From Publishers Weekly
Molding her rhymed text to the rhythms and cadences of "This Is the House That Jack Built," Weatherford (Juneteenth Jamboree) distills an entire course in music history, tracing the roots of jazz back to its origins in Africa and up to its current incarnation in rap and hip hop. Each spread focuses on a different period and a different musical form, e.g., "This is the field where slaves turned the soil,/ and chanted of freedom while they toiled/ to pass the message, through secret codes,/ of stealing away on pitch-dark roads." Ragtime, blues, Dixieland, gospel, swing and be-bop all receive mention on the way to the triumphant conclusion: "Jazz is a downbeat born in our nation,/ chords of struggle and jubilation,/ bursting forth from hearts set free/ in notes that echo history." Even though Weatherford's language is vibrant, the familiar "House That Jack Built" strains may cause problems: their musicality has little to do with the music at hand, and enforces a simplicity at odds with the references here ("cakewalkers," "Delta bluesman," etc.). Velasquez's portraits emphasize the dignity and pride of his subjects, whether he is suggesting the rage and misery of captives or re-creating photos of "Duke" and "Lady." But the effect is uneven: the paintings are sometimes moving, sometimes stagy. An ambitious project, not quite realized. All ages. (Apr.)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 3-6-This book traces the evolution of jazz in a poem of four-line stanzas that begins with an African drum beat and ends with a rapper who still hears "-the age-old, far-off beat/of Africa drumming on every street." Each stanza accompanies a full-spread oil painting outlined with a crayon line and bordered in white. On many pages, one figure-an African kalimba player, a Delta bluesman, etc.-is featured in front of the painting, breaking the frame and extending into the white space below. The animated African animals and dancers depicted in warm golds and browns contrast sharply with the still figures and somber tones of the scenes on slave ships and in plantation fields. These, too, contrast with the bright colors and movement of the cakewalkers, gospel singers, and swing and bebop musicians with their arms or instruments lifted joyously upward. The final illustration of a young African-American trumpet player with his family against a background that incorporates many elements from the previous paintings is a satisfying synthesis of both the visual and written elements of the book: "JAZZ is a downbeat born in our nation,/chords of struggle and jubilation,/bursting forth from hearts set free/in notes that echo history./This is the sound that jazz makes!" Although some of the rhymes don't scan as well as others, this is still an especially attractive, satisfying pictorial introduction to and celebration of this unique American musical form.
Ginny Gustin, Sonoma County Library System, Santa Rosa, CA Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.