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South of Heaven

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Q: What’s the title of the new Slayer album?

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A: What on Earth do you think?

Nine studio albums, thousands of live shows and nearly three decades into a career that’s made them one of the biggest and most important metal bands in the world, the members of Slayer know exactly what kind of music they ... Read more in Amazon's Slayer Store

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Frequently Bought Together

South of Heaven + Seasons in the Abyss + Reign in Blood
Price for all three: $44.76

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Product Details

  • Audio CD
  • Number of Discs: 1
  • ASIN: B000002KZV
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (224 customer reviews)
  • Amazon Best Sellers Rank: #262,449 in Music (See Top 100 in Music)

Editorial Reviews

Slayer ~ South Of Heaven

Customer Reviews

One of their best albums of all time.
Most Slayer fans would not argue that Reign in Blood, South of Heaven and Seasons in the Abyss are the bands 3 best albums that were put out consecutively.
Sunshine the Werewolf
I have been a Slayer fan for a really long time now, I just can't get enough of em.
Richard M

Most Helpful Customer Reviews

51 of 53 people found the following review helpful By Rikki on February 20, 2000
Format: Audio CD
I have to admit that I really didn't come to appreciate this album until the last couple of years. When it first came out, I felt it was too slow, too melodic, too un-Slayer-ish. With age comes wisdom; let's face it, the only real problem with "South of Heaven" (probably the most wickedly clever album title ever) is that it had the unenviable job of following up the Lamborghini Diablo of all albums, "Reign In Blood". So Slayer did the only sensible a Bugatti Royale.
This album's lineage is prestigious; there are spiritual ties to albums like Sabbath's "Master of Reality", Priest's "Sad Wings of Destiny" and "Sin After Sin" ("Dissident Aggressor" is covered here with hats-off reverence) while still retaining Slayer's more sophisticated approach to death/black metal. Heavy, Iommi-inspired riffs combined with hammer-from-hell drumming (check out Lombardo's snare sound on the title sounds like a rifle shot in your ear) and Araya's grisly, sawn-off vocals combine to make this doom metal's all time masterpiece.
I can relate this to this album in the same way that I relate to the other spare time passion in my life - automobiles. When I was younger, I was a muscle car freak who cared only for horsepower and cubic my tastes run towards classic European sports cars. As I grew older, I came to realize that SPEED is no substitute for BALANCE and PRECISION. Don't let your purchase of this album be discouraged by the naysayers who complain that it isn't "Reign In Blood Part II". You'll only be depriving yourself.
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32 of 33 people found the following review helpful By A. Stutheit on September 13, 2005
Format: Audio CD Verified Purchase
Slayer came to a sort of crossroads when the time came to write their fifth studio release, in 1988. The band knew they couldn't top the speed of their last album, 1986's standard-bearing album "Reign In Blood," so they didn't even try. Instead, they matured and evolved a little.

The first way they did this was by improving Tom's singing style. Instead of shrieking as loud and fast as possible, Tom's vocals became more mid-tempo and tuneful. Guitarists Kerry King and Jeff Hanneman also helped to change the band's sound by slowing down the songs' tempos while simultaneously making the riffs heavier. They even added acoustic guitars into the mix (!), at the beginning of track ten, "Spill the Blood."

Another advantage of a slower album, besides the melodic vocals, is that drummer Dave Lombardo can go at his own pace. He doesn't have to play a bunch of different drums as fast as possible because he's playing "catch up" with the rest of the band. Instead, on this album, Dave creates some great, and very catchy drum fills. (Tracks three and four best demonstrate this talented drumming.)

From the beginning of the first track, the title track, you can tell Slayer have changed. Some songs, like "Silent Scream," "Ghosts of War," and "Cleanse the Soul," still race by like a flash flood, but most of "South of Heaven" is only moderately fast.

"Spill the Blood" is my personal favorite song on here, but other highlights are the thumping and blisteringly fast "Live Undead," the scorching solos of "Behind the Crooked Cross," "Mandatory Suicide," which features churning, buzzsaw riffs and a creepy, ominous, spoken-word passage from Tom, and the speedy, chugging and churning "Read Between the Lies.
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15 of 17 people found the following review helpful By Reijo Piippula on October 14, 2008
Format: Audio CD
After "Reign In Blood" Slayer couldn't do anything than be slower and more evil. And that's what this album "South of Heaven" is all about! The songs like "South of Heaven", "Silent Scream", and "Mandatory Suicide" are still in Slayer's live set today. Why? Because they are CLASSICS! In fact all the songs in this album are great! At first I didn't like this album so much but after listening to it over and over again (after years of break) I realized that this album is awesome! It's no wonder that many think that this is one of the best albums ever. "Live Undead" is an interesting song. It seems like there's no chorus. Why? I don't know but the guitar solos are great. At first I thought I would give 4 stars but then I asked myself: "Why? This album has nothing but great songs!".
Stars: South of Heaven, Mandatory Suicide, Silent Scream
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11 of 12 people found the following review helpful By Ken on December 15, 2001
Format: Audio CD
When Slayer released "Reign In Blood" in '86, they obviously had no idea that it would be considered one of the best metal records (heavy metal, thrash metal, extreme metal... whatever) of all time by thousands upon thousands of people, even to this day. After establishing themselves as an infamous underground thrash force with satanic lyrical leanings, they were suddenly thrust forward as blasphemous innovators in style and speed. Once the metal scene's initial shock wore off a tad, everyone glanced sideways at Slayer wondering, "how in the world will they top THAT?" and "will they out-do themselves by playing even faster?" Well, Araya, King, Hanneman, and Lombardo succeeded in shocking everyone, alright... but in a much different way than expected - so much so that they (unfairly, if I might add) lost a number of fans looking for another bloody "Reign" (pun intended).
On the surface, "South Of Heaven" seemed extraordinarily unhurried - or better yet, deliberate -
compared to the album prior to this. The blinding pace of the songs, which was a large part of Slayer's appeal on their previous effort, only surpassed warp-speed in a couple of songs, namely "Silent Scream", "Ghosts Of War", and "Cleanse The Soul". Slayer's focus here was on being heavy, not necessarily fast. Basically, the band was tweaking their sound to define the sinister nature they wanted to portray. The band had reinvented itself for the recording of "Reign In Blood", and in their traditional nature of staying true to that philosophy, the boys quite naturally reinvented themselves once again for "South Of Heaven".
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