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Sound Unbound: Sampling Digital Music and Culture [Paperback]

Paul D. Miller , Steve Reich
4.8 out of 5 stars  See all reviews (10 customer reviews)

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Book Description

March 14, 2008

Sound UnboundSampling Digital Music and Cultureedited by Paul D. Miller aka DJ Spooky that Subliminal Kid foreword by Cory Doctorowintroduction by Steve ReichIf Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Miller himself considers sampling and civilization; novelist Jonathan Lethem writes about appropriation and plagiarism; science fiction writer Bruce Sterling looks at dead media; Ron Eglash examines racial signifiers in electrical engineering; media activist Naeem Mohaiemen explores the influence of Islam on hip hop; rapper Chuck D contributes "Three Pieces"; musician Brian Eno explores the sound and history of bells; Hans Ulrich Obrist and Philippe Parreno interview composer-conductor Pierre Boulez; and much more. "Press 'play,'" Miller writes, "and this anthology says 'here goes.'" The groundbreaking mix CD that accompanies the book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of the CD's content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music.Paul D. Miller aka DJ Spooky that Subliminal Kid is a conceptual artist, writer, and musician living and working in New York City. His artwork has appeared in the Whitney Biennial, the Venice Biennale for Architecture, the Andy Warhol Museum, and many other venues. His written work has appeared in such publications as the Village Voice and Artforum. He is an editor of the magazine 21c (www.21cmagazine.com) and the author of Rhythm Science (MIT Press, 2004).Contributors [sidebar]David Allenby, Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch, Frances Dyson, Ron Eglash, Brian Eno, Dmitry Gelfand, Dick Hebdige, Lee Hirsch, Vijay Iyer, Ken Jordan, Douglas Kahn, Daphne Keller, Beryl Korot, Jaron Lanier, Joseph Lanza, Jonathan Lethem, Carlo McCormick, Paul D. Miller aka DJ Spooky that Subliminal Kid, Moby, Naeem Mohaiemen, Alondra Nelson, Keith and Mendi Obadike, Hans Ulrich Obrist, Pauline Oliveros, Philippe Parreno, Ibrahim Quaraishi, Steve Reich, Simon Reynolds, Scanner aka Robin Rimbaud, Nadine Robinson, Daniel Bernard Roumain (DBR), Alex Steinweiss, Bruce Sterling, Lucy Walker, Saul Williams, Jeff E. Winner


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Editorial Reviews

Review

"What a marvelous collection! This provocative and wide ranging book is packed with a vast number of facts and theories: the sound of creation in the Vedas, the Muslim influence on early hip hop, mathematical permutations of bell patterns (Eno), the term "Emptyv" (Chuck D).The essays criss cross over many aspects of sound--cosmic, chemical, political, economic. It sparks questions (Can sound be translated into light?) and presents bits of information like the name for Jamaican sound systems ("Houses of Joy"). Plus you get to meet fascinating characters like Alex Steinweiss (album cover artist), Motown's Berry Gordon and synthesizer pioneer Raymond Scott. And you get to consider how Bach's style might have been influenced by his job copying Vivaldi scores. Reading Sound Unbound also invites you to reconsider techno hype, as when Bruce Sterling describes laptops as 'colorful, buzzing cuddly things with the lifespan of hamsters.' I love this book!" -Laurie Anderson



"For the maverick rhythm scientist Paul D. Miller, sound is liquid; it spills over and slips under categories, firewalls, case law, and legal codes to find us and move us. In the same way, his important collection of sound thinkers and sound ideas calls us to remove the fake 'security' imposed on us by capital and state, and, more crucially, to reimagine freedom and reclaim our creativity."--Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation

(Jeff Chang )

"Everything must be about one thing first, then it can be about many things. Paul Miller's collection of texts is about one thing: the use of scanning in music and more generally the world around us. He gives us a single structure to put very different experiences and theoretical constructs into an overarching context. The result is always interesting and often illuminating. These essays by thinkers and practitioners range widely and produce their own static and interferences, but they fall into one perceptible rhythm. A good staging of an opera uses what you see on stage to make you hear better. Similarly, these reflections make it easier to tune in to the sometimes confusing soundscape of our dislocated, interrelated, networked times."--Robert Wilson

(Robert Wilson )

"It's a lovely eclectic collection that is a nice antidote to the usual way music and the history of music is often categorized into high/low, pop/classical, or black/white. I like Sterling's analogy between our beloved high tech media and inscrutable indecipherable archaic media like Incanquipus. From Raymond Scott to the hidden racism in digital circuitry to ahistory of easy listening there is enough inspiring weirdness here to fuel some musical fires for a good while."--David Byrne

