The Spell of the Sensuous: Perception and Language in a More-Than-Human World (Paperback)

~ (Author) "LATE ONE EVENING I STEPPED OUT OF MY LITTLE HUT IN THE rice paddies of eastern Bali and found myself falling through space..." (more)
Key Phrases: Distant Time, North America, Western Apache (more...)

Editorial Reviews

Amazon.com Review

David Abram's writing casts a spell of its own as he weaves the reader through a meticulously researched work that gently addresses such seemingly daunting topics as where the past and future exist, the relationship between space and time, and how the written word serves to sever humans from their primordial source of sustenance: the earth.

"Only as the written text began to speak would the voices of the forest, and of the river, begin to fade. And only then would language loosen its ancient associations with the invisible breath, the spirit sever itself from the wind, the psyche dissociate itself from the environing air," writes Abram of the separation caused by the proliferation of the written word.

In writing The Spell of the Sensuous, Abram consulted an engaging collection of peoples and works. He uses aboriginal song lines, stories from the Koyukon people of northwestern Alaska, the philosophy of phenomenology, and the speeches of Socrates to paint a poetic landscape that explains how we became separated from the earth in the first place. With minimal environmental doomsaying, Abram discusses how we can begin to recover a sustainable relationship with the earth and the nonhuman beings who live among us--in the more-than-human world. --Kathryn True

From Publishers Weekly

How did Western civilization become so estranged from nonhuman nature that we condone the ongoing destruction of forests, rivers, valleys, species and ecosystems? Santa Fe ecologist/philosopher Abram's search for an answer to this dilemma led him to mingle with shamans in Nepal and sorcerers in Indonesia, where he studied how traditional healers monitor relations between the human community and the animate environment. In this stimulating inquiry, he also delves into the philosophy of phenomenologists Edmund Husserl and Maurice Merleau-Ponty, who replaced the conventional view of a single, wholly determinable reality with a fluid picture of the mind/body as a participatory organism that reciprocally interacts with its surroundings. Abram blames the invention of the phonetic alphabet for triggering a trend toward increasing abstraction and alienation from nature. He gleans insights into how to heal the rift from Australian aborigines' concept of the Dreamtime (the perpetual emerging of the world from chaos), the Navajo concept of a Holy Wind and the importance of breath in Jewish mysticism.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 352 pages
• Publisher: Vintage; 1st Vintage Books Ed edition (February 25, 1997)
• Language: English
• ISBN-10: 0679776397
• ISBN-13: 978-0679776390
• Product Dimensions: 7.9 x 5.1 x 0.8 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (45 customer reviews)
• Amazon.com Sales Rank: #16,403 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

82 of 84 people found the following review helpful:

5.0 out of 5 stars Put down your books; learn to read the world around you. . ., January 15, 2001

By	Ruth Henriquez Lyon (Duluth, Minnesota USA) - See all my reviews (REAL NAME)

The Spell of the Sensuous reveals how our Western worldview has evolved to be based on literacy, abstract thought, and separation from the body. By "the body" I mean not just our individual, animal bodies, but the body of the earth and the material cosmos. By removing ourselves from this sensuous realm, we have lost the connection to "the living dream that we share with the soaring hawk, the spider, and the stone silently sprouting lichens on its coarse surface."

There is a paradox here, because Abrams' book exposes the drawbacks of literacy and abstract, logical thinking. But it is itself a piece of very well-argued written discourse. However, it works, and not just because Abrams' arguments are so convincing. Part of their power stems from the fact that Abrams is an artist; he has the gift of using words and imagery that can reach below the logical brain to inspire a more direct way of perceiving the world. The result is a book which is a moving combination of philosophical writing and pure poetry.

Abrams works from a phenomenological standpoint, and the book begins with a discussion of phenomenology's history and major ideas.* This is a readable and unintimidating introduction to the subject. Abrams then proceeds to show how, starting at the time of alphabetization, the Western mind began to grow away from direct physical knowing of the world and toward abstract, conceptual representations. Our language became removed from nature, and helped us to remove ourselves from it and to inhabit an almost entirely human-centered world.

As a counterpoint to the Western use of language, Abrams goes on to show how people in non-literate cultures use language as a way to connect with the body and the physical realm. In these oral cultures language "is experienced not as the exclusive property of humankind, but as a property of the sensuous life-world." In other words, the world--the animals, plants, stones, wind--speaks a language that most of us can no longer hear. Abrams explores indigenous oral poetry and stories to illustrate this entirely other way of experiencing language.

My first reading of this book triggered a conversion of sorts. It spun me 180 degrees, from the world of concepts to the world of immediate perception. I'm on my third reading now and still incorporating teachings passed over previously. I am finding that returning my gaze to the uninterpreted physical world is a difficult practice, as I have been conditioned (like most Westerners) to run my experience through a filter of concepts and judgments. But, like meditation, this practice can help to loosen one's psyche from its "mind-forg'd manacles." For this reason, The Spell of the Sensuous is really a manual for liberating one's inner and outer vision.

*Phenomenology is the study of how we experience consciousness. Unlike many branches of philosophy which rely on arguments built in logical steps, phenomenology is more about how we perceive and feel the immediate play of events around and within ourselves. Thus it is less abstract and more experiential than many branches of philosophy. See http://www.phenomenologycenter.org/phenom.htm for more information.

21 of 21 people found the following review helpful:

5.0 out of 5 stars I'm waiting for his next book, October 15, 2002

By	Musher X (Ann Arbor, MI United States) - See all my reviews

I read this and loved it. Afterward, it occurred on me that I wouldn't be able to find anything as good for quite a while so I immediately read it again. Sure its about the intertwined relationship of our perceptions, language and the environment. I expected that. What I didn't expect and was very surprised by was how, after reading 80 or so pages, I walked outside and the world looked very different, much more alive and involving than before. I think that maybe after a new kidney or heart for the sake of a transplant, this may be the best present I could get. Its a great primer for folks lost in the muck of analytic philosophy about the world they live in. And for the people that don't care about philosphy, its like a wonderful love letter to the earth. This book rocks. I am anxiously awaiting the next book from David Abram. I've been waiting for about 4 years now. Dave, are you listening? We want another book. Thanks.

19 of 19 people found the following review helpful:

4.0 out of 5 stars language and the walls it generates, October 5, 1999

By	Frank Bierbrauer (Cardiff, Wales, UK) - See all my reviews (REAL NAME)

A fascinating odyssey through the mind, first with the philosophical viewpoint of phenomenology which at last tries to describe reailty as it shows itself to us/itself and the perspective of the other both indigenous peoples and animals and plants. At times lyrical and deeply personal and at others academic it nevertheless doesn't let go of the connection it forms at the beginning with tales of Abrams life. One feels that the experience of the world so honestly told throughout the book at times, provide the true wonder evident in Abrams life. It is a pity more of these experiences were not forthcoming. It reminds me of the answer given by a Zen student in Japan when asked about his practice : "the world is so beautiful you almost can't stand it"