With allusions to "The Wizard of Oz," "Alice in Wonderland," and psychologist/anthropologist C. G. Jung, "Color of Sounds" tells teh story of a blind young girl who rides a vast subway network because "I have a journey to go on. There are some thing I need to find." What follows is a remarkable narrative about internal and external discovery, with some of the most luscious and creative illustrations in recent memory.
The girl disembarks at various subway stops (subway illustrations are always panelled strips running across the middle of a two page spread), and climbs colorfully patterned stairs (often reminscent of M.C.Escher) and arrives at archtypal settings: An apple tree sitting Eden-like in a verdant forest, alongside dolphis and atop a whale, a topiary-adorned maze. Jimmy Liao presents his metaphors on both adult and children's levels. While adults may recognize the symbolic conflicts and issues presented by a maze; for example, children benefit from the explicit text: "Sometimes the street twist themselves into a maze.But if you look hard enough, there's always a way out. Other sections may benefit from discussion at an age-appropriate level. At one subway station, there are four trains going in both directions, all filled with people, and all colored differently. THe girl stands between them, "Which is the right one? It's easy to get lost underground."
At his point, she seems to take her own route, riding a kiddie train (decorated with motifs decorated a la Guaguin, Matisse, and others), then abandons the train to a white swan swimming against a cloudy yet luminescent background (a mystically beautiful and serene illustration). She slowly arrives at her answers. "HOme is the place where everything I've lost is waiting patiently for me to find my way back." She realizes that because she "went forward, step by step, into the dark," used her other sense (listening "for the sound of colors I can't see"; smelling the shapes and tasting "the light and dark," and hoping for someone "who'll sit beside me, sip tea, tell me her hopes for the future, and listen to mine." (Here, the two-page spread depicts her sitting on a green oval-shaped chair, surrounded by four rows of empty chairs in various colors, shapes, and sizes.
Towards the conclusion, the young girl encounters a butterfly, whom she believes may offer the answers to her hopes and dreams:
She'll tale me
to the friend I need to find.
She'll lead me to the place
where all the colors are.
she'll bring me back to the light that I lost,
still glowing here, in my heart.
An enormously colorful mosaic of birds, flowers, eyes, and other motifs surround the now smiling girl, when Liao write "in my heart." It's neither saccharine or precious. While the book may be read at many levels, and it simulatneously present many emotions and moods (fear, comfort, solitude, hope, wonder) the overall effect is an almost staggering visual and narrative display of poetry. The undertones can be dark and may even frighten some children (know your audience), but for othos who have begun their own journies of self- and other- discovery, for those who feel lost or have experienced pain, poor health, or disability, this book highlights the fact and ignites thought of possibility and transcendance.