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The first, and most important one, is the writing style. It is a curious mixture of the labyrinthine sentences of the academic and the golly-gee-whiz of the avid fan. Bowman seems unsure of which voice he should present, and maybe with a stricter editor he could have pulled both off. But he doesn't, and the result is annoying and exasperating.
The second is what several other reviewers have mentioned: the lack of a discography. A work of this length and ambition makes including one a necessity, and its omission does nothing to lead a reader toward listening to the music itself.
The third ties to the second: the scanty bibliography. For a book of this size and scope to have only a two page bibliography and no bibliographical essay does a disservice to readers who might want to read further.
On the other hand, the photos in the book are terrific and it is apparent to this reader that investigating Stax was a labor of love for the author.
But if you want a readable and well-documented story of Memphis music in general and Stax in particular, Peter Guralnick's Sweet Soul Music is the one you should pick up.
The fact that Rob Bowman knows his material and has investigated it thoroughly is evident by the flattering quotes on the book's back cover, by people such as Al Bell, Isaac Hayes, Mavis Staples, and Booker T. Jones, among others.
Having set a high standard with his liner notes to the "Complete Stax/Volt Singles" box sets, Mr. Bowman writes this book and tells us even more detail on this important, infinitely creative and beautiful phenomenon. It's a great book that he's written, worthy of its subject matter.
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