Spirit Of The Moment: Live At The Village Vanguard [Live]

Joshua Redman | Format: Audio CD

Product Details

• Audio CD (August 29, 1995)
• Original Release Date: August 29, 1995
• Number of Discs: 2
• Format: Live
• Label: Warner Bros / Wea
• ASIN: B000002MYR
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #46,512 in Music (See Top 100 in Music)
  • #20 in Music > World Music > Caribbean & Cuba > Calypso

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

4.0 out of 5 stars Young Jazz Lion Tells The Same Old Story, But A Good One, May 1, 2000

By 

Anthony G Pizza "trivialtony" (FL) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Spirit Of The Moment: Live At The Village Vanguard (Audio CD)

Playing in a New York City club as honored in jazz circles as Yankee Stadium is in baseball (and where grand slam saxmen John Coltrane and Sonny Rollins gave some of their finest performances), new saxophone star Joshua Redman follows the tracks of jazz giants but gets a few base hits of his own.

He's helped by a receptive audience (which he thanks in the liner notes by saying, "Through you, jazz lives.") and first-rate combo including outstanding solos from pianist Peter Martin and drummer Brian Blade (who strikes several musical conversations and gospel style call-and-response with Redman, even contributing the atmospheric piece, "Mt. Zion.") Redman borrows slightly, but beautifully, from the master's "My Favorite Things" in his own "Second Snow," a lengthy composition featuring his melodic soloing against Martin's McCoy Tyner-ish piano intro.

Redman also dips into standards with mixed success; a straight, soulful rendition of "My One and Only Love," and a version of "Just In Time," that misses some of Jule Styne's lyric swing while launching off into four sharp solos. (He also has the habit of extending notes at finales to annoyance.)

Overall, "Spirit Of The Moment" recalls much of the traditional jazz known (and loved) before. But when most new jazz stars fall under the "smooth" banner (with critical barbs and high sales that entails), Redman's performances in this live setting show him and his combo to be growing jazz talents. Recommended.

17 of 17 people found the following review helpful:

4.0 out of 5 stars fun set, May 6, 2004

By 

Rob Watkins (Augusta, Georgia United States) - See all my reviews
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This review is from: Spirit Of The Moment: Live At The Village Vanguard (Audio CD)

two minutes into this double cd, and you will remember why you love jazz in the first place--it's flat out fun! occasionally, jazz artists, critics, fans, et al, get lost in their own rhetoric defending the art of jazz and forget that jazz, like all music, is supposed to be fun. jazz is a wonderful art form, giving voice to the purely improvisational, the free spirit within us that compels us to create, to respond to our environment, and reveal the depth and breadth of feeling carried within us. mr. redman is more than proficient. he is an artist and an improviser of high order. but he also remembers to swing, to dance, and play. right from the get-go this album captures your heart and soul and for the next couple of hours holds you there. when you're done, you don't feel exhausted, but refreshed, like you would have been had you been in the vanguard the night this went down. this is a great live set by an artist who keeps right on enjoying what he's doing. enjoy!

12 of 12 people found the following review helpful:

4.0 out of 5 stars Spirited session, July 26, 2000

By 

Tyler Smith (Denver, CO United States) - See all my reviews
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This review is from: Spirit Of The Moment: Live At The Village Vanguard (Audio CD)

Redman delivers a ton of music on this two-CD collection of tunes gathered over a five-night stand at the Village Vanguard in 1995. There's nearly two and a half hours of music here, and most of it is well worth listening to, although there are times that Redman's relative youth is revealed and the sessions drag a bit.

There's no question that on the uptemp stuff, Redman is in complete command. "Herbs and Roots," "Slapstick" and a fine rendition of Sonny Rollins' "St. Thomas" display his ability to burn through changes and to play all over the instrument without stumbling or losing his way. He's also very strong when he takes on the Coltranesque "Lyric," which winds up the second CD. He captures the passionate spirituality of Trane's music in this tune.

All of Redman's bandmates are major assets. Chris Thomas is solid on bass, Peter Martin is fleet on piano and capable of delivering lyricism and fire, and Brian Blades is quite simply one of the best young drummers out there.

The biggest complaint I have is that Redman hasn't quite found his voice on ballads and slower-tempo numbers yet, and that weakness is exposed on a couple of tunes on the CD, most notably "My One and Only Love." Here the saxophonist sounds uncertain of what he wants to do. He meanders around, seems to stray from the tune's lovely melody and generally presents a far different musical voice than the one we heard on the cookers. For contrast, play Coltrane's version, which he recorded with Johnny Hartmann. The difference in command is startling.

A personal gripe (I'm sure many won't agree) is the pointed inclusion of crowd noise. The crowds at the Vanguard were obviously huge Redman fans and they applaud heartily -- and distractingly -- for almost everything he does. I guess I come from a different listening generation. Jazz fans used to spend more of their time listening and saved their applause for when the musicians had finished their statements. This sounds more like a rock crowd.

That quibble aside, this is a good value and a useful document of Redman's continuing -- and very interesting -- development.