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22 of 22 people found the following review helpful:
5.0 out of 5 stars
The best they ever released!, October 4, 2002
After God knows how many years, "Spartacus" is finally available on CD!! And about time, too. Triumvirat generated a number of classic albums in the '70s, but this one clearly stands head and shoulders above the rest of their work (although "Illusions on a Double Dimple" is a very close second). The concept behind "Spartacus" is strong, the lyrics work well, and the musicianship is absolutely unstoppable. "Capitol of Power", "School of Instant Pain", "The Burning Sword of Capua", and "The March to the Eternal City" are each signally powerful and energetic numbers, while "The Deadly Dream of Freedom" offers a smoothly lyric break from the hurly burly. And the finale, "Spartacus", simply has to be heard to be believed ... wow! Of course, Triumvirat still bears an inescapable resemblance to Emerson, Lake & Palmer ... but that's not a bad thing at all, and fans of the latter group should run screaming to their computer keyboards to order "Spartacus". It would be lovely if the EMI folks would hunt up some old tapes from some live performances ... !
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
We're So Glad To Find This Again!, April 2, 2004
We are bigtime progressive rock fans, and loved groups such as Yes, ELP, King Crimson, Jethro Tull, early Rush and UK. Triumvirat, which hailed from Germany, was a relative latecomer in the ranks, but helped to keep progressive rock alive through the latter half of the 70s. We have quite a few of their albums on vinyl and they've been played half to death. Vinyl being vinyl, much of the sound quality has suffered. We searched for a couple years to find replacements on CD and were at last delighted to find that Triumvirat was releasing remasters on compact disc. We pre-ordered Spartacus, our favorite album of the bunch, and received it at long last. It was worth the wait. The sound is crisp and clear, very impressive. Like Rush and Pink Floyd, the entire album is a story, in this case the saga of Spartacus, who led the gladiators' revolt against Imperial Rome. Triumvirat was clearly the brainchild of Jurgen Fritz, the keyboard player, who never left the lineup no matter how often it changed. His indelible mark is found in the classical elements lacing each song. Soaring and powerful music and haunting vocals make this a fine example of progressive rock. Their sound is so timeless that even our teenage children fell madly in love with Triumvirat. This CD is an excellent investment and we highly recommend it for hours of listening pleasure.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
A keyboard lover's delight!, June 26, 2007
This review is from: Spartacus (Dlx) (Audio CD)
Triumvirat's heyday was limited to just two or three albums from the early to mid 1970's (before Helmet Kollen's departure), and "Spartacus" was their magnum opus. Despite other reviewers' unjustified complaints that they were simply an ELP ripoff band, Triumvirat proved with "Spartacus" that they could compose and play an intricate and interesting concept album on an original subject, and deliver a work that has stood the test of time as well as anything that their progenitors ever produced.
The original album contains about 42 minutes of great music, and this remastered version rewards the listener with three previously unreleased live versions of songs from the "Spartacus" album, plus two so-so bonus tracks recorded after this album (more in the prog-pop vein, and sung by the less likable [to me, at least] Barry Palmer). The highlight of the bonus tracks has to be the middle section instrumental of "March to the Eternal City" - they go from the dark and foreboding march theme to an almost funky(!) groove with a extended keyboard solo that sort of sounds like what the Alan Parsons Project would do if they had Triumvirat's chops and audacity. Pretty cool.
But back to the original album - what a fantastic treat this was for anyone into keyboard-driven prog. Jurgen Fritz was just a phenomenal keyboard player; he was fast and inventive and knew just the right time to use the piano or organ or synth or some combination of all. Helmet Kollen played a very busy and melodic bass, supplied some appropriate guitar riffs, and sang the English lyrics in a nice tenor that bore little German accent. The drumming by Hans Bathelt was crisp and clever. While some of the songs bordered on prog-pop and ballads, there were some simply stunning prog workouts throughout the album, not the least of which was the album closer "Spartacus" - layered keyboards, inspirational melodies, and a driving rhythm section make the perfect ending to a very exciting album. Even though some of the lyrics could be a little cheesy or clumsy, they nevertheless told a good story that you could not ignore despite the virtuosity of the playing.
The sound quality here is fantastic, and even more pronounced for me since the only other copy of this album that I owned was the original vinyl from 1976, the second side of which never quite recovered from the spilled beer incident... (Note to self on one foggy-headed morning in 1977: Hide your albums after the third keg is tapped!) Surely reminiscent of ELP without overt plagiarism, this was a standout keyboard-prog jewel of the mid 1970's. Look for the mouse inside the light bulb, and ENJOY.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 8.4/10; Performance = 9/10; Production = 9.5/10; CD length = 9/10.
Overall score weighted on my proprietary scale = 8.8 ("4-1/2 stars")
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