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Track Listings
| 1. Take Me I'm Yours |
| 2. Slap And Tickle |
| 3. Up The Junction |
| 4. Goodbye Girl |
| 5. Cool For Cats |
| 6. Pulling Mussels (From The Shell) |
| 7. Another Nail In My Heart |
| 8. Tempted |
| 9. Is That Love |
| 10. Labelled With Love |
| 11. Black Coffee In Bed |
| 12. Hourglass |
| 13. Some Fantastic Place |
| 14. Loving You Tonight |
Editorial Reviews
It's 1973 in South London. Teenage friends Chris Difford and Glenn Tilbrook form the band that will see them dubbed The New Lennon and McCartney. Over 35 years later, with their legacy intact and as vital as it has ever been, Squeeze are still touring and reminding fans worldwide just why they have left such an indelible impression on the UK & US music scene.
As befits one of the UK s much-loved acts, there is no end of Squeeze fans currently wearing their influences firmly on their sleeve, whether it be Mark Ronson, Kasabian, Supergrass, Lily Allen, The Feeling or Razorlight. With their fingerprints keenly felt throughout the fabric of popular music, it is only right that these songs, with their evergreen and popular sound, continue to be played and enjoyed live. And so since 2007, a newly reformed Squeeze have been slowly finding time to play a series of gigs and festival dates, preferring to reaffirm their abilities as a band rather than follow some of their peers who have come out in a blaze of publicity, only to be met with disappointment. The new Squeeze line-up, their most able yet, is completed by Squeeze veteran John Bentley and Tilbrook's Fluffers cohorts Simon Hanson and Stephen Large.
As befits one of the UK s much-loved acts, there is no end of Squeeze fans currently wearing their influences firmly on their sleeve, whether it be Mark Ronson, Kasabian, Supergrass, Lily Allen, The Feeling or Razorlight. With their fingerprints keenly felt throughout the fabric of popular music, it is only right that these songs, with their evergreen and popular sound, continue to be played and enjoyed live. And so since 2007, a newly reformed Squeeze have been slowly finding time to play a series of gigs and festival dates, preferring to reaffirm their abilities as a band rather than follow some of their peers who have come out in a blaze of publicity, only to be met with disappointment. The new Squeeze line-up, their most able yet, is completed by Squeeze veteran John Bentley and Tilbrook's Fluffers cohorts Simon Hanson and Stephen Large.
Customer Reviews
Most Helpful Customer Reviews
29 of 29 people found the following review helpful
Format:Audio CD
Indeed, this WAS done in order for Difford and Tilbrook to profit from their great songs. Having signed away way too much of their rights to their original recordings, they've sadly made nothing from greatest hits packages like "Singles--45s and Under" that so many people have bought. That travesty really leaves them little choice, so I wish them well with this effort. As a drummer, though, I still feel Gilson's absence in everything that they've put out since '91. Simon Hanson tries harder than ever here to copy the big man's licks, but I don't know if anyone can do that to my liking. Maybe I'll listen to it on a bigger stereo with a nice subwoofer to see if that helps, but for me Gilson's snappy and smart style was a big part of what made them great and if he's not here for this task then it will always be impossible to pull off completely. I saw Squeeze a few weeks ago and the practice that they went through for this CD definitely showed...they were really tight, and really good, with Simon and everyone playing well and Glenn's voice virtually the same as 30 years ago. Glenn's a tad raspier in places on this CD perhaps, but if you've never heard the original recordings you surely wouldn't know. Buy it for a youngster and show them how the great ones did/do it!
23 of 24 people found the following review helpful
Format:Audio CD
Yes, new material will be great when it comes, but with their musical creativity never in question, Chris Difford and Glenn Tilbrook had two aims with this brilliant idea. Firstly, to "own" a piece of the many musical gems they have created. They admit to this. Secondly, to prove that they still have all of the technical talent and physical ability to sing, play, and produce a record exactly as they did in their youth on the major record labels. I've always wanted to see if a musical artist could pull something like this off. These aren't just alternate takes from the same day, studio, and producer. These are self-produced versions decades removed from the originals, but so faithful to the originals it scares me. I'm sure it was a painstaking process.
Imagine the Beatles if they were all still with us, going into a studio and attempting to record "A Hard Day's Night" again in 1994 and making it sound like the 1964 original. The result would be quite interesting. How about Rembrandt duplicating one of his early masterpiece paintings thirty years later? Both paintings would still be almost priceless today.
Squeeze fans will think Gilson Lavis is providing the beat on "Another Nail in My Heart", and Jools Holland is doing the piano solo on "Pulling Mussels From the Shell". Difford & Tilbrook surprisingly sound 21 years old on "Cool for Cats" and "Up the Junction" respectively.
Now let's have fun spotting some of those tiny differences. The biggest is that Tilbrook does the lead vocal on "Loving You Tonight", achieving something he could never do on "Tempted": He sings the song every bit as good as (and maybe better than) Paul Carrack. Carrack guests on "Tempted" and sings it straight, but some slight phrasing differences are revealed. In the chorus of "Another Nail...", D & T shorten the vocal note on the words "found" and "tough". "Black Coffee in Bed" has less echo on the guitar solo, and the preaching vocals during the fade out are more soulful and clear. Tilbrook does nearly perfect copies of all the guitar solos, with split seconds of differences here and there making it interesting. John Bentley on bass is at his early 1980s best. I believe I notice a difference in the synth pattern on "Goodbye Girl". Recorded DIY style with updated technology and equipment, I find I prefer the sound profile of many of these cuts slightly over the originals I have loved. This project has pressed the reset button on this band, bringing back the feeling of energetic New Wave freshness, and preparing the current lineup for the time when new material is to be recorded, and supporting tour commenced.
