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Spar (Iowa Poetry Prize)
 
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Spar (Iowa Poetry Prize) [Paperback]

Karen Volkman (Author)
3.7 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

February 5, 2002 Iowa Poetry Prize
Winner of the 2001 Iowa Poetry Prize. Karen Volkman’s award-winning collection Spar has as its central form a highly compressed, musical variant of the prose poem. Volkman develops a new lyric density that marries the immediacy of image-centered poetry to the rhythmic resources of prose. Her first poem begins, “Someone was searching for a Form of Fire,” and this wild urge to seek form—and thus definition—in the most uncontainable of elements propels the book forward; each poem maps the mind’s evolving positions in response to its variable and perilous encounters. Sometimes the encounter is romantic or purely carnal, a sensual landscape of human relations. At other times, nature itself has an almost humanly emotional connection to the speaker.

While very much a living voice, the poems’ speaker is not a consistent self but a mutable figure buffeted by tenderness, terror, irony, or lust into elaborate evasions, exclamations, verbal hijinks, and lyric fiights. As its title suggests, Spar embodies both resistance and aspiration, while its epigraphs further emphasize the simultaneous allure and danger of the unknown within the sensual and material worlds and in the mind itself.


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Editorial Reviews

Review

“From Volkman I have learned there is another thing—profound and simple and beautiful—to say.” -- Allen Grossman, author of How to Do Things with Tears

“Volkman’s poems sear us with their passion... quintessentially lyrical—blood-raw, soul-stinging, torqued by their forcefulness. A riveting, fresh, collection.” -- Booklist

Volkman convincingly melds her engagement with the ludic quality of words with the marvelously chaotic commerce of the natural world. -- Publisher's Weekly, April 29, 2002

a lyrical torque so polished, it borders on obsessive-compulsive ... the best of contradictions, coupling tradition with ... sardonic uncertainty. -- Village Voice Literary Supplement, Spring 2002

About the Author

Karen Volkman's first book, Crash's Law, was chosen for the National Poetry Series. Her poems have appeared in the Paris Review, New Republic, Colorado Review, American Letters & Commentary, and Fence. She is currently poet-in-residence at the University of Chicago.

Product Details

  • Paperback: 72 pages
  • Publisher: University Of Iowa Press; 1ST edition (February 5, 2002)
  • Language: English
  • ISBN-10: 0877458073
  • ISBN-13: 978-0877458074
  • Product Dimensions: 7.7 x 5.9 x 0.2 inches
  • Shipping Weight: 3.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,290,141 in Books (See Top 100 in Books)

More About the Author

Karen Volkman was born in Miami and received her B.A. from New College in Sarasota, Florida, and an M.A. from Syracuse University. Her first book, Crash's Law, was a National Poetry Series selection, published by W.W. Norton in 1996. Her second book, Spar

 

Customer Reviews

7 Reviews
5 star:
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4 star:    (0)
3 star:
 (1)
2 star:
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Average Customer Review
3.7 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 13 people found the following review helpful:
2.0 out of 5 stars sigh, April 11, 2002
By A Customer
This review is from: Spar (Iowa Poetry Prize) (Paperback)
Perhaps early success is an utter curse; I begin to wish no one were allowed to publish a 1st book till they turned 35 (note: burn your MFA theses!) Early success seems to engender a pavlovian response: what we're praised for, we do again & again. And so, here, we have Volkman repeating herself for 50-odd pages, saying nothing with stylistic cleverness equivalent to a parlor game, relying on style as a crutch to mask a startling substance deficit. One, two, three poems glimpsed here & there in our best journals were riveting; seeing 20-some all together will engender much wincing in those of us who had our hopes up. Still, I hold out hope for book three--may it be a careful slow while in coming--
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Dense Well-Written Modern Prose Poetry., October 31, 2007
By 
J. A Carty "Jessie Carty" (Charlotte, NC United States) - See all my reviews
(REAL NAME)   
This review is from: Spar (Iowa Poetry Prize) (Paperback)
It is obvious as you enter this book of poems why it was a prize winner. The poet is very talented. She has taken the tradition of the prose poem and jumped into it wholeheartedly. There are a few non-prose poems thrown in with titles which helps to break up the density of the prose poems.

All that being said, this is not a book of poems for the lay reader. I came away feeling that this is artistically sound for those intrested in: post-modernism, surrealism and prose-poetry, but for the general public this may be a difficult book to delve into.

I will be interested to see where this poet takes her style into the future because with lines (from page 7 in my edition) such as the following how can there not be promise!: Meet me two years earlier in the street. Omega Street. I'll try to be there, to be / perfectly present, to get the eyes right.
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7 of 10 people found the following review helpful:
5.0 out of 5 stars nuique compelling brilliant modern poetry, May 8, 2002
This review is from: Spar (Iowa Poetry Prize) (Paperback)
Karen Volkman is a very special poet, & for me this book is an absolute masterpiece in terms of aural sophistication & conceptual ingenuity. Volkman writes like no one else, & her writing is rife with great poetic decisions. Her art inspires me with its great vision & boldness. I don't know how unique to me this strong feeling of being able to relate to the thoughts she presents is, but I love it. The book starts with the poem Create Desire, which starts with the line "Someone was searching for a form of fire." Is that what life is? That you are someone searching for a form of fire? Later, she ends one of the prose poems with "Your turn." She ends one with a string of 3 vowels. She builds one by planting in your mind the suspician that she's addressing a lover, then reveals in the last few words that she is indeed. Her tropes & unexpected word choices are so exciting. One of my favorite syntgactical excerpts from the book is in one of the prose poems when she writes,"Plural keeps and cues med, does me dither. Is what is more than mind is -- when I am?" -- though that's not much of an example of her troping. Nothing she does in this book feels accidental or not fully thought through; everything feels like a perfect deliberate decision. She is aware of what prose poems do to the weight of words & the pace of the poem. She's very sparing with titles. She uses more regular lines & stanzas when she decides to. Reading this book is like riding a motorcycle with no brakes! As far as another reviewer's comment that Volkman doesn't give the reader enough information, I think the level of electric metaphor that might be abstruse is a matter of taste.... If you're interested enough in poetry to be considering this book & reading my review, do buy the book; I hope you'll be as pleased as I am.
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