Soundtracks to the White Revolution is a groundbreaking new 106-page book detailing the growth of the white power music scene, which become an international, multi-million dollar-a-year industry. Beginning with white power skinheads, the first subculture to fall victim to organized bigotry, the book also exposes entries into new subcultures like the national socialist black metal underground and the fascist experimental and apocalyptic folk scene. Highlighting music's power as a recruitment tool and to create a culture of bigotry, Soundtracks points out that white power music has also worked to raise millions of dollars for white supremacists, acted as a model for violence, and helped build up a new, international network of white supremacists.
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“School grounds, music club scenes, and record stores are the new battle zones. Soundtracks is the ammo. -- Leonard Zeskind, Searchlight, March 2000
About the Author
Contributors:
Devin Burghart is the Director of the Building Democracy Initiative of the Center for New Community. He is the editor of Soundtracks to the White Revolution.
S. Johansen is a contributor to the Norwegian anti-fascist magazine Monitor.
Michele Lefkowith is a researcher with the Northwest Coalition for Human Dignity based in Seattle, Washington.
Nick Lowles is Editor of the International anti-fascist magazine Searchlight, based in London, England.
Justin Massa is a research analyst for the Building Democracy Initiative of the Center for New Community.
Charles Morrow is a researcher with the Northwest Coalition for Human Dignity based in Seattle, Washington.
Jonn Lunsford is a researcher with the Northwest Coalition for Human Dignity based in Seattle, Washington.
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