From Publishers Weekly
In the early 1880s, Black Hawk, a Lakota medicine man living on the Cheyenne River Sioux Reservation in South Dakota, was commissioned to create 76 drawings by a local trader. Paid 50 cents per image, Black Hawk created a uniquely rich series capturing his dreams, Lakota religious rituals and scenes of hunting and animal life. The drawings, now in the collection of the Fenimore Art Museum in Cooperstown, N.Y., form the basis of this book, and they are astonishing. Black Hawk's Dream or Vision of himself changed to a destroyer is uncannily like a Hieronymous Bosch nightmare, while his detailed views of Animal medicine society rituals, in which participants dressed in skins of various beasts, boast both precision and intense spirituality. Perhaps most amazing of all are his drawings of animals, especially bats and bears, which unite a naturalist's observation with a gripping narrative suggestiveness. Use of color, although clearly limited to the choice of pencils the impoverished artist owned, is subtle and gratifying. All 76 drawings are beautifully reproduced here in full color and are attractively and accessibly laid out, along with 16 b&w details. A University of Rochester professor of gender and women's studies and art history, Berlo (Plains Indian Drawings 1865-1935) provides expert historical and cultural context for the images. Black Hawk is certainly one of 19th-century America's great artists; this is a must-have item for libraries and collectors with even the slightest interest in American art and history, and stores will find that despite the price, browsers will not want to part with it. (Dec.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
In winter 1881, a trader at the Cheyenne River Sioux Reservation in South Dakota paid Black Hawk, a Lakota, 50? for each picture he drew. The trader then bound 77 of these works in a book that was only rediscovered in 1995. These pictures, simple, two-dimensional line drawings in colored pencil, are an amazingly detailed record of the life, clothing, customs, and ceremonies of the Lakota Sioux. The drawings show the eye of an incipient ethnologist in attention to the fine detail of a medicine pouch or a bone necklace. A previous book by Berlo (art history, Univ. of Rochester), Plains Indian Drawing, 1865-1935, paved the way for this book. Here she offers a very readable yet scholarly overview of Native American art and culture, the history of this troubled era, the cosmology that affected customs and religion (including the Sun Dance), and a look at Black Hawk's environment. Mostly, she examines the 77 plates, which, with her careful explication, become wonders. Far more than a picture book, this is a good addition for general as well as art and Native American collections. Gay Neale, Meredithville, VA
Copyright 2001 Reed Business Information, Inc.