The Spirit Archives, Volume 15 [Hardcover]

Will Eisner (Author)

Book Description

Publication Date: February 1, 2005

It's the comics master at his best! Beautifully reprinting the newspaper strips from one of Eisner's most creative periods, July 1947 through December 1947, THE SPIRIT: ARCHIVES VOL. 15 continues the saga of the legendary masked adventurer and his never-ending quest to "aid the weak and the oppressed." An action-packed adventure of heroism, this volume of the classic tale is sure to please!

Editorial Reviews

From Booklist

This significant DC Archives volume gains immediate interest, unhappily, because of its author-artist's recent death at 87. Eisner was a towering figure in the comics world, active to the end (the field's foremost annual achievement awards are named Eisners after him). Libraries may be more partial to his later graphic novels depicting Jewish life in America, but the Spirit strips are his seminal work, displaying the innovative layouts, noirish illustration style, and slam-bang plots that influence other artists to this day. Gordon Flagg
Copyright © American Library Association. All rights reserved

Product Details

• Hardcover: 196 pages
• Publisher: DC Comics (February 1, 2005)
• Language: English
• ISBN-10: 1401201628
• ISBN-13: 978-1401201623
• Product Dimensions: 6.6 x 0.7 x 10.5 inches
• Shipping Weight: 1.4 pounds
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #1,379,460 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

17 of 17 people found the following review helpful:

5.0 out of 5 stars Great Work From a National Treasure, January 7, 2005

By 

Ian Fowler (Denver, CO United States) - See all my reviews
(REAL NAME)   

This review is from: The Spirit Archives, Volume 15 (Hardcover)

I write this review just days after the death of Will Eisner. I came to be fan of his work rather recently (4 years ago or so), specifically because DC Comics had begun archiving his most famous creation, the Spirit.

I'm not sure if Eisner was at his pinnacle here, simply because once Eisner came back to the series after WW II, the quality of the series continued to go up. Each volume has been better than the last. I suppose when the series is completely archived, I'll know for sure. As it stands, what is collected in the volume is just great.

Eisner was obviously continuing to play around with the medium proper, as well as the weekly seven-page format. In this volume, Eisner creates six stories comprising an extended continuing arc. Three stories are dedicated to the Spirit's "final" battle with the arch-nemesis, the Octopus. A master criminal, the Octopus's face was never seen (save for one brief glimpse of his eyes), only his gloved hands, which were more than capable of communicating his evil. While the Spirit triumphs (although not completely, as the epilogue suggests), the battle leaves him blind. Thus follows another three stories as the Spirit attempts to go about his crime-fighting without his sight. The third story, "Into the Light", is one of the greatest Spirit stories ever, as Eisner allows an unusual amount of internal monologue from the Spirit, as he sinks deeper into despair.

While Eisner was in the Army, his various substitutes on the series allowed many of his most famous concepts and characters to go dormant. When Eisner returned, he brought those ideas out in full force, as well as adding new ones. He dusted off the year-end "Christmas Spirit" stories, brought back Spirit ally Satin, and pulled back the focus off of pure crime stories. He also added new femme fatale P'Gell (see volume 13), a basically amoral female foil for the Spirit who played an interesting ongoing role in the Spirit's adventures, including uneasy ally. In this volume, Eisner introduced another supporting character, Patrolman Sam Klink, who at first seeks to show-up the Spirit in the crime-fighting biz, but eventually becomes his staunchest ally.

Conceptually, Eisner also introduced "the Halloween Spirit" series, as well as "The Spirit's Favorite Fairy Tales for Juvenile Delinquents", little parodies of fairy tales that incorporate unsavory characters in familiar roles. These are clever little stories, with nifty twists on old favorites, incorporating elements of hard-boiled fiction, nifty satire, and a dose of comedy reminiscent of the Warner Brothers "Merry Melody" cartoons.

Finally, Eisner was noticeably more satirical in this volume. The most obvious one is "Li'l Adam" a parody of the comic strip biz, as someone tries to murder Al Slapp (read "Li'l Abner" creator Al Capp). Was it one of his rivals (all dopplegangers for famous strip creators)? A second one, also quite funny, is "U.F.O", an alien invasion story written in response to the supposed landing at Roswell, N.M., as well as a being a jab at the hubris of celebrity, personified by Awsome Bells, a clever parody of Orson Welles. Eisner could be satirical, but never quite so bitingly.

We've lost a national treasure, and I'm glad to see people are recognizing it. Do yourself a favor and get this series, as well as his graphic novels. All are worth it.

6 of 8 people found the following review helpful:

4.0 out of 5 stars more Spirit fun, November 12, 2004

By 

Gagewyn (United States) - See all my reviews

This review is from: The Spirit Archives, Volume 15 (Hardcover)

The Spirit is a crime fighting hero who uses ingenuity and physical skill, rather than super powers, to defeat evil. He is witty likeable and politically incorrect. The comic pioneered many layout techniques and so many super heros are modeled after The Spirit. The story lines and comics hold up even now more than 60 years later and I recommend for comic book fans to try out the series.

Volume 15 contains Spirit comics published from July 6, 1947 to December 28, 1947. They feature P'Gell and The Octopus among other villains. The introduction is by N.C. Christopher Couch, co- author of The Will Eisner Companion.

I recommend this series to all comics fans. The Spirit was very influential and the stories are still good to read now. I recommend that libraries consider purchasing the entire series, because this is a unique opportunity to archive the entire run of a very influential comic.