From Publishers Weekly
Fans of Plummer's acclaimed Shakespearean performances or his stately film roles, from Captain von Trapp in
The Sound of Music to the Klingon General Chang in
Star Trek VI, may not recognize him in this breezy, bawdy memoir. Plummer drinks and parties his way through a six-decade career; beds starlets, prompters and wardrobe girls; and endures countless mid-performance indignities and pratfalls. (Lesson repeatedly learned: actors and stagehands should not get drunk right before the show.) Plummer is ebullient, a bit hammy (I cried myself to sleep for weeks, he sobs, after his dog Toadie dies), full of canny insights into the actor's craft and prone to occasional stabs of self-reproach over his own failed marriages, aloof parenting and unjustified tantrums. Throughout, he's an enchanting observer of the showbiz cavalcade, drawing vivid thumbnails of everyone from Laurence Olivier to Lenny Bruce and tossing off witty anecdotes (George C. Scott turned up at our doorstep one morning at 4:30 a.m. looking most sinister and as usual dripping blood from head to toe) like the most effortless ad libs. The result is a sparkling star turn from a born raconteur for whom all the world is indeed a stage. Photos.
(Nov. 11) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“For anyone who loves, loves, loves the theater, not to mention the vanished New York of the 1950s and ‘60s. . . a finely observed, deeply felt (and deeply dishy) time-traveling escape worthy of a long stormy weekend. Just grab a quilt and a stack of pillows. No need for a delectable assortment of bonbons. They’re in the book. . . In spite of himself–his relentlessly high artistic principles; his penchant for playing the underdog, even when he was the star; his keen ear equally attuned to the precision of Elizabethan verse and to what passes as truth across a whiskey at 5 a.m. . . . this man has experienced a life rich in textures, and he is able to give most of them glorious voice. His is a life in the theater lived hard and true, in the grand tradition of those distinguished players who went before, whom he surely made proud. Good sir! I raise my glass to you.”
—Alex Witchel,
The New York Times Book Review “A staggering parade of theater-world luminaries struts, swaggers and, yes, occasionally staggers through this compulsively readable memoir. . . Mr. Plummer seems to have worked with just about everyone imaginable–Ruth Chatterton and Katherine Cornell, Jason Robards and Laurence Olivier, Julie Harris and Judith Anderson, Tyrone Guthrie and Edward Everett Horton (!) – and he has a tasty anecdote about onstage, backstage or drinking-hole doings about every single one of them.”
—Charles Isherwood,
The New York Times
“ [A] splendid, lively memoir, and for that matter a fair description of his life and personality… An immensely satisfying memoir, of rare grace, good humor, and unapologetic self-honesty…. as rich as a Christmas pudding… Plummer’s book is chockablock with a lifetime’s worth of good stories, interesting people and memorable performances, the distillation of a great career, and, I would guess...
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