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14 of 14 people found the following review helpful:
4.0 out of 5 stars
Not perfect, but a solid page-turner with good characters, July 14, 2005
When I find myself staying up reading past my bedtime, it's a sure indicator that the book I'm holding is at least a 4 rating. The plot of this novel drew me in quickly, right from the first few pages, and the scenes and action moved along at a good pace through the book's end.
Without giving away the ending, let me say that the fate of the evil Eddie was highly satisfying and, while other reviewers' complaints about the heroine, Carole, do resonate with me, I did not ultimately find her tiresome. Rather, I liked watching her reach the boiling point and finally taking sweet revenge on Eddie for tormenting her all those years.
In some ways, this book reminds me of two others I enjoyed: The Secret History by Donna Tart and The Lake of Dead Languages by Carol Goodman, both of which tell stories of young people with dark secrets.
Tart's book is truly superior and a 5 all the way, but I can see how Lewis might eventually work up to writing of Tart's quality, especially given her talent for characterization. The heroine's hippie friend, Rachel, for instance, is so like women I knew in the 60s that I felt I almost knew her personally.
Speak Softly, She Can Hear is a very good debut novel that is worthy of your attention if you enjoy well-written suspense stories.
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29 of 35 people found the following review helpful:
4.0 out of 5 stars
Goes a Mile a Minute, February 24, 2005
Carole Mason is a fat, unpopular teen at New York's prestigious Spence School, presented here as a nest of vipers a la MEAN GIRLS, who has one girlfriend, Naomi, a Park Avenue wild child with Paris Hilton appetites.
The year is 1965, at the brink of the sexual revolution, when Andy Warhol and Edie Sedgwick were bona fide celebrities of cafe society. Carole and Naomi start an innocent bet to see which of them will lost her virginity first to the attractive young actor, Eddie Lindbaeck, a boy will go down in thriller history as one of the most menacing villains since Sydney Greenstreet played Count Fosco in THE WOMAN IN WHITE. In a snowy ski camp in Stowe, Vermont, Carole stumbles into an awful trap and wakes up believing she has killed a local. The rest of the book develops her strategies for putting this murder behind her.
Like a heroine from Cornell Woolrich, Carole Mason is literally trapped by her past. Pam Lewis has a talent for suspense, and the book will keep you up all night trying to figure out how poor Carole will stay one step ahead of both the police and her savage "friends" Naomi and Eddie.
The story continues for years, through the summer of love in the Haight-Ashbury, to a Moosewood-like restaurant in the New England countryside in the 1970s. Actually I don't know why Ms. Lewis didn't set the novel at a more recent time, there's actually no reason why the book had to be set in the 1960s, and her anachronisms are sometimes grating. (Would a girl describe another girl as dressing "like Tricia Nixon" in 1965? I don't think so. Did young men snap, "Whatever," in 1975, or was that usage a byproduct of the Valley Girl-speak of the early 1980s?)
Every time I saw the words "Carole Mason," I thought of the esteemed experimental novelist "Carole Maso" who teaches at Brown, and I wondered if Pam Lewis was pointing some kind of admonitory finger at Maso. But that's just me.
The publishers are marketing this book like it's some kind of cross between Donna Tartt and other famous writers (the book jacket and the book title just scream, "Hi, I'm by Mary Higgins Clark"!) but Lewis' talent is resolutely her own, and even though you may want to shake Carole Mason for being such a ninny, no one with a heart can deny her sympathy, and the scenes in which she learns to love and give trust have a genuine pathos, and an honesty that's hardwon and feels real. I hope Pam Lewis comes to San Francisco so I can shake her hand and congratulate her for having made such a disturbing and shivery debut.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Great, October 13, 2005
This is the story of a 16 year old girl who's made a terrible mistake, and has to live with it and pay for it for the next ten years of her life.
The story is well written with characters who stick with you. You follow the main character through her journey to try to let go of something that is bigger than her. It is a thriller but it also touches on some issues we can all relate to, like cliques and friends, lying when it'll make things worse, friendship, etc. It's scary all right, and Pam Lewis puts in enough twists and turns to make you want to keep on reading all night.
I really enjoyed that book a lot and would highly recommend it to anyone.
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