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Product Details
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| Disc: 1 | |||
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| 1. Intro | |||
| 2. Ghettomusick | |||
| 3. Unhappy | |||
| 4. Bowtie | |||
| 5. The Way You Move | |||
| 6. The Rooster | |||
| 7. Bust | |||
| 8. War | |||
| 9. Church | |||
| 10. Bamboo (Interlude) | |||
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| Disc: 2 | |||
| 1. The Love Below (Intro) | |||
| 2. Love Hater | |||
| 3. God (Interlude) | |||
| 4. Happy Valentine's Day | |||
| 5. Spread | |||
| 6. Where Are My Panties? | |||
| 7. Prototype | |||
| 8. She Lives In My Lap | |||
| 9. Hey Ya! | |||
| 10. Roses | |||
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Big Boi: Speakerboxx - While many considered Dre the innovative half of the group, Speakerboxx proves that Big Boi is every bit the visionary that his more eccentric counterpart is. The production is an aural buffet, filled with funky horn riffs, driving electronic groves and soulful melodies which take southern rap to a level of musicality it has never before seen. On top of it all, Big Boi's continued growth as an MC is evident throughout, whether he is waxing political ("War"), spiritual ("Church"), or simply bragging on his pimp game ("Bowtie"). And when placed along side the album's A-list guests in straight up spit fests, Big Boi manages to hold his own with the south's cameo king, Ludacris on "Tomb of the Bomb", and out shine Jay-Z on the ridiculously funky "Flip Flop Rock". And long time Outkast fans will be rewarded with a blast from the past on the contemplatively soulful "Reset", which uses the soulfully airy minimalism of ATLiens, a perfect juxtaposition to the sonic circus that is the rest of the album rest of the album. Taken by itself, Speakerboxx would likely be the best hip-hop album of the year so far.
Andre "Ice Cold" 3000: The Love Below - Where Big Boi chose to push hip-hop forward on his disk, Andre's album reaches back to more fully explore the influences from other genres that made Outkast what it is. A concept album, which follows one man's trials and tribulations in the search for love, The Love Below bears more than a passing resemblance to Prince's Parade. The rollicking electro-funk of "Happy Valentines Day", the cheeky raunch of "Spread" and the intentionally vague sexuality of "She Lives in My Lap" all draw liberally from the Purple One. But they also pull it off better than the legions of Prince imitators we have seen over the years. In fact, it could be said that Andre made has made the best Prince album in quiet some time. But a closer listen reveals that Dre is far from a one trick pony. The lingering ballad, "Prototype" is sublime, in spite of Dre's limited vocal range. "Hey Ya" begins as a campy, early Beatles inspired lark, but somehow evolve into a sublime mix of modern rock and classic funk/soul. "Roses" and "Dracula's Wedding" are dark grooves that manage to be at once dancable and eerily brooding. And just when the listener is fully absorded in Dre's new incarnation as a neo-funkateer, the disk concludes with "A Life in the Day of Benjamin Andre", a rap track that sums up the stories of the album in a concise five minutes and makes us hope that even as he grows more eclectic, he never gives up rhyming.
Big Boi's Speakerboxxx is my second favorite in this double album. It seems to stick to a more traditional rap style but is extremely funky. Ghetto Musick is a great track with a great backing track and chorus, Bowtie with crazy horn lines and great hook, Bust is a great track with a hard rock edge to it and great raps, War is a song about the problems in the world today, and Church is a great funky track. Definitely pick this album up if your looking for some music that isnt afraid to try something new in a genre that needs new life.
First, Big Boi's "Speakerboxxx": Fire from the get go. You first put it in and you notice Ghettomusick, Bowtie, The Way You Move, The Rooster, Bust, War, Church, Tomb of the Boom, Knowing, Flip Flop Rock, Last Call... pretty much the entire CD. Play it in your car, play it loud... it's awesome.
Second, Dre's "The Love Below": Takes some time to get used to, but then its just as hot if not hotter than Big Boi's. My favorite tracks on Dre's CD are: Roses, Happy Valentine's Day, Dracula's Wedding, A Day in the Life of Benjimann Andre, Hey Ya, and pretty much the whole CD, especially after I got used to the sound. Some get at Dre for ditching the rap, but he said it himself that Hip Hop doesn't inspire him anymore. Just because he has an interesting and different voice does NOT mean he can't sing.
Give this album a try... especially Dre's side. Most fans will appreciate Big Boi's side at first but once you listen to Andre's more than once or twice you will realize its true greatness.
5/5
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