(David Byrne )

"Everything must be about one thing first, then it can be about many things. Paul Miller's collection of texts is about one thing: the use of scanning in music and more generally the world around us. He gives us a single structure to put very different experiences and theoretical constructs into an overarching context. The result is always interesting and often illuminating. These essays by thinkers and practitioners range widely and produce their own static and interferences, but they fall into one perceptible rhythm. A good staging of an opera uses what you see on stage to make you hear better. Similarly, these reflections make it easier to tune in to the sometimes confusing soundscape of our dislocated, interrelated, networked times." Robert Wilson



"For the maverick rhythm scientist Paul D. Miller, sound is liquid; it spills over and slips under categories, firewalls, case law, and legal codes to find us and move us. In the same way, his important collection of sound thinkers and sound ideas calls us to remove the fake 'security' imposed on us by capital and state, and, more crucially, to reimagine freedom and reclaim our creativity." Jeff Chang , author of Can't Stop Won't Stop: A History of the Hip-Hop Generation



"It's a lovely eclectic collection that is a nice antidote to the usual way music and the history of music is often categorized into high/low, pop/classical, or black/white. I like Sterling's analogy between our beloved high-tech media and inscrutable indecipherable archaic media like Incan quipus. From Raymond Scott to the hidden racism in digital circuitry to a history of easy listening, there is enough inspiring weirdness here to fuel some musical fires for a good while." David Byrne



"Paul Miller has grabbed disparate philosophies and references from the past five hundred years and tied them into a neat and interesting narrative on music, sound, and current thought in our time. Sound Unbound is an excellent reference on art in the popular context in the twenty-first century." Branford Marsalis



"Paul Miller is one of the best cultural radars in the world today. He always picks out the most relevant people working today and reveals previously unseen connections. If you want situational awareness about the world of sound, music, performance, computers, and ideas, read this book." Lev Manovich , Visual Arts Department, University of California, San Diego,



"...this is a provocative and intriguing text, of interest to anyone working in or studying contemporary experimental music." Dave Valencia Library Journal

About the Author

Paul D. Miller aka DJ Spooky that Subliminal Kid is a conceptual artist, writer, and musician living and working in New York City. His artwork has appeared in the Whitney Biennial, the Venice Biennale for Architecture, the Andy Warhol Museum, and many other venues. His written work has appeared in such publications as the Village Voice and Artforum. He is an editor of the magazine 21c (www.21cmagazine.com) and the author of Rhythm Science (MIT Press, 2004).

Product Details

  • Paperback: 432 pages
  • Publisher: The MIT Press; PAP/COM edition (March 14, 2008)
  • Language: English
  • ISBN-10: 0262633639
  • ISBN-13: 978-0262633635
  • Product Dimensions: 7 x 1.1 x 9 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #259,238 in Books (See Top 100 in Books)

More About the Author

If writing this in the first person is unprofessional, I apologize. I feel silly writing about myself in the third person.

"I marshal the middle between Mathers and McLuhan."

My main interests are figurative language use and the evolution of technology. My main goal as a writer is to entertain and as a scientist is to find novelty. I'm more of the former than the latter and more of a fan than a critic. This site is where all of these things play out. It's where I think aloud about all of the above.

I'm an aging BMX/skateboard zine kid. That's where I learned to turn events and interviews into pages with staples. The pages and staples have long since given way to text-links and scrollbars, but the rest is basically the same. I still ride bikes, and I still skateboard. I do still commit quite a bit to actual pages, too.

My main project from 1997 to 2007 was frontwheeldrive.com. With this site, I established myself as what Disinformation called, "One of the Internet's leading interviewers of subculture and new-science icons." I was most recently assistant editor of Paul D. Miller a.k.a. DJ Spooky's edited collection 'Sound Unbound: Sampling Digital Culture and Music' (MIT Press, 2008). My first book is an anthology interviews entitled 'Follow for Now: Interviews with Friends and Heroes' (Well-Red Bear, 2007), which Disinformation named one of the most important books published in 2007, and which Erik Davis called, "a crisp and substantial remix of the major memes of the last decade or so." I hold a master's degree in Communication Theory from San Diego State University and am currently pursuing a Ph.D. in Communication Studies at The University of Texas at Austin. I am also working on a book about technological mediation called 'The Medium Picture', which is forthcoming on Zero Books.

Prior to graduate work, I earned a bachelor's degree in Social Science, and spent over twenty years working as a writer, editor, and designer both on- and off-line. I have written about technology, science, music, and culture for everything from glossy national magazines and regional weeklies to hometown newspapers and homegrown 'zines, and I have written, edited, designed, and consulted for such diverse organizations as Microsoft, Nike, WIRED Magazine, The MIT Press, MSN Music, ESPN, the United States Army, Xbox, and Zero Skateboards. I have also guest lectured at such universities as The University of Washington, San Diego State University, The University of Illinois-Chicago, and The University of Texas at Austin, as well as spoken at events like Geekend and SXSW. Though my work has been featured on numerous websites, in many magazines, and in a few books, http://roychristopher.com is now home to most of my writing.

Customer Reviews

4.8 out of 5 stars
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Most Helpful Customer Reviews
10 of 11 people found the following review helpful
5.0 out of 5 stars What a trip! June 13, 2008
By adroth
Format:Paperback
I just finished this one. If you're looking for insight from the myriad influential contributors, you'll find that and much more here. The book's themes run deep, weaving together music history and theory with meditations on technology, perception, and cultural zeitgeist. I went in curious how the ideas of Brian Eno, Bruce Sterling, Cory Doctorow, and Chuck D would cohere under the editorial hand of DJ Spooky. Color me surprised - it's an enlightening trip! A must-read!
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7 of 8 people found the following review helpful
Format:Paperback
This book shows off Paul Miller aka DJ Spooky's two biggest strengths, the mashup and the teamup. The big name roster didn't deliver scraps; they all provide thoughtful and entertaining essays, for example Jonathan Lethem's essay also features the key to that same essay showing where he "plagiarized" just about ever phrase in the proceeding few pages. Saul Williams, provides a pensive meditation on words as magic, something I was more used to hearing out of Grant Morrison or Alan Moore, but Williams is sincere and Smart. And the inclusion of unsung geniuses like Alex Steinweiss, the inventor of the record jacket (before him there was no art on albums, you only saw their spine at the store) pushes it over the top and into the zone. The included CD is way cool in and of itself; its easy to poopoo such ambitious works, but Spooky lays it all down with love not pretense, throwing snippets of James Joyce, Gertrude Stein, Allen Ginsberg, William Burroughs -- all actual spoken word from the Sub Rosa archivce over some avantgarde classical like John Cage, and then enriched by textured groovy beats... Spooky's having a ball and sharing the fun
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1 of 1 people found the following review helpful
5.0 out of 5 stars Sounds good, reads even better. July 7, 2008
Format:Paperback
This book is excellent. It comes with a a CD of some really excellent mashup too. I've really enjoyed the differnt writing styles and the great anecdotes that present themselves in this compilation of what is essentially a book of post-graduate papers on music and it's evolving relationship with the world. Delightfully rich with first person experience and gives you something to listen too in the background.Yummy for my sonic tummy.
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Most Recent Customer Reviews
5.0 out of 5 stars comprehensive
this book gives a multilayered analysis of sound, music, space, and video allusions (not to be mistaken for hallucinations). Read more
Published 1 month ago by Akinseye Akinbulumo
5.0 out of 5 stars Really helpful and informational!
This book was extremely helpful in writing a research paper that I have been working on! Quality work and overall a really great buy!
Published 19 months ago by Shellshockkk
5.0 out of 5 stars Anthology
This anthology includes essays by David Allenby Pierre Boulez, Catherine Corman, Chuck D, Erik Davis, Scott De Lahunta, Manuel DeLanda, Cory Doctorow, Eveline Domnitch Frances... Read more
Published 21 months ago by Khujeci Tomai
5.0 out of 5 stars Fascinating AND Fun
Educating yourself should always be this much fun! I especially enjoyed the intro by Steve Reich, and Jeff Winner's chapter. Read more
Published on October 18, 2008 by Lethan W.
5.0 out of 5 stars A Worthwhile Purchase.
Great Book. A lot of intelligent essays on very relevant topics. As someone who enjoys sampling digital music, I find it very helpful to hear what my peers are thinking about the... Read more
Published on September 28, 2008 by Jason Normansen
5.0 out of 5 stars Sound Has Never Transvered at Such Speeds!
Sound Unbound brilliantly details the explosion of culteral diffusion in the 21st century as a result of advancements in technology. Read more
Published on July 2, 2008 by Jessica Livi
3.0 out of 5 stars Sub par amalgam.
As a disclaimer I am only 100 pages in, but it's been enough to form an opinion, and warnt hose who might be buying this book based on its sub-title. Read more
Published on June 12, 2008 by Zach G. Moldof
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