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19 of 19 people found the following review helpful:
5.0 out of 5 stars
TV: The Way It Was (and the way it should be), January 25, 2005
This review is from: Space Patrol: Missions of Daring in the Name of Early Television (Hardcover)
This "labor of love" for Bassior is a must read for those interested not only in "kid vid" but in how "television" was born. The reader quickly realizes that the producers of "Space Patrol" were true pioneers...inventing special effects, developing camera techniques and working up stage settings that defined "live" TV in it's first decade. While operating at the lowest end of the budget scale, "Space Patrol" was live sci-fi drama as good as ABC's "other" futuristic adult-themed drama of the same era: "Tales of Tomorrow." There were no digital special effects, no computer-generated images, and the line between good and evil was always crystal clear. The actors and the story were central, NOT the special effects. Plus there were only three commercials in each half-hour episode! How sweet it was! This book is more than a nostalgic look at a childhood memory, it's a well-documented historical review of how television programs were created and produced at a time when there was no "instruction manual" to follow. You will find it fascinating. Wonderful pictures are included, too.
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20 of 22 people found the following review helpful:
4.0 out of 5 stars
The Wild, Vast Reaches of Space..., December 28, 2004
This review is from: Space Patrol: Missions of Daring in the Name of Early Television (Hardcover)
One of the ironies of the Golden Age of Television is that some of its most ambitious programming coincided with the primitive infancy of the medium, 1949 -- 1955. Given that all programming was being broadcast "live" as it happened, in "real time," TV directors and producers nevertheless dared to present, in CAPTAIN VIDEO (1949-55), TOM CORBETT SPACE CADET (1950-55) and SPACE PATROL (1950-55), often action-packed science-fictional adventures with complex practical and special effects... and anywhere from 30 minutes once a week to 30 minutes every weekday! As the casts and crews of these series are steadily taken away from us by time, we are also losing all personal contact with this most heroic (in several senses of the word!) era of early live television broadcasting. So it is very welcome to find this 400-plus-page book by Jean-Noel Bassior, entirely devoted to SPACE PATROL. She began work on the book in the early 1980s, when almost all the cast and crew except for Lyn Osborn (Cadet Happy) were still alive and available for interview, and portions of more than 50 separate interviews are incorporated throughout the book. The book is also copiously illustrated with a large number of clearly-reproduced and often quite rare photos. More than 20 individual chapters cover almost every aspect of the series, including cast, crew, and writers. About the only significant omission that struck me was that of Carl Macauley, designer of the very impressive and spacious sets... there's not much about him compared to other key crew members. Readers will also find appendices contributed by various experts, describing various Space Patrol-related toys and premiums, the 30-minute network TV episodes, some of the surviving 30-minute radio episodes, and the most-often-seen miniature buildings and spaceships of the series. Mike Moser's sudden death in the spring of 1953 (struck by a car as he stepped off a dark curb) tolled the end for SPACE PATROL. When Nina Bara (Tonga) reminded Moser's widow of various unkept promises made by Moser to the cast, she was promptly fired. The daily 15-minute broadcasts vanished from the lineup, a development welcomed by the greatly overworked cast and crew. More ominously, by the fall of 1953, kids and their parents who ordered from the impressive catalog of SPACE PATROL toys and merchandise were receiving only a letter explaining that neither the items nor a refund would ever be forthcoming... from a company Moser had mainly operated out of the trunk of his own car! Moser's widow Helen didn't really know what to do with the program she inherited, and as soon as the key sponsor pulled out, that was the end, except for a syndicated series of old kinescope recordings on 35 mm film that could be seen spottily on TV in the late 1950s. Many kinescoped episodes of SPACE PATROL are available for viewing today on video tape. Seen more than half a century after they were broadcast, and by jaded adults rather than starry-eyed children of the early Space Age, they don't usually hold up well. The weakest element by far is the scripting, while the sets are often extremely impressive. Ed Kemmer (Commander Buzz Corry) is a completely convincing hero; Lyn Osborn (Happy) is as funny and charming as his often poorly written part allows, and his character's relationship with Kemmer's is always believable. Virginia Hewitt (Carol) and Nina Bara (Tonga) come across as simultaneously sexy and intelligent; Ken Mayer (Robbie) is reliable as the only other SPACE PATROL officer we usually get to see; and whatever the name of the villain he plays, Bela Kovacs is always just on the verge of a terrifying burst of hysterical ill-temper. You don't have to watch many episodes to like these people, and to wonder how this unique series came into being. And here's the book to answer almost any question you might have!
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
What a Fantastic Book!, March 7, 2006
This review is from: Space Patrol: Missions of Daring in the Name of Early Television (Hardcover)
Some might think it's a waste of time to read a book about a television show that one never saw. But, although I never saw an episode of "Space Patrol" (it had gone off the air before I was five years old), this is one of the best books I've read in years. A 20-year labor-of-love, it clearly reflects the author's interest and dedication to the subject. She managed to interview virtually all of the surviving cast and production crew members, and their anecdotes bring the story of this live-action television series from the early 1950s to life. It's packed with details about the characters, the performers, the production challenges, the sets, the special effects and the marketing of spin-off toys. Even better, it examines the positive effects that "Space Patrol" had on children of the time, some of whom, inspired by the show, grew up to be NASA engineers, "rocket scientists" and astronauts. Back in the days of clear-cut moral values and before political correctness reared its ugly head, the "Space Patrol" crew served as excellent role models for the first of the baby-boomers. Reading this book will transport anyone who grew up in that era back to a simpler time when the world was a more pleasant place to live and when there were well-defined good guys and bad guys. It's a great read about a fascinating subject--highly recommended.
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