Spider-Man Visionaries, Vol. 1: Todd McFarlane [Paperback]

David Michelinie (Author), Todd McFarlane (Illustrator)

Book Description

Series: Marvels Visionaries | Publication Date: August 1, 2003

Few men have left their mark on modern pop culture quite like Todd McFarlane. After a wildly popular run on Spider-Man, even holding the single comic sales record at one point, he went on to create the multimedia explosion known as Spawn. Through numerous projects over the years with his character, including a hit movie and video game, McFarlane has reached levels few others in the comic book medium have.

Editorial Reviews

Amazon.com Review

With his dynamic, near-contortionist figures and funky webbing, Todd McFarlane defined an era of Spider-Man art as Steve Ditko and John Romita did before him. Spider-Man Visionaries, Vol. 1: Todd McFarlane collects Amazing Spider-Man issues 298-305, in which Peter and Mary Jane are enjoying married life, and Spidey's still swinging in his black costume facing off against the Prowler, Silver Sable, and a handful of throwaway villains. But issue 300 is the payoff, introducing Spidey's most enduring post-Lee/Ditko foe, and one of the scariest villains ever: Venom, a byproduct of Peter's Daily Bugle rival Eddie Brock and the alien symbiote that formed Spidey's original black costume. Somewhat confusingly, this volume is followed by Spider-Man Legends, Vol. 2: Todd McFarlane. --David Horiuchi

From the Publisher

Earning his reputation on the ol' Webslinger, some of these issues are reprinted here for the first time. With his unique visual style and his dynamic action sequences, there are few like Todd McFarlane.

Product Details

• Paperback: 208 pages
• Publisher: Marvel Comics (August 1, 2003)
• Language: English
• ISBN-10: 0785108009
• ISBN-13: 978-0785108009
• Product Dimensions: 10 x 6.6 x 0.4 inches
• Shipping Weight: 14.7 ounces
• Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #771,522 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful:

3.0 out of 5 stars An overall review of the Spider-Man Visionaries series, April 14, 2005

By 

Babytoxie (Dallas, TX USA) - See all my reviews

This review is from: Spider-Man Visionaries, Vol. 1: Todd McFarlane (Paperback)

This review covers all 3 volumes of SPIDER-MAN VISIONARIES: TODD MCFARLANE, in order to let potential purchasers know what they're in for. These books collect issues 298 - 323, 325, 328, and Annual #10 of The Amazing Spider-Man. First off, in the past, I have voiced my disdain for Marvel's issuing "Visionaries" based solely on an artist rather than writer or writer/artist, and this is one of the prime examples. I think Marvel did writer David Michelinie a real disservice by listing McFarlane as the visionary. Sure, Todd was the hot artist at the time, but Michelinie crafted some fun scripts that really exploited Todd's artistic style and served as a almost 30-issue primer of most of Spidey's classic villains. No matter how good the art is, you need a worthwhile writer to back it up. In these issues, the writing is very involving, for the most part, and quite funny at times. It would be more appropriate to list both of these guys as the visionaries, as they both made the series a success.

On to the stories: after a two-issue warm up, we jump right into the first Venom storyline. Following issues are primarily one-shots, which have some unifying background plots, but serve primarily to make good use of Spidey's villains, as well as his supporting cast - while Peter Parker may be getting older, they are an essential part of his character (you just can't have Spider-Man without Aunt May, Flash Thompson, JJJ, and the rest of the gang). Some new characters help to keep things fresh. A few small complaints I have about Michelinie's writing are, he tries too hard at times to be funny - some of his jokes are real groaners, and quite dated when read today (I think that these comics would hold up a bit better without references to Pee-Wee Herman and Jane Fonda). Also, while I understand that Peter and MJ are married and do things that couples do, I could do without the sexual innuendo in their dialogue. Fortunately, this smooths out in the later volumes.

McFarlane's art in these stories is not as good as the work he did for The Hulk. Over the course of these 3 Spider-Man volumes, you unfortunately see his art metamorphose from fairly restrained into the exaggerated style he would exhibit in his own Spider-Man series, where he got a free ride as both "writer" and artist. His human figures start off looking fairly normal and eventually become the doughy potato heads we love to hate. MJ's hair and "chest" get bigger and bigger, her outfits get skimpier, and cheesecake shots abound. Venom's smile eventually consumes his head, and capes go from simple affairs to complex, physically impossible geometric figures. The reproduction of these issues is okay, but the recoloring stinks, as with most Marvel reprints. Colors frequently bleed outside the lines, and I can't figure out the doorman at Bedford Towers: so is he black or white? Depends on the month, apparently.

Some final cautions on these 3 volumes:
1) be aware that, at the time, there were 3 Spider-Man books on the shelves (Amazing, Peter Parker, and Web of SM), and their plots frequently wove together. There are numerous references to events in the other titles that hurt the smooth progression of the stories in Amazing Spider-Man, so every so often, you'll be hit from left field with a situation or character that was introduced months before in another title. While this made for interesting reading when these comics were originally released, now it only serves to confuse.
2) At the end of volume 3, you get slapped with an unwelcome 6-part(!) storyline that really drags compared to the more concise material in earlier books. What's really awful about this particular storyline is that part 5 is not included. Why? Because it was drawn by Erik Larsen!!! That's right: because these books focus on Todd McFarlane, you are denied a complete storyline! Unbelievable! They show the cover for the issue, with a short blurb in the corner that summarizes the issue, then on to part 6 like nothing happened. Marvel, I think it's time to end the focus on artists if it results in sloppy garbage like this.

5 of 5 people found the following review helpful:

4.0 out of 5 stars Some of the better Spiderman stuff out there, January 29, 2002

By 

Ray Cornwall "Ray in NJ" (Toms River, NJ United States) - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Spider-Man Visionaries, Vol. 1: Todd McFarlane (Paperback)

McFarlane's work on Amazing Spiderman was well-received by fans when these comic came out. He updated the visual tricks you could use in a Spiderman story, with funky webbing and a more dynamic page structure. Now, ten years later, these techniques still stand up well, though the work looks a little dated. But these are fun stories, and well worth the money.

4 of 4 people found the following review helpful:

3.0 out of 5 stars Pretty fun book, January 27, 2004

By 

Hizon "Jerry" (Makati Philippines) - See all my reviews
(VINE VOICE)   

This review is from: Spider-Man Visionaries, Vol. 1: Todd McFarlane (Paperback)

This is a compilation of Todd McFarlane's early works for Spiderman. Although his distinctive style is already pretty evident here, there's still something innocent and naive with the way he portrays he characters, unlike the tormented figures you see in Spawn and McFarlane Toys. As a collection, it's a hodge-podge, there's no clear story arc and time hasn't been kind to David Michelinie's writing style (unlike Frank Miller -- his early Daredevil work still packs a punch and is still fresh even if it was done 20 years ago). It's a basically a collection of stand-alone stories from the first appearance of Venom to guestings by second stringers like Silver Sable, Power Man and Iron Fist and the Prowler. I would like to make a special mention of that minor Marvel character. I don't know if the Prowler is McFarlane's idea but the way he drew him back then, it seems he was already doing the prototype for Spawn. From the cape to the design of the mask to the African American alter-ego, the similarities to his creation is very evident. The book is worth checking out just for that. All in all, the book is entertaining and brings back memories of my childhood/teen years.