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Each subsection begins with an overview, followed by articles that convey the tremendous diversity of U.S and Canadian music traditions. Coverage of African American music, for example, ranges from early folk forms, including work and protest songs, to hip-hop and rap. "South America, Central American, Mexican, and Caribbean Musics" covers variations between the musics of Hispanic California, Texas, and New Mexico, as well as Franco-Caribbean, British Caribbean, and Indo-Caribbean musical cultures. Each article concludes with references listing not only books and articles but also recordings and personal interviews. Like other volumes in the set, text is complemented by black-and-white photographs, drawings, charts, song texts, and music notations. The volume concludes with a glossary, a bibliography of items selected from the article reference lists, and a thorough index. An accompanying CD offers musical examples.
The Garland Encyclopedia of World Music is sometimes compared to The New Grove Dictionary of Music and Musicians, the second edition of which is reviewed on p.1768. Grove has an article on U.S. music that runs for more than 50 pages and discusses many of the same topics covered in Garland. However, Garland takes a more ethnographic perspective and generally covers the topics in greater detail. For example, Grove's discussion of African American musics is six pages in length, while Garland's is more than 150. Many related topics, such as gospel music and rap, are covered in separate entries in Grove, but Garland's approach provides valuable context. Larger music collections need both Garland and Grove. Smaller U.S and Canadian libraries that have not been acquiring The Garland Encyclopedia of World Music may want to consider the newest volume for its close-to-home coverage. RBB
Copyright © American Library Association. All rights reserved
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