Soundtrack From Twin Peaks [Soundtrack]

Angelo Badalamenti (Composer), Angelo Badalamenti (Performer), Julee Cruise (Performer) | Format: Audio CD

Product Details

• Performer: Angelo Badalamenti, Julee Cruise
• Composer: Angelo Badalamenti
• Audio CD (February 3, 2009)
• Number of Discs: 1
• Format: Soundtrack
• Label: Rhino Flashback
• ASIN: B001O54NHG
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (32 customer reviews)
• Amazon Best Sellers Rank: #15,655 in Music (See Top 100 in Music)

Track Listings

1. Twin Peaks Theme [Instrumental] - Angelo Badalamenti

2. Laura Palmer's Theme [Instrumental] - Angelo Badalamenti

3. Audrey's Dance

4. The Nightingale

5. Freshly Squeezed [Instrumental]

6. The Bookhouse Boys [Instrumental]

7. Into the Night

8. Night Life in Twin Peaks [Instrumental]

9. Dance of the Dream Man [Instrumental]

10. Love Theme from "Twin Peaks" [Instrumental]

11. Falling

Customer Reviews

Most Helpful Customer Reviews

16 of 16 people found the following review helpful:

5.0 out of 5 stars A Classic of Diversity, June 30, 1999

By A Customer

This review is from: Twin Peaks: Fire Walk With Me (Soundtrack) (Audio CD)

It's been nearly seven years since the FIRE, WALK WITH ME soundtrack first appeared, and as other rave reviews here attest, it has if anything increased its appeal. What makes the album especially unique is its diversity. Film scores are usually all of a kind, and Angelo Badalamenti ­ who became a household name with his music for the TWIN PEAKS series on TV ­ could have followed that course. But except for the obligatory Julee Cruise song "Questions in a World of Blue" (good, but not in the same class as "Falling" or "The World Spins"), he avoided that temptation. Instead, he plays with musical genres and perhaps even invents new ones. The opening theme (also known as "She Would Die for Love") and "Don't Do Anything (I wouldn't Do)" are among the best film noir jazz and cool jazz pieces ever written; they would be right at home in night club repertories. But where else have we heard anyting resembling "Sycamore Trees" (which helped revive the career of Jimmy Scott)? Or "A Real Indication" (sort of a cross between rap and a parody of beat poetry from the 60's)? "Moving through Time" plays like a reinvention of chamber music, with jazz instrumentation but classical structure. Everyone who writes about Badalamenti seems to stress his reliance on synthesizers, but what is really important about his work is his synthesis of musical styles and genres in the tradition of George Gershwin and Nino Rota.As a footnote, it's startling to hear "The Pink Room" after reading accounts that David Lynch himself knows nothing about music. He can obviously give techno music composers a run for their money!

10 of 10 people found the following review helpful:

5.0 out of 5 stars Not your average soundtrack, July 23, 1999

By A Customer

This review is from: Twin Peaks: Fire Walk With Me (Soundtrack) (Audio CD)

By the third track of this collection, people usually ask "what the heck is this?", when I play it at work. When the familiar trebly bass intro of the "Twin Peaks" theme surfaces, everyone knows it's the world of David Lynch, rising up from today's post-modern stupor to alternately jar and soothe the psyche. The music is as bizarre and yet as intriguing as the film; it's also a testament to the symbiosis of director Lynch and composer/compiler Angelo Badalamenti that moods and themes in cinema both inspire and demand great music. For me the best (and most haunting) track is "Sycamore Trees", which played, curiously enough, in the final episode of the television series, not in "Fire Walk With Me". Still, it's good to have the complete, off-kilter soundtrack to a fascinating world.

21 of 25 people found the following review helpful:

5.0 out of 5 stars Horror jazz, June 5, 2005

By 

modifiedcontent (Brooklyn, NY) - See all my reviews

This review is from: Twin Peaks: Fire Walk With Me (Soundtrack) (Audio CD)

A lot of people don't get this record and are probably better off buying something by Enya or Enigma. This is not new age BS! It's not a conventional soundtrack either. Angelo Badalamenti and David Lynch created an entire new genre: horror jazz! It's cool, groovy, jazzy...but something's horribly wrong. Midnight music for when the ghosts come out. From tranquility to insanity.

Unfortunately horror jazz never really took off. I know of only one pure horror jazz track outside Badalamenti's work: 'Venus Velvet' by the Bobby Brown Quartet from the mid-1960s.

I want more horror jazz. I love it.