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Speaking in Images: Interviews with Contemporary Chinese Filmmakers (Global Chinese Culture)
 
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Speaking in Images: Interviews with Contemporary Chinese Filmmakers (Global Chinese Culture) [Hardcover]

Michael Berry (Author), Martin Scorsese (Foreword)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

Global Chinese Culture September 28, 2005

"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."—Ang Lee, from Speaking in Images

Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and international cinema. Michael Berry's discussions with such directors as Ang Lee ( Crouching Tiger, Hidden Dragon), Zhang Yimou ( Hero), Chen Kaige ( Farewell My Concubine), Stanley Kwan ( Lan Yu), Tsai Ming-Liang ( Vive l'Amour), Edward Yang ( Yi Yi), and Hou Hsiao-hsien ( Flowers of Shanghai) offer an eclectic and comprehensive portrait of contemporary Chinese cinema.

In interviews that capture each filmmaker's unique vision, the subjects discuss their formative years, the ideas and influences that shaped their work, film aesthetics, battles with censors and studios, the mingling of commercial and art film, and the future of Chinese cinema in a transnational context. Berry's introduction to the collection provides an overview of Chinese cinema in the second half of the twentieth century, placing the directors and their work in a wider historical and cultural context.

(Spring 2006)

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Editorial Reviews

Review

Speaking in Images, by Michael Berry, is engaging... It is refreshing to read artists talk about their work and medium.

(Malcom Parker Pots.com )

Berry's questions are intelligent... they illicit intelligent, detailed answers...useful to anyone seriously interested in world cinema...Essential.

(Choice )

[ Speaking in Images] should be required reading for anyone seeking to understand the complexities and power of contemporary Chinese Film.

(Mingwei Song China Review International )

Speaking in Images is an excellent, even essential resource for anyone interested in the past, present, and future of these three important Chinese film industries.

(Ethan de Seife Film International )

Review

These interviews are a revelation... engaging, hard-hitting, informative, and entertaining. Michael Berry has trotted the globe, done much homework, and asks fruitful questions. This volume will become a key text for classes in Chinese cinema in American colleges. It will also be an immensely useful guide for film critics, scholars, and historians.

(Ban Wang, author of Illuminations from the Past: Trauma, Memory, and History in Modern China Issue 21)

Product Details

  • Hardcover: 568 pages
  • Publisher: Columbia University Press (September 28, 2005)
  • Language: English
  • ISBN-10: 0231133308
  • ISBN-13: 978-0231133302
  • Product Dimensions: 9.3 x 6.3 x 1.5 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,896,482 in Books (See Top 100 in Books)

More About the Author

Michael Berry is Professor of Contemporary Chinese Cultural Studies at the University of California, Santa Barbara, where he researches Chinese cinema and literature. He received his PhD from Columbia University and is the author of several books, including "Speaking in Images: Interviews with Contemporary Chinese Filmmakers" (Columbia, 2005; Rye Field, 2007; Guangxi Normal University Press, 2008), "A History of Pain: Trauma in Modern Chinese Literature and Film" (Columbia, 2008, Rye Field, 2012, Shanghai Sanlian, 2012), "Jia Zhangke's The Hometown Trilogy" (British Film Institute & Palgrave Macmillan, 2009; Guangxi Normal University Press, 2010) and the forthcoming book in Chinese "Memories of Shadows and Light: In Dialogue with the Cinematic World of Hou Hsiao-hsien" (INK, 2011).
He is also the translator of several novels, including "The Song of Everlasting Sorrow" (with Susan Chan Egan) (Columbia, 2008), "To Live" (Anchor, 2004), "Nanjing 1937: A Love Story" (Columbia, 2002, Anchor, 2004, Faber & Faber, 2004), and "Wild Kids: Two Novels about Growing Up" (Columbia, 2000). His work has been recognized by an NEA Translation Grant (2008), an Honorable Mention for the MLA Louis Roth Translation Prize (2009), and he has served as a Jury Member for the Golden Horse Film Festival (2010).
For more information, see: http://www.eastasian.ucsb.edu/content/people_berry.html

 

Customer Reviews

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Comprehensive look at Chinese auteurs, May 20, 2006
By 
N. Cai (Fremont, CA USA) - See all my reviews
(REAL NAME)   
Fascinating interviews from virtually every prominent Chinese director working today, including Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Ang Lee, Hou Hsiao-hsien, and Edward Yang. Although, curiously, missing perhaps the most influential and "hip" auteur of all, Wong Kar-wai, it also includes some young up and comers like Jia Zhangke, Zhang Yuan, and Li Yang. The question and answer sessions, conducted by the author over the past several years from around the world, ranging from their home turfs to various promotional visits in New York, etc, show detailed research and preparation aforehand. The interviews delve into the personal histories of the filmmaker to see what cultural and historical experiences, especially during their adolescence and developing years, influenced their works (eg. parents dying during Mao's Cultural Revolution, social turmoil during the Taiwanese revolts against Nationalist hegemony). Interviews then follow into their filmographies, with their key works (eg. Tian Zhuangzhuang's "Horse Thief", Edward Yang's "A Brighter Summer Day") questioned in depth.

The filmmakers were usually very forthcoming about their works, such as the effect of censorship by the government, regrettable choices in project selection (eg. Chen Kaige's foray into Hollywood with "Killing Me Softly"), and the difficulty in trying success in Asia with the poorly developed distribution system and rampant piracy. Extensive bibliographies following each chapter offer more analysis if the reader is interested. Overall, a comprehensive and illuminating look into the minds and works of the most prominent auteurs in and around China.

Those interested in the prominently featured "Fifth Generation" may want to take a gander at Memoirs from the Beijing Film Academy: The Genesis of China's Fifth Generation (by Zhen Ni).
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Great!, September 26, 2010
By 
Q. Yockman (Houston, TX, USA) - See all my reviews
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Amazon Verified Purchase(What's this?)
This is exactly what I needed for my film class, but it was in such remarkable condition! When they say "Like New" they mean exactly that! Thanks.
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