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To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical? From the opening production number "Mountain Town" to the cheerful antiprofanity sing-along "It's Easy, MMMKay" to Satan's faux-Disney ballad "Up There," Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirizing well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind. Unless you have something against the First Amendment. --Mark Englehart
And not to be forgotten, but it's a damn fine musical as well.
From the opening refrain of 'Mountain Town', it quickly becomes apparent that the satire will be witty and tight, parodying Broadway musical standards for their own twisted purposes. But the whole thing takes a wicked left turn with the infamous song 'Uncle F**ka' (I truly despise having to put the asterisks in, but then I guess that's the kind of thing this movie is railing against). It's a nonsensical, roll-on-the-floor-laughing, swearing-for-swearing's-sake song from the movie-within-a-movie starring Terrance and Philip. And it throws down the gauntlet for all that is to come.
The remaining songs are all perfectly placed parodies, which serve to advance the narrative, provide character development, and serve up more opportunities for poopy jokes. All noble causes, I'd say. Favourites include 'Kyle's Mom is a B**ch' (which if you listen close enough, is actually quite poetic), and 'What Would Brian Boitano Do' (or WWBBD, in which the 1988 Olympic Champion is held up as an all-knowing superhero). And of course, the closing credits contain a soulful, sincere performance by Doobie Brother Michael McDonald of 'Eyes of a Child' ("Sure, life is kind of gay/But it doesn't seem that way/Through the eyes of a child") that spoofs the drek David Foster and Diane Warren regularly churn out.
Special mention should be made for 'Blame Canada'. Any true Canadian knows who the target of that one is, no?
The brilliance of this movie, it appears to me, is that Stone and Parker figured that the only way to top their TV show would be to up the ante with the movie. Thus we get Saddam Hussein as a butchy homosexual lover of Satan, the execution of Bill Gates, and of course 'Operation Human Shield' in which all the black residents of South Park are not only expected to shield their white army mates from Canadian attack, but are strapped to the tanks as well.
And of course there's the swearing. I read somewhere that this is the movie with the greatest proliferation of cuss words. Well, bravo I say. Bring your grandma and your kids, cause in the end all that swearing actually makes a very powerful point. And Cartman's final coup de grace -- in which his cussing actually saves the day -- is as good a condemnation of the censorship of speech as anything this side of Newspeak from George Orwell's '1984'.
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