The Magic Of Spider Woman (Turtleback School & Library Binding Edition) [School & Library Binding]

Lois Duncan (Author), Shonto Begay (Illustrator)

Book Description

Publication Date: August 1, 2000 | Age Level: 4 and up | Grade Level: P and up

FOR USE IN SCHOOLS AND LIBRARIES ONLY. Retells the Navajo tale of how a stubborn girl learns from the Spider Woman how to keep life in balance by respecting its boundaries.

Editorial Reviews

From Publishers Weekly

Duncan blends several versions of a Navajo myth for this relatively abstract moral tale. When the Fourth World is created, the girl who will be Weaving Woman misses the lessons in leading a balanced life the rest of the People receive. Spider Woman later teaches her how to weave, and warns her not to spend too much time at it. But she becomes obsessed with weaving a beautiful blanket-and her spirit gets trapped in it. Spider Woman herself has to pull a strand of wool loose to free her. To this day, Navajo weavers leave a "spirit pathway" in their blankets, "so the spirit of the weaver will not be imprisoned by its beauty." As in Begay's Ma'ii and Cousin Horned Toad, the graceful figures of the characters appear on dappled backgrounds, brightly colored against pastoral Western landscapes during happy times, darker and often spooky as Weaving Woman traps herself. Duncan's tale carries a thoughtful message, grounded in well-chosen details and adeptly relayed through her personable storytelling. Ages 6-9.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 3-6?Much more than a pourquoi tale, this story also concerns the rejection of obsession, even in the service of beauty, and recalls the Greek myth of Arachne. When Wandering Girl learns from Spider Woman how to make blankets from her sheep's wool, she is renamed Weaving Woman. She marries and spends a winter at her loom. In the spring, she discovers how to make dyes and is inspired to "create the most beautiful blanket in all of the world." As this goal consumes her, she forgets the Navajo Middle Way; her life loses its balance and her spirit becomes trapped in the blanket. Through a shaman's intervention, Spider Woman returns to pull a loose strand from the border, spoiling its perfection and freeing the weaver's spirit. Since then, the text adds, "every Navajo blanket has been woven with a pathway, so the spirit of the weaver will not be imprisoned by its beauty." The details Duncan adds from the Dineh creation story, as well as the happy ending, make it distinctively Navajo, as do Begay's light-spangled paintings. Significantly, in almost every one, the perfect rectangle of the illustration is broken by an element of the design extending beyond it: a visual reminder of the story's moral. The impact of the heroine's decision to use dyes is somewhat lessened by the brightly patterned clothing she wears throughout. Nevertheless, Begay's dramatic shifts of perspective, his innate sensitivity to the land and people depicted, and the text's powerful message about pride's deadly effects combine in an appealing and meaningful way.?Patricia (Dooley) Lothrop Green, St. George's School, Newport, RI
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Reading level: Ages 4 and up
  
• School & Library Binding: 32 pages
• Publisher: Turtleback (August 1, 2000)
• Language: English
• ISBN-10: 0613314395
• ISBN-13: 978-0613314398
• Product Dimensions: 11.2 x 8.7 x 0.4 inches
• Shipping Weight: 12.6 ounces
• Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #9,059,698 in Books (See Top 100 in Books)

More About the Author

Lois Duncan was born in Philadelphia, PA, and grew up in Sarasota, FL.
She knew from early childhood that she wanted to be a writer. She submitted her first story to a magazine at age 10 and became published at 13. Throughout her high school years she wrote regularly for young people's publications, particularly Seventeen.

As an adult, Lois moved to Albuquerque, NM, where she taught magazine writing for the Journalism Department at the University of New Mexico and continued to write for magazines. Over 300 of her articles and stories appeared in such publications as Ladies Home Journal, Redbook, McCall's, Good Housekeeping, and Reader's Digest, and for many years she was a contributing editor for Woman's Day.

Lois is the author of over 50 books, ranging from children's picture books to poetry to adult non-fiction, but is best known for her young adult suspense novels, which have received Young Readers Awards in 16 states and three foreign countries. In 1992, Lois was awarded the Margaret A. Edwards Award, presented by the School Library Journal and the ALA Young Adult Library Services Association for "a distinguished body of adolescent literature." In 2009, she received the Katharine Drexel Award, awarded by the Catholic Library Association "to recognize an outstanding contribution by an individual to the growth of high school and young adult librarianship and literature."

Six of her novels -- SUMMER OF FEAR, KILLING MR. GRIFFIN, GALLOWS HILL, RANSOM, DON'T LOOK BEHIND YOU and STRANGER WITH MY FACE -- were made-for-TV movies. I KNOW WHAT YOU DID LAST SUMMER and HOTEL FOR DOGS were box office hits.

Although young people are most familiar with Lois Duncan's fictional suspense novels, adults may know her best as the author of WHO KILLED MY DAUGHTER?, the true story of the murder of Kaitlyn Arquette, the youngest of Lois's five children. Kait's heartbreaking story has been featured on such TV shows as Unsolved Mysteries, Good Morning America, Larry King Live, Sally Jessy Raphael and Inside Edition. A full account of the family's on-going personal investigation of this still unsolved homicide can be found on the Internet at http://kaitarquette.arquettes.com.

Lois Duncan's personal web page is at http://loisduncan.arquettes.com.

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

4.0 out of 5 stars Why Do Navajos Always Put a Border on Their Famous Blankets?, July 19, 2007

By 

Lynn Ellingwood "The ESOL Teacher" (Webster, NY United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Magic Of Spider Woman (Paperback)

This is a native american folk tale explaining why the Navajo people always place a decorative border on their blankets. The art work is stunning but the writing is confusing and the story doesn't quite jell. The book is a good addition to book collections about native American folk tales but there are other books that are better than this one.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Good character building story, March 12, 2007

By 

Val "Val R" (OK) - See all my reviews

This review is from: The Magic Of Spider Woman (Paperback)

This book is one we have chosen to use as cultural enrichment in a classroom setting. It teaches character traits like integrity or being a person of your word and the consequences that go along with wrong choices. It is rich with cultural customs that can be brought "alive" to students in various subjects such as art, math and social studies. The illustrations are attractive and the overall look of the book and story is more current than some illustrations of Indian legends.