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Editorial Reviews
Best-known for his 1970 hit Spirit in the Sky, Massachusetts born Norman Greenbaum issued his debut LP of the same name in 1969, releasing several singles before reaching #3 [US] with the smash title track, which sold some two million copies. It proved to be Greenbaum's only hit, however, as follow-ups like 1970's Canned Ham and the next year's California Earthquake weren't to hit the same giddy heights. One listen to this very well compiled 24 track overview reveals a very consistent & memorable singer/songwriter, who has pleasantly surprised many a recent convert.
--This text refers to an alternate
Audio CD
edition.
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Most Helpful Customer Reviews
23 of 25 people found the following review helpful:
3.0 out of 5 stars
Doesn't live up to hit single, but has something to offer,
By
This review is from: Spirit in the Sky (Audio CD)
Those looking to Greenbaum's solo debut for tracks that measure up to the cultural touchstone, "Spirit in the Sky," are likely to be disappointed. However, taken on its own merits, this 1969 release has something more to offer. In addition to the original 13 tracks, Varese's reissue adds three previously unreleased demos (including the original acoustic version of "Spirit in the Sky"), and a radio promo (whose layered editing must have sounded right at home on FM underground radio).
The leap from Greenbaum's acoustic demo to the finished production of "Spirit in the Sky" is an education in itself. The original, plucked on an acoustic guitar, shorn of the fuzz guitar and the Stovall Sisters backing vocals, fits more tightly with the simpler, hippie blues-pop that fills the rest of the album. Perhaps the most interesting thing about this reissue is just how out-of-place the final production of "Spirit" sounds. The dominating guitar riff and psychedelic intonations elevate this cut to a level beyond what Greenbaum was predominantly up to at the time. Listening to the demo, with Greenbaum's unadorned, wavery vocals, the focus returns to the lyrics, which turn out to have the same sort of opacity as many other cuts. It's this fuzziness that allowed "Spirit" to be interpreted as everything from proto-Christian rock to ironic, nearly anti-religious ideas. And its the original spirit of the lyrics, heard in the demo, that connects the song to the album. The remaining tracks range from memorably melodic pop ("Skyline" "School for Sweet Talk") to Dan Hicks-styled gospel ("Jubilee") to tin-pan alley ("Chocolate Milk"), to rock, blues and soul (including some nice horn charts and wah-wah guitar). The topics include many hippie lifestyle classics, such as farm life and dope smoking ("Tars of India"). The follow-up single, "Canned Ham" (which stalled out at #46) is also included. It's hard to know how these tracks would fare, had they not been born in the shadow of "Spirit in the Sky." Players include personnel from Sopwith Camel, Crowfoot, and Dan Hicks' Hot Licks. The liner notes by Wayne Jancik include an interesting interview with Greenbaum himself, but points off to Varese for printing them against a background that makes reading so difficult!
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Spirit in the Sky!!!!!!,
By
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This review is from: Spirit in the Sky (Audio CD)
I had this album in vinyl back when.
Spirit in the Sky is a classic Rock must have. Not really typical of the rest of Mr. Greenbaum's work as I see it. Norman Greenbaum has a quirky kind of appeal when I am in the right mood. Spirit in the Sky is my favorite cut. Rather than get it on some compilation album I opted to get the full CD. Which also gives you the bonus Spirit in the Sky demo version and Save Me for a Rainy Day. I was glad to revisit Milk Cow and Good Lookin' Woman.
3 of 4 people found the following review helpful:
5.0 out of 5 stars
spirit in the sky... and plenty more where that came from,
By
This review is from: Spirit in the Sky (Audio CD)
You know what's funny to me?
Over the last 20 years I've been listening to FM radio (well that's not entirely true- the last 10 years FM radio has been terrible IMO so I only listen in occasionally) disc jockeys have ALWAYS been saying Norman Greenbaum is only famous "for one big hit". Constantly beating this fact into our head, implying it's the only song of his worth knowing. Yes, he's only famous for "Spirit in the Sky", but guess what? The quality of his songwriting makes him a LOT better than people (particularly radio stations) have been giving him credit for, and as a result of his superior songwriting skills, it's *well* worth hearing this album. "Skyline" is a HIGHLY memorable pop song similar to something Donovan could have created, and the crying and soothing guitar playing and beautifully sung vocal melody makes this song a clear winner in my mind. "Junior Cadillac" has a great jazzy section reminiscent of Chicago perhaps, and "Milk Cow" is a slightly hilarious take on the blues with, once again, highly enjoyable vocals and arrangements. Ignoring this wonderful artist because you're supposed to follow the false belief he only had one good song would be a mistake of gigantic proportions. Get this album as soon as possible.
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