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26 of 27 people found the following review helpful:
5.0 out of 5 stars
a great reissue, June 12, 2006
This review is from: Speak & Spell (Deluxe Edition CD+DVD) (Audio CD)
don't listen to the naysayers. the U.S. reisssue of 'speak and spell' is a more than worthy addition to the dm reissue canon. chances are you already own 'speak and spell,' as well as it's great b-sides, 'ice machine,' 'i sometimes wish i was dead,' and 'shout,' so i won't get into the album itself.
the accompanying dvd is a veritable treasure trove for mode-a-philes, the most shiniest diamond being the interviews with vince clarke. i don't know much about vince's personal feelings about dm, but if he harbors any grudge, it certainly doesn't show. and it was nice to hear the man actually speak. it's a nice treat. it was also so great to hear the stories behind the early mode gigs, how daniel miller first decided to sign the band, how seymour stein flew to basildon to see them live, how they recorded the album, the genesis of the hideous album cover, and the truly embarrassing, but endearing and charming, early live performances on TOTP and other british tv shows. dave looks like he's about 14 years old. he comes of as shy and naive--a far cry from the dave we'd see but 10 years later. vince seemed in command from the beginning, martin seems confused and fletch, well, he's fletch.
as with the violator and masses reissues, the mixing sounds great. i picked up a lot of bells and whistles in the songs i'd previously missed. i only wish they would've included the b-sides on the cd, or as a bonus cd.
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19 of 22 people found the following review helpful:
2.0 out of 5 stars
buy the import !!!!, October 30, 2004
If you must have Speak and Spell ( which is quite good, despite being very lightweight, fluffy, lyrically empty early-eighties synth-pop ) do yourself a favour and spend the extra money on the import version. The US version pales in comparison to the original Uk version. There is a great song ( Sometimes I Wish I Was Dead, which is not as depressing as its title would suggest ) that was left off the US pressing, and the extra time was taken up by the inclusion of the 12" remix of Just Can't Get Enough (which is better in its original 7" mix anyway - over six minutes of Just Can't Get Enough is, well, too much of enough ). There are also a few great b-sides that are on the UK version of the cd.
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14 of 16 people found the following review helpful:
4.0 out of 5 stars
judge it within its context, October 20, 2005
of course 'speak and spell' sounds cheesy in 2005. it's 25 years old and any fair assestment/critique of 'speak and spell' needs to examine when it was recorded and released. in 1981 synthesizer music technology was still very much in its embryonic state. Very few bands (kraftwerk, human league, OMD, depeche mode, among other) used synths and even fewer knew how to harness the technology. i imagine programming synths was a lot like building rocket ships -- lots of trial and error, some hits, some misses.
it should come as little suprise, then, that 'speak and spell' is a bit simplistic and cheesy. what's impressive about 'speak and spell,' however, are the absolutely phenomenal melodies vince clark composed. one listen to 'just can't get enough' and its permanently engravaed into your brain. and since it was vince clarke's album, it bears hardly and resemblence to the latter martin gore dm albums (the exception being 'photographic' and 'puppets' -- both a bit darken in tone). its easy to forgive vince for 'what's your name?' when he wrote such classic dm songs as 'new life,' 'dreaming of me,' and the aforementioned 'photographic' and 'just can't get enough.'
what's special about 'speak and spell' are the classic dm synth intros--most of the songs have a synth intro. 'just can't get enough' and 'new life' are prime examples of a new style of songwriting. vince didn't waste time with the hook coming in the middle of the song or the verse or a bridge. the hooks were front and center, immediate attention grabbers. in that way, vince single-handedly changed pop songwriting.
if you do invest in 'speak and spell,' be sure to get the import version. several essential dm cuts aren't found on the US release, namely: 'i sometimes wish i was dead,' 'shout,' and 'ice machine.' of the three, 'shout' is a standout. i sure wannabe synthlords scratched their collective heads wondering how in the world vince got that sort of sound out of a keyboard. it's an amazing song and worth the heavy asking price.
in the end, does 'speak and spell' hold up 25 years on? no, not really. but that's hardly the point. to listen to an album released in 1981, you sort of have to listen to it with 1981 ears. to do anything else does you, the album and the band a huge disservice because underneath the fluff lay some of the greatest synth songs ever penned by synth music's uberoverlord, vince clarke.
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