangsta rap, author Kevin Phinney explains how
blacks and whites exist in a constant tug-of-war as they
create, re-create, and claim each phase of popular music.
Meticulously researched, the book includes dozens of exclusive
celebrity interviews that reveal the day-to-day struggles
and triumphs of sharing the limelight. Unique, intriguing,
Souled American should be required reading for every
American interested in music, in history,
or in healing our country’s troubled
race relations.



• Combines social history and pop culture
to reveal how jazz, blues, soul, country,
and hip-hop have developed


• Includes interviews with Ray Charles,
Willie Nelson, B. B. King, David Byrne,
Sly Stone, Donna Summer, Bonnie Raitt,
and dozens more


• Confronts questions of race and finds
meaningful answers


• Ideal for Black History Month


Editorial Reviews

From Publishers Weekly

Texas journalist Phinney's first book traces the history of race relations as seen through commingling musical crossovers and a parade of personalities: from Al Jolson to Louis Jordan, Billie Holiday to Bonnie Raitt, Zip Coon to Pat Boone. This comprehensive coverage spans all genres, including blues, country, gospel, jazz, R&B, ragtime, rock and rap. With blackface minstrelsy, "whites opened a portal to their own hidden creative impulses," and Phinney explores this theme as he covers "white men in transparent blackface" (Eminem), "multi-culti chanteuses" (Mariah Carey) and "sepia Sinatras" (Johnny Mathis). Anecdotes abound, and many music history milestones punctuate Phinney's probing critical commentary. Analyzing Nat King Cole's singing style and how it made him "one of the first modern artists to 'cross over' from black to white popularity," Phinney recounts how Cole, only months before the premiere of his 1956–1957 NBC television show, was assaulted onstage in Birmingham, Ala., by five white men. Phinney writes with verve and vitality, articulately charting hundreds of black and white intersections in this definitive roadmap to racial rhythms. 45 b&w photos. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Kevin Phinney, an
entertainment
journalist based in
Austin, has written
for the Austin American-
Statesman
,
Premiere magazine,
and the Hollywood
Reporter
. Currently, he
is cohost of KGSRFM’s
morning drive-time program, Kevin & Kevin.

Product Details

  • Hardcover: 352 pages
  • Publisher: Billboard Books; First edition (September 1, 2005)
  • Language: English
  • ISBN-10: 0823084043
  • ISBN-13: 978-0823084043
  • Product Dimensions: 6.3 x 1.3 x 9.1 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #285,476 in Books (See Top 100 in Books)

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Customer Reviews

11 Reviews
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Average Customer Review
4.7 out of 5 stars (11 customer reviews)
 
 
 
 
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5 of 7 people found the following review helpful:
5.0 out of 5 stars Souled American, January 7, 2006
By 
This review is from: Souled American: How Black Music Transformed White Culture (Hardcover)
By far the best comprehensive read on music made in the United States that I've read. Phinney weaves a story line that takes us all the way back to the era of the African slave trade where an Englishman named Richard Jobson becomes the first European in recorded history to write about his observance of witnessing Africans involved in the making of music. He brings us through history right to today's doorstep where music makers as diverse as Eminem to Wynton Marsalis continue to tell the story not only of their music, but who we are as people living and contributing to an constantly evolving culture. The research is extensive and exhaustive. It reminds me of Ken Burn's Jazz series on steroids as it encompasses all genres of music through many centuries including slave work songs, minstrelsy, gospel, ragtime, blues, jazz, rock and roll, R & B, rock and todays hip-hop. There isn't enough attention made to the Latin tinge in American music but that ommission just as it was with the Burns series doesn't take away from all of the great research that defines this book. For music lovers and people who are interested in the underpinnings of American culture in general, it is a must read! It is a definitive statement of the addage that music is a mirror that reflects the people and times it was created in. Highly recommended!!

Bobby Jackson
Cleveland, OH
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Great mix of the scholarly and popular, February 14, 2008
This review is from: Souled American: How Black Music Transformed White Culture (Hardcover)
As with the majority of other reviewers of this book - the exception having apparently only a remote acquaintance with English, which would, indeed, make the book rough going - I found Mr. Phinney's work to be not just interesting, but delightful.

It is a rare feat to be able to touch the scholarly and analytical bases, as well as to entertain. I cannot imagine a university course on the cultural influences of African-American music - or on American popular culture or music - which would be complete without reference to this book.
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5.0 out of 5 stars What a smart, unique read, November 28, 2010
This review is from: Souled American: How Black Music Transformed White Culture (Hardcover)
Could be a college textbook on music history, and I mean that in a good way. I was watching a major music awards show and noting the teeny bopper/soccer mom pop that evolved from hip hop. True to the author's word about music patterns, and just as blues became palatable to the mainstream, so has hip hop. Unfortunately, to this reader's opinion, it's now a watered down, boring genre.

Phinney, though, is much kinder and objective than I, and doesn't put down anyone.

Phinney, like the musicians he writes about, is genius.

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Inside This Book (learn more)
First Sentence:
In the early days of the 17th century, Englishman Richard Jobson became one of the first Europeans to record his travels through Gambia. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
burned cork, black influences, cutting contests
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, African American, Los Angeles, New Orleans, Little Richard, Ray Charles, James Brown, Rolling Stones, Louis Armstrong, Diana Ross, Family Stone, Michael Jackson, Jimi Hendrix, Muddy Waters, Aretha Franklin, Jim Crow, Eric Clapton, United States, Sam Cooke, Billie Holiday, Bob Dylan, Elvis Presley, Bee Gees, Berry Gordy, Chuck Berry
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