The Sound Effects Bible shines best when Viers goes into detail about specific methods his shop uses for recording sounds and storing and maintaining gear. Though Viers has clearly learned a ton about sound recording, it appears to be by experimentation. As a result, he's not great at teaching, and his natural orientation does not lead him into insightful explanations of why his techniques work. Thus, if you want to do exactly what he does (for example, log several recorded variations of a car peeling out) the book will teach you how, monkey-see-monkey-do style. But if you want to learn sound fundamentals so you can do your own experimentation (not an unreasonable expectation from a book that claims to be the sound effects BIBLE), this is not the best book.
I did learn several things from reading this. (For example, it had never occurred to me that when you're on the run, the safest way to grab headphones is by the arch between the ear cups.) But perhaps because Vier works in Hollywood, he emphasizes how awesome he is, the "fact" that his team is the best, and he dispenses generous doses of braggadocio that grow exasperating through sheer repetition. I bought the book to learn, but I think Viers sees the book, in part, as a lengthy brochure for the sound effects he sells on line.
If, like me, you're passionate about digital audio, this is an okay book to add to your library as one more perspective on sound. The focus specifically on sound effects is welcome for helping you learn to overcome hurdles you only find outdoors, such as wind noise. If you're looking for a solid foundation on how sound works, what equipment to buy, and how to record, you'll learn more from perusing magazines on the topic; or search Amazon on the string, "digital recording."