Imagine the Beatles if they were all still with us, going into a studio and attempting to record "A Hard Day's Night" again in 1994 and making it sound like the 1964 original. The result would be quite interesting. How about Rembrandt duplicating one of his early masterpiece paintings thirty years later? Both paintings would still be almost priceless today.
Squeeze fans will think Gilson Lavis is providing the beat on "Another Nail in My Heart", and Jools Holland is doing the piano solo on "Pulling Mussels From the Shell". Difford & Tilbrook surprisingly sound 21 years old on "Cool for Cats" and "Up the Junction" respectively.
Now let's have fun spotting some of those tiny differences. The biggest is that Tilbrook does the lead vocal on "Loving You Tonight", achieving something he could never do on "Tempted": He sings the song every bit as good as (and maybe better than) Paul Carrack. Carrack guests on "Tempted" and sings it straight, but some slight phrasing differences are revealed. In the chorus of "Another Nail...", D & T shorten the vocal note on the words "found" and "tough". "Black Coffee in Bed" has less echo on the guitar solo, and the preaching vocals during the fade out are more soulful and clear. Tilbrook does nearly perfect copies of all the guitar solos, with split seconds of differences here and there making it interesting. John Bentley on bass is at his early 1980s best. I believe I notice a difference in the synth pattern on "Goodbye Girl". Recorded DIY style with updated technology and equipment, I find I prefer the sound profile of many of these cuts slightly over the originals I have loved. This project has pressed the reset button on this band, bringing back the feeling of energetic New Wave freshness, and preparing the current lineup for the time when new material is to be recorded, and supporting tour commenced.
14 of 14 people found the following review helpful
By rhussey
Format:Audio CD
The new recordings prove again that Squeeze songs stand the test of time. The songs sound great and Tilbrook and Difford still sound almost exactly like they did in 1980. One of the best things about this release is having some of their greatest hits recorded with the same players and then mixed/mastered at levels similar to other stuff on my ipod. My only gripe is that some of my favorites ("If I Didn't Love You") were not included. I have always liked Glenn Tilbrook's vocals on "Tempted" as much as Carrack's and wouldn't have minded a good studio recording with his lead but I like the nice change on "Loving You Tonight" just as well. Overall I would highly recommend this album and I can't wait for the next one with all new originals.
Most Recent Customer Reviews
5.0 out of 5 stars
Pop music at its finest
Who doesn't like Squeeze? I saw them do this album live and it was just as good. Another great way to listen to some classic pop.
Published 1 month ago by Nicholas
2.0 out of 5 stars
not great
I didn't like it much.I really liked Squeeze growing up, I had cosi fan tutti frutti, but I guess my tastes have changed.
Published 20 months ago by Mccleod
4.0 out of 5 stars
Support the Artists!
You can hardly "spot the difference" in these re-recorded tunes. "Tempted" isn't as spot on as the rest but since bad contract deals havn't made them much $; Buy this cd! Read more
Published 20 months ago by Kwebz
5.0 out of 5 stars
If you are a squeeze fan you will not be disappointed.
Wow. All the classics recorded. Who on earth had the b@ll$ to perform such a feat? And to do it so closely to the originals, and yet show some age - and grace? Read more
Published on May 12, 2011 by Stuart D. Golden
5.0 out of 5 stars
Practically Perfect In Every Way
Squeeze has occupied an off-and-on place in my affections for over 30 years. My parents came back to LA from a trip to England with "Cool for Cats" in the late Seventies and,... Read more
Published on March 13, 2011 by Steve Lanzarotta
5.0 out of 5 stars
Some Fantastic Place
I'm still on cloud nine revelling in the beauty of "Spot the Difference" by Squeeze. What an album! For a band to reunite and re-record their 20 to 30 year old classics replicating... Read more
Published on January 24, 2011 by Harrytunes
5.0 out of 5 stars
Do yourself a favour - check it out now!
The Live CD is just superb and reflects the many strengths of this latest talented line-up.
Spotting the difference enables you to consider just how great these tracks are -... Read more
Spotting the difference enables you to consider just how great these tracks are -... Read more
Published on November 2, 2010 by R. C. A. Pool
5.0 out of 5 stars
Squeeze stands the test of time
This new disc has excellent sound quality which you don't get from the older recordings and yeah, I can spot a lot of differences which sets it apart from the originals. Read more
Published on August 12, 2010 by Mrs. Toni Danchik
2.0 out of 5 stars
Spot The "Difference?"
A quizzical collection of 2010 re-recordings, SPOT strives to painstakingly copy every little nuance of 14 original (and sacred) Squeeze masters. Read more
Published on August 4, 2010 by robruto
3.0 out of 5 stars
TERRIFIC BAND, CRACK SONGWRITING TEAM - SO SO RECORD
Obviously released to cash in on the extensive American tour, and the Winter trek around the UK, Spot The Difference is possibly the most bizarre record Squeeze have ever released. Read more
Published on August 4, 2010 by Mr. Christopher J. Welch
