5 of 5 people found the following review helpful:
5.0 out of 5 stars
Exciting find!, February 29, 2000
By A Customer
This review is from: Stackridge (Audio CD)
Oh goody! I'm going to be reunited with my old friend Slark! (it seems I've found many a kindred spirit among these reviewers) Amazon.com, please include Slark among the audio tidbits so others will know (or remember) what we're talking about. I'm willing to bet that's the only reason many are buying this...long, long ago, in the days when FM radio was called Progressive Rock, a haunting tune called Slark was played late at night to arouse the heeby-jeebys -and enhance the acid trips- of listeners throughout the land...
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4 of 4 people found the following review helpful:
3.0 out of 5 stars
Classical Rock meets Sgt. Pepper, June 29, 1999
By A Customer
This review is from: Stackridge (Audio CD)
I bought the album for "Slark", an old favorite of mine. The rest of the CD is an interesting mix of classical-style theme and variation writing, mixed with a Beatles "Sgt. Pepper" flavor of bouncy tunes and lyrics that kids (young and old) can enjoy. I think that it will take some time before I can really hang onto what must have been side one of the LP, but side 2 with Marzo and Slark is very entertaining.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Obscure folky nostalgia still does it for me, April 27, 2006
This review is from: Stackridge (Audio CD)
I have a great deal of sentimental bias towards this album. It was the first LP my dad ever bought, and was so out of sync with what he and his friends listened to at the time (soul & reggae) that they dubbed it "Robin Hood music" and didn't let him play it in their presence. For as long as I can remember, I've had the darkly catchy melody to 'Slark' buried away in the back of my mind, and it's only since I got into prog rock a few years ago that I realised that's what this album is. Before that, it was just "weird".
It's not strictly prog, though. It's more like '68-'69 Beatles played by (English) country bumpkins using distinctly prog-like instruments (flutes & keyboards) to carry the lead melody lines. They are adventurous with their song structures too, switching tempo and instrumentation as songs progress. Above all, much of their music is great fun to listen to, with James Warren's twee and mystical lyrics floating harmonically over fiddle solos, stomping rhythm 'n' blues tracks and wistful proggy acoustic sections.
The production is a little uneven, but it adds character. As an album, you'd be hard pushed to find a more diverse collection of folk-prog songs (Jethro Tull included) that still seem to be strongly identifiable as Stackridge. They are basically a group of very talented, very playful and very English songwriters and multi-instrumentalists having a great time recording their debut album.
'Slark' and 'Three-Legged Table' must be identified as the highlights - both quite long, evolving pieces with several gear changes and irresistable pop hooks embedded in the folky oddness.
It won't go down in history, but I really do love it.